LAMBERTVILLE, N.J. — Rago’s first-ever Crafted In Wood sale, featuring fine woodworking art from leading contemporary designers, turned in solid results for consignors November 14. Complete results are available at LiveAuctioneers.
The 115-lot sale was dominated by items from the Stephen Weinroth collection, which focused on prime examples of craftsmanship from a number of key contemporary designers such as William Hunter, Michael Mode and Hans Weissflog. Unsurprisingly, those names appeared at the top of the results list, demonstrating strong demand for this growing category of collectible.
The sale’s top lot was Inner Space by William Hunter (b. 1947-), an American Craft College fellow. Created from cocobolo, a Central American wood, the 10in diameter work hammered for $26,000 ($34,060 with buyer’s premium) against an estimate of $8,000-$12,000.
Bob Stocksdale (1913-2003) was a famed American woodturner who started by making baseball bats and spindles and graduated to fine works using exotic woods. This bowl is made from macadamia and was created in 1982. Estimated at $1,000-$2,000, the bowl sold for $15,000 ($19,650 with buyer’s premium).
Vessel is a 2004 collaboration between Jacques Vesery, Michael Lee, and Hans Weissflog, all noted woodworkers. Made from maple with applied pigment to illustrate its relief, it carried an estimate of $2,000-$3,000 and it hammered for $15,000 ($19,650 with buyer’s premium).
Two fascinating domed chess sets performed nicely. The sets were created by Michael Mode (b. 1946-), a Vermont-based self-taught woodturner whose works are part of the Smithsonian collection. One set sold for $3,200 ($4,190 with buyer’s premium), while the other reached $3,500 ($4,585 with buyer’s premium).
EAST DENNIS, Mass. — Eldred’s three-day Fall Sale, which took place on November 15, November 16 and November 17, was capped by the personal collection of Bob and Nancy Skinner, founders of Skinner auction house (now Bonhams Skinner), with numerous items soaring well above their presale estimates. Complete results are available at LiveAuctioneers.
A stoneware molasses double-handled jug proved to be the top item from the Skinner collection. Dated to the 1860s, the jug features wild illustrations of mythical creatures incised in cobalt blue. Dozens of bids drove the jug from an estimate of $3,000-$5,000 to hammer at $55,000, or $69,300 with buyer’s premium.
Today, Weston, Massachusetts is known for being a preferred home to American’s wealthiest individuals, but in 1852, it was the home to Mathias Collins. This fine American School painting is unsigned but includes an old handwritten note on the back that reads: The Estate of Mathias Collins [?] 1852 Weston [?] Mass. Mathias Collins is in his yard. His grandchildren are passing on their way to school. George, Fred & Ann Collins. Their own home adjoins to the grandfather’s estate to the right of the cows in the yard. Painted by an itinerant painter named Miss Polly. Bidders were taken by the simple yet highly realistic depiction, which hammered for $30,000 ($37,800 with buyer’s premium) against a presale estimate of just $1,000-$2,000.
Buyers pushed a $250 opening bid to a hammer of $18,000 ($22,680 with buyer’s premium) for an unsigned oil-on-board American School still life of autumnal fruit. With a pleasing, lifelike look and two horizontal cracks, the still life likely garnered the most bids in the sale.
A. J. King (1881-1963) was America’s premier carver of miniature wooden birds, making them so lifelike and perfectly decorated that they almost perfectly resembled the real thing. The Skinners were big fans of King’s work, amassing a small collection of the handmade displays. Another of the sale’s top lots was a small assembly of various geese varieties, which hammered for $21,000 ($26,460 with buyer’s premium) against a $2,000-$3,000 estimate.
YORK, Penn. — Hake’s Auctions wrapped its 2023 season with a $2.4 million sale held on November 15 and November 16 that defied a leveling collectibles market. The closed catalogs are available at LiveAuctioneers.
