Chinese famille rose porcelain flask, once converted to a lamp, skyrocketed to $195K at Dixon’s Crumpton

The Jaiqing marked famille rose moon flask sold for $155,000 at Dixon’s Crumpton Auction on January 25

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CRUMPTON, Md. – A potentially important famille rose porcelain moon flask, recently used as a lamp, raced away from its $1,000-$2,000 estimate to sell for $155,000 ($195,300 with buyer’s premium) at Dixon’s Crumpton Auction, a small saleroom in Maryland, last week. Multiple bidders speculated it was made at the imperial kilns for the Qing emperor Jiaqing (1796-1820). The winning bid came via LiveAuctioneers.

Famille-rose decorated moon flasks, or bianhu, are rarities, and the decoration to this 11in (23cm) vessel is among the most desirable in all of Chinese art. In addition to an imperial yellow ground that is both enameled and carved – the technique called graviata – the central scene shows children at a dragon boat race during the Duanwu Festival. All of the participants and onlookers in this particular celebration are boys – an auspicious theme that expresses an abiding wish for male offspring that can carry on the familial name and bring prosperity to the family.

It was offered on January 25 from a New Hampshire private collection. Following huge pre-sale interest, the auction house uploaded more than 50 additional high-resolution images of the piece to show its many qualities and its imperfect condition. It had some small chips, and had been drilled through the center of the six-character reign mark for use as a lamp.

Almost 350 potential buyers were following the sale on LiveAuctioneers when bidding began, some of them doubtless aware of the spectacular auction precedent for a similar lot. Back in 2007 a pair of moon flasks of this type – but with marks for the emperor Qianlong (1736-1796) – surfaced at a small saleroom in the south of England and sold for £760,000 ($966,385). They were later offered for sale at Sotheby’s in Hong Kong where – deemed apparently unique pieces made for the personal quarters of the Qianlong emperor – they sold for more than $3 million.
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The Jaiqing-marked famille rose moon flask sold for $155,000 ($195,300 with buyer’s premium) at Dixon’s Crumpton Auction on January 25.
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Detail showing the incised ‘graviata’ decoration to the moon flask.
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The central scene depicts children at a dragon boat race.
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The moonflask has been drilled through the center of the six-character Jaiqing reign mark.
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Lifetime Asian collection of world travelers debuts at Everard Feb. 13-14

17th- or 18th-century Sino-Tibetan gilt bronze Buddha, estimated at $8,000-$12,000 at Everard Auctions.

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SAVANNAH, Ga. – Everard Auctions’ Winter Sale, scheduled for Tuesday, February 13 and Wednesday, February 14, includes Asian art and furniture from the Hilton Head Island estates of two well-traveled executives. Both South Carolina gentlemen kept meticulous records and retained receipts documenting the purchases made during their years of living abroad.

A pair of 17th-century yoke-back huanghuali side chairs with inset rattan seats is entered with a $10,000-$15,000 estimate. The duo is part of a collection of Qing huanghuali and hongmu furniture from the estate of a former GE executive and were bought in 1989 from Schoeni Fine Oriental Art in Hong Kong.

A set of four 18th-century Chinese kesi silk chair covers were purchased from Teresa Coleman Fine Arts in Hong Kong. Worked with auspicious flora and fauna, they would have been draped over chairs to protect them while not in use but are now offered framed with an estimate of $4,000-$6,000.

From the UBS executive’s estate comes a Ming dynasty Sino-Tibetan gilt bronze Buddha — its provenance includes ownership by R. Laquerod, Zurich, in 1934 — and two works by the Lebanese artist Adel Saghir (1930-2020), among them the monumental 1979 Heavenly Bounty bought via Washington Place Artists Gallery, New York in 1980. Both pieces carry estimates of $8,000-$12,000 each.

Collectors of Savannah regional art seldom tire of the atmospheric paintings of Myrtle Jones (1913-2005), which typically depict scenes of everyday life in the region, including urban streetscapes, buildings, landscapes, and portraits of locals. Several good examples appear in the sale, including the acrylic-on-canvas Savannah City Hall and Factors Walk, estimated at $4,000-$6,000.

Also of regional interest is a watercolor displaying the artistic talents of the celebrated singer-songwriter Johnny Mercer (1909-1976). An inlet near Mercer’s hometown of Savannah is named Moon River as an homage to the classic song from Breakfast at Tiffany’s, for which he wrote the lyrics. The watercolor, dated 1948 and titled Woman Walking in the Rain, has an estimate of $800-$1,200.

