Korman collection of ceramics, glass and studio furniture delivered stunning results at Rago

Judy Kensley McKie, Fish Bench, $260,000 ($332,800 with buyer’s premium) at Rago.

LAMBERTVILLE, N.J. — Philadelphians Jane and Leonard Korman‘s collection of fine 20th-century American studio furniture, monumental ceramics, and glass sculpture overperformed at Rago November 9. The 96-lot sale’s complete results are available for review at LiveAuctioneers.

As anticipated, Fish Bench by studio furniture artist Judy Kensley McKie (b. 1944-), led the sale, hammering for $260,000 ($332,800 with buyer’s premium), way ahead of its $75,000-$100,000 estimate. All three McKie lots in the sale blew past their estimates.

Studio ceramicist Toshiko Takaezu (1922-2011) was another Korman favorite, with nine of her works in the sale. The top seller was Makaha Blue, a glazed porcelain piece from 1993. Estimated at $40,000-$50,000, it hammered for $100,000 ($128,000 with buyer’s premium).

French-Swedish furniture designer Ingrid Donat (b. 1957-) created this pair of Femme Girafe floor lamps in 2003 from patinated bronze and parchment. Competing bidders drove the final hammer price to $130,000 ($166,400 with buyer’s premium) against a $35,000-$45,000 estimate.

Though most of her works were untitled, Ruth Duckworth (1919-2009) nearly always gave things some sub-name to distinguish them. Her Untitled (Form 18990) carried a low $4,000-$6,000 estimate, but bidders drove the 1990 porcelain sculpture to the whopping sum of $50,000 ($64,000 with buyer’s premium).

Single-owner antique fire memorabilia collection sets estimates ablaze at Eldred’s

Two nineteenth century fire helmets, $3,250 ($4,160 with buyer’s premium) at Eldred's.

HANOVER, Mass. — Collecting takes dedication, passion for the subject and a lifelong commitment. Nowhere is that more visible then when single-owner collections of any type come to market. Invariably, they reveal as much about the collectors as they do the subject matter. The truth of this fact was on display when the antique fire equipment and memorabilia collection of Mr. and Mrs. Roger Leslie hit the block at Eldred’s November 9. Complete results are available at LiveAuctioneers.

The Leslie collection featured clear devotion to fire fighters and their historic legacy. There were not one but two antique fire trucks: a 1919 Ford Model T that passed, and a 1941 Seagrave-Ford that hammered for $7,000 ($8,960 with buyer’s premium).

Two 19th-century fire helmets fashioned from leather were also top sellers. One was for the Fall River, Massachusetts civic fire department, while the other featured a shield for “Whites One Fire Dept.,” from the era when fire fighting was conducted primarily by private firms. Estimated at $500-$1,000, the pair hammered at $3,250 ($4,160 with buyer’s premium).

Then, as it is today, fire departments formally acknowledge heroism and bravery in the line of duty. This lot of two presentation awards, a match safe and a memorial badge presented to Capt. W. O. Hunt of the Hingham Fire Department from 1889, were estimated at $300-$400, but fierce bidding drove the lot to $5,500 ($7,040 with buyer’s premium).

A five-piece lot of fire helmet shield holders of various designs — eagles, dragons and dogs — also burned through its $500-$1,000 estimate to hammer for $5,500 ($7,040 with buyer’s premium). A leather water bucket in remarkable original condition featured a gold-framed cartouche of a classical-looking female rushing to carry water to a fire. Estimated at $1,000-$1,500, it sold for $2,400 ($3,072 with buyer’s premium).

Alexander Calder tapestries and George Nakashima furniture triumphed at Piasa

George Nakashima, special order Minguren II dining table, €145,000 ($204,446 with buyer’s premium) at Piasa.

PARIS — George Nakashima furniture was the big winner in the three-sale, intra-day event at Piasa November 8. The day consisted of After Alexander Calder 53/100, Arts and Crafts – Made in America, and American Design. Complete results are available at LiveAuctioneers.

At just 15 lots, After Alexander Calder was a micro-sale entirely comprised of Calder tapestries, each numbered 53/100. The top earner was Doll – no. 53/100, which hammered at €62,000 ($87,427 with buyer’s premium).