A 1936 Strange True Stories gum card set produced by Wolverine included 24 cards, each of which had been individually PSA-graded, from NM 7 to PR 1. The most intriguing entry was a ‘Bat Man’ card, which predated the debut of DC Comics’ superhero Batman in Detective Comics #27 by three years. The complete gum card set was the only one of its type that Hake’s had presented to bidders in its 56 years of operation. With provenance to the John Grossman collection, it sold for $64,906 against an estimate of $10,000-$20,000.
Next to make a five-figure statement was a single 1940 Gum Inc., Superman #1 gum card from the manufacturer’s set of 72 cards. It was PSA-graded 6 EX-MINT. According to the PSA census, 125 #1 cards have been graded and only seven have received a higher grade than the auction example, which realized $23,600.
A big surprise was in store when a 1970 Topps test set of 55 cards based on the country music/comedy TV show Hee Haw crossed the auction block. Each card depicts regulars from the Hee Haw cast along with the types of short, corny jokes that made the show so popular. The card set as a whole was PSA-graded 6.25, making it the #2 complete set in their census. Formerly in the Roxanne Toser collection, it swept past its $5,000-$10,000 estimate to settle at $22,066, an auction world record for such a set.
Explaining the phenomenal results achieved by the non-sports card sets, Alex Winter said: “Our bidders are students of the market. When they identify an opportunity that may never come their way again, they don’t hold back.”
The first collection was assembled during a period of 40 years by a professor of photography and professional photographer. He personally knew many of the imaging artists behind the prints, who would regularly trade items with one another; the other group was collected by another professional photographer. Their combined eye for quality and composition makes this auction a top-tier opportunity for collectors.
Hoffmania Refulgens, Florida, 1979 is an 11 by 14in print from photographer Don Worth (1924-2009). Growing up on a farm in Iowa, he began photographing horticultural subject matter early in life. His works hang in prominent museums such as the Getty, the Chicago Art Institute and the Museum of Modern Art (MoMA), and he was the last surviving member of the West Coast photographers, a group that included Ansel Adams, Edward Weston and Imogen Cunningham. The print is estimated at $1,250-$1,500.
Norman Seeff (b. 1939-) is one of the most preeminent rock photographers of all time, having captured iconic images of artists and bands from the early 1970s through the 1990s. This print of KISS dates to 1975, the year KISS Alive! was released to huge sales from fans. The print is estimated at $2,000-$2,500.
Brett Weston (1911-1993) was the second son of American photography titan Edward Weston (1886-1958). Brett would go on to a distinguished photography career himself, beginning with exhibitions with his father at age 16. Untitled (Barbed Wire in Snow), 1962, measures 7.5 by 9.5in on a 13 by 15in mount, and carries an estimate of $3,150-$4,000.
NEW YORK — In business since 1938, furniture maker Knoll has worked with several acclaimed designers, but it was Eero Saarinen (1919-1961) who put the company on the map with his now-famous Womb chair in 1946.
“Eero Saarinen is one of the absolute pioneers of post-war American design. The first major design they [Knoll] bring to market is the Womb chair by Eero Saarinen — an absolute icon of design,” said Richard Wright, CEO of Rago/Wright. “They also work with Jens Risom early on, but it’s really the Womb chair that breaks through.”
Born in Finland, Saarinen was 13 when his family emigrated to Michigan, and in his early years, he was exposed to great design. His father Eliel, also a designer, was a professor at the acclaimed Cranbrook Academy of Art and its first resident architect.
The younger Saarinen designed iconic architectural landmarks such as the TWA building at New York’s JFK airport and the Gateway Arch in St. Louis, but is widely known for his furniture designs for Knoll. He became famous winning a home furnishings design competition at the Museum of Modern Art in New York City in 1940 with Charles Eames for molded plywood chairs. He then began collaborating with Hans and Florence Knoll in 1943.