The Arts and Crafts – Made in America sale was a 34-lot affair packed with fine examples of the early 20th-century design movement, split between the various Stickley brothers and Charles Limbert (1854-1923). Top-lot honors went to Limbert for his no. 243 oak bench dating to 1902. It hammered for €7,000 ($9,870 with buyer’s premium).

The third session, the 148-lot American Design sale, was dominated by 28 lots of George Nakashima furniture. The leader of the sale was a Minguren II dining table bearing the magical modifier “Special Order” — in this case, for a couple in Illinois in 1982. It hammered at €145,000 ($204,446 with buyer’s premium), just south of its top estimate.

Other victorious lots included a double chest of drawers (€38,000, or $53,584 with buyer’s premium) and a walnut and pandanus Special Order cabinet from 1958, accompanied by its original order slip (€35,000, or $49,354 with buyer’s premium).

A Solomon Grimm redware plate and a sketch of Benjamin Franklin cleaned up at Freeman’s

PHILADELPHIA — A fine collection of American antiques from the 18th and 19th centuries performed admirably at Freeman’s on November 15 as part of its American Furniture, Folk and Decorative Arts sale. Complete results are available at LiveAuctioneers.

A glazed, slip and sgrafitto-decorated redware plate by Solomon Grimm (1787-1847) was the sale’s top lot. Grimm’s well-known pottery talents have captivated collectors for generations, and this lot was no exception. Starting at $7,500, the bidding continued straight past the top estimate of $25,000 to land at $30,000, or $40,300 with buyer’s premium.

Made by William Seaver and Nathaniel Frost in Boston, this Windsor rocking cradle was fashioned from turned bamboo and retains the paper label from its retailer, Seaver & Frost on State Street in Boston. Made between 1799 and 1802, the rocker hammered for $26,000, or $39,060 with buyer’s premium, well above its $800-$1,200 presale estimate.

Revered by horse racing enthusiasts, Charles Spencer Humphreys (1818-1880) was another winner for Freeman’s. The Bay Trotter John Henry at the U.S. Agricultural Fair represents both horse and carriage jockey at the 1856 event held in West Philadelphia. The framed oil on canvas hammered for $26,000, or $39,060 with buyer’s premium, proving once again that the market for 19th-century equine art remains strong and healthy.

A sketch from life of Benjamin Franklin playing chess in Paris some time in the 1776-1783 period was a surprising winner as well. The piece, attributed to the Founding Father’s grandson, Benjamin Franklin Bache (1769-1798), was estimated at $4,000-$6,000 but sold for $18,000, or $23,580 with buyer’s premium.

Krampus figures: European folklore gave Santa Claus a dark side

Detail of an undated German Krampus figure with a fearsome devilish face, which sold for $1,700 plus the buyer’s premium in November 2017. Image courtesy of Bertoia Auctions and LiveAuctioneers.

NEW YORK – There’s a dark side to Christmas. It’s kind of inevitable, really; darkness is at its heart. The holiday’s origins go back more than 10,000 years, created to mark the time when those living in the northern hemisphere experience the shortest days of the year and thereafter begin to gain a little bit more sunlight each day on the journey to spring and summer. The chilling aspect of Christmas isn’t just the cold, and never has been. After all, one of the greatest tales of the season, Charles Dickens’s A Christmas Carol, is, unmistakably, a ghost story.

Entering the cultural consciousness roughly around the same time as A Christmas Carol was Krampus, a creature who inspired dread and terror in the naughty children of 19th-century Austria and southern Germany. Early depictions on Krampuskarten (Krampus cards) show him as a hairy, soot-blackened, Pan-like figure, but as time passed, Krampus came to resemble the devil of the Christian religion, with red skin, horns, and a sneering face. He takes his name from ‘Krampn,’ a Bavarian term for something that is shriveled or dried out. But as fearsome as he is, he never appears on his own. He is firmly tethered to St. Nicholas, serving as the yin to the jolly old elf’s yang: Santa Claus and anti-Claus.

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