One of his earliest designs for Knoll, and arguably the most iconic, was his aforementioned Womb chair, which he explained was based on a theory that many people haven’t felt as comfortable or secure as they were in the womb. The chair was his attempt to correct that. According to Knoll’s website, the design came out of a request by Florence Knoll for a “chair that was like a basket full of pillows – something she could really curl up in.”
Knoll has continued producing Womb chairs and even vintage examples, made after Saarinen’s death, are highly collectible today. A circa-1970 upholstered Womb chair and ottoman, having an enameled steel frame, sold comfortably within estimate at $1,800 plus the buyer’s premium at Wright in August 2023.
Another Womb chair sold together with a matching stool — both recently reupholstered in a cream boucle — brought $5,500 plus the buyer’s premium in May 2023 at Auctions at Showplace.
Wright noted that the market for Saarinen’s furniture is eminently accessible to buyers and even new collectors, as many designs can be had for under $10,000 and most for significantly less: “His most popular designs are relatively inexpensive because they have been in production basically since they were designed.” He added that while condition plays a role in that a more modern Womb or Grasshopper chair in good condition would bring more money than an early example in poor condition, Saarinen’s chair designs, most of which are still in production, are sold at reasonable prices.
Other celebrated designs Saarinen created for Knoll were his Tulip chairs, which date to 1955-56 and have been described as resembling a tulip as well as a stemmed wine glass; and his Pedestal tables of 1957, which are sometimes referred to as Tulip tables. These two designs shared a similar base that he reportedly devised to rectify the messy undercarriage he said existed under tables and chairs. The base is certainly in keeping with his mantra of “one piece, one material”, as the table or chair stem flows into the base as one unit, instead of having separate legs.
A modern production of his Pedestal dining table for Knoll, having a white Italian Carrera marble top that retained the metal label on the underside reading “Eero Saarinen Knoll Studio 1957” made $8,000 plus the buyer’s premium at Brunk Auctions in November 2021.
In addition, a set of six Tulip chairs dating to 1956, models 150 and 151, brought $2,600 plus the buyer’s premium in July 2023 at Rago Arts and Auction Center. The upholstered chairs are in lacquered fiberglass and enameled aluminum and retained the manufacturer’s label to the seat that said “Knoll Associates Inc.”
The market for mid-century Modern furniture has been robust for years and shows little signs of slowing. Saarinen is one of the most sought-after mid-century Modern designers and his work typically has a very high sell-through rate, usually landing within or above estimate. “I think it’s a pretty consistent market [for Saarinen], because of the production numbers, and it comes up fairly often,” Wright said, noting Saarinen’s furniture is popular, almost always sells, and its prices don’t tend to spike.
Seating options by Saarinen, both vintage and modern reissues, are prolific on the market; buyers need to take care to determine if they are considering an authentic original made in his lifetime or a reissue of his design. Both have their place in the market, and later models grant beginning collectors a welcome entry point.
Among the chairs designed by Saarinen that Knoll continues to produce today are his Executive chairs, known as the “chairs with a hole in the back.” They have been part of the company’s line for more than 70 years and look equally at home in the office or the dining room. A set of six chrome and upholstered Executive armchairs for Knoll took $2,000 plus the buyer’s premium in June 2023 at Stair.
Saarinen applied problem-solving to ergonomic and decorative concerns with furniture design, ranging from the multiple ways one sits in a chair for different tasks to how to streamline the look of table and chair legs. In doing so, he created a rich legacy of pieces that embody the modern aesthetic. These elegantly designed furnishings are created with comfort in mind and are flexible enough to fill multiple needs in the home. The goal of great design, after all, is to solve problems and keep the end users happy. Mission accomplished.
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Andrea Valluzzo
Andrea Valluzzo is an award-winning journalist who has worked for media publications for more than 20 years. Today, she enjoys writing about antiques, collectibles, art and the art of collecting. Based in Connecticut, she's also an avid scrapbooker who loves Broadway shows.