The books and manuscript section includes John James Audubon’s classic seven-volume octavo edition of The Birds of America, from Drawings Made in the United States and Their Territories. His magnum opus, The Birds of America, was first published between 1827 and 1839, and depicts dozens of detailed illustrations of North American avians. The 1856 printing, retaining all 500 hand-colored stone-lithograph plates, is estimated at $10,000-$15,000.
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Pair of 17th-century Chinese yoke-back huanghuali side chairs, estimated at $10,000-$15,000 at Everard Auctions.
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‘Omaggio a Picasso,’ a glass sculpture by Walter Furlan, estimated at $5,000-$7,000 at Everard Auctions.
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‘Woman Walking in the Rain,’ a 1948 watercolor by Johnny Mercer, estimated at $800-$1,200 at Everard Auctions.
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[av_slide slide_type=’image’ id=’183654′ video=’https://’ mobile_image=” fallback_link=’https://’ title=” video_ratio=’16:9′ custom_title_size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” custom_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” font_color=” custom_title=” custom_content=” heading_tag=” heading_class=” link_apply=’image’ link=’manually,https://www.liveauctioneers.com/item/170329847_adel-saghir-lebanese-1930-2020-heavenly-bounty’ link_target=’_blank’ av_uid=’av-ls0jbjs9′ sc_version=’1.0′ video_autoplay=” video_controls=” video_mute=” video_loop=”]
Adel Saghir, ‘Heavenly Bounty’, estimated at $8,000-$12,000 at Everard Auctions.
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17th- or 18th-century Sino-Tibetan gilt bronze Buddha, estimated at $8,000-$12,000 at Everard Auctions.
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[av_slide slide_type=’image’ id=’183657′ video=’https://’ mobile_image=” fallback_link=’https://’ title=” video_ratio=’16:9′ custom_title_size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” custom_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” font_color=” custom_title=” custom_content=” heading_tag=” heading_class=” link_apply=’image’ link=’manually,https://www.liveauctioneers.com/item/170330886_world-champion-1988-la-lakers-signed-basketball’ link_target=’_blank’ av_uid=’av-ls0jd61h’ sc_version=’1.0′ video_autoplay=” video_controls=” video_mute=” video_loop=”]
LA Lakers 1988 World Champions basketball signed by Jerry West, Kareem Abdul-Jabbar, and Magic Johnson, estimated at $1,000-$1,500 at Everard Auctions.
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John James Audubon, ‘Birds of America, from Drawings Made in the United States and Their Territories,’ 1856 octavo edition, estimated at $10,000-$15,000 at Everard Auctions.
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Stoneware jug attributed to African American potter David Jarbour is a top pick at Jeffrey S. Evans Feb. 9

David Jarbour, 10-gallon stoneware jug, $80,000-$120,000 at Jeffrey S. Evans.

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MT. CRAWFORD, Va. — A stoneware 10-gallon jug attributed to David Jarbour (circa 1780s-1841) comes to market at Jeffrey S. Evans Friday, February 9 as part of the Al and Billy Steidel collection. Estimated at $80,000-$120,000, the jug and the complete catalogs for both Friday, February 9 and Saturday, February 10 are available for bidding at LiveAuctioneers.

The market continues to witness dramatic results for pottery created by both enslaved and emancipated African Americans of the 19th century. Names such as Thomas Commeraw and David Drake are well-known to collectors, but little is known about Jarbour. It is believed he was born in the late 1780s or early 1790s, based on his name appearing in the Free Negro Registers of Alexandria, District of Columbia in 1821, in which he was listed as being “about 33 years of age.” He had purchased his freedom from a local Quaker, Zenas Kinsey, in December of 1820 for $300, a noteworthy sum at the time.

Jarbour worked for Hugh Smith (1769-1856), owner of Wilkes Street Pottery in Alexandria, and signed some of his works. This example is stamped H. Smith & Co. and while it is unsigned, its decoration strongly suggests it was the work of Jarbour, based on other signed examples.

The jug features an elongated ovoid form with a rounded rim, an incised shoulder ring, and applied arched tab handles. Its finish includes brushed cobalt decorations such as an elaborate sunflower with a bullseye center and an open-bud, tulip-like flower. It stands 20.75in in height and is 10.25in in diameter at its base.

What makes this lot so interesting and desirable is its long history of appearing in publications on African American pottery. With nearly 100 LiveAuctioneers bidders watching this lot, it is possible it may set a new record for Jarbour stoneware jugs.
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[av_slide slide_type=’image’ id=’183867′ video=’https://’ mobile_image=” fallback_link=’https://’ title=” video_ratio=’16:9′ custom_title_size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” custom_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” font_color=” custom_title=” custom_content=” heading_tag=” heading_class=” link_apply=’image’ link=’manually,https://www.liveauctioneers.com/item/169990118_important-david-jarbour-attributed-stamped-h-smith-and-co-alexandria-virginia-decorated’ link_target=’_blank’ av_uid=’av-ls94enpn’ sc_version=’1.0′]
10-gallon stoneware jug attributed to David Jarbour, estimated at $80,000-$120,000 at Jeffrey S. Evans.
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10-gallon stoneware jug attributed to David Jarbour, estimated at $80,000-$120,000 at Jeffrey S. Evans.
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10-gallon stoneware jug attributed to David Jarbour, estimated at $80,000-$120,000 at Jeffrey S. Evans.
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Romare Bearden’s African American visions speak to all

Romare Bearden’s ‘Inscriptions At The City Of Brass,’ a 1972 collage on Masonite, achieved $355,000 plus the buyer’s premium in December 2022. Image courtesy of La Parisienne Des Arts and LiveAuctioneers.

[av_heading heading=’Romare Bearden’s African American visions speak to all’ tag=’h1′ style=” subheading_active=” show_icon=” icon=’ue800′ font=’entypo-fontello’ size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-desktop-font-size-1=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=” custom_font=” subheading_color=” seperator_color=” icon_color=” margin=’,,35px,’ av-desktop-margin=” av-desktop-margin_sync=’true’ av-medium-margin=” av-medium-margin_sync=’true’ av-small-margin=’,,20px,’ av-mini-margin=” av-mini-margin_sync=’true’ headline_padding=” headline_padding_sync=’true’ av-desktop-headline_padding=” av-desktop-headline_padding_sync=’true’ av-medium-headline_padding=” av-medium-headline_padding_sync=’true’ av-small-headline_padding=” av-small-headline_padding_sync=’true’ av-mini-headline_padding=” av-mini-headline_padding_sync=’true’ padding=’10’ av-desktop-padding=” av-medium-padding=” av-small-padding=” av-mini-padding=” icon_padding=’10’ av-desktop-icon_padding=” av-medium-icon_padding=” av-small-icon_padding=” av-mini-icon_padding=” link=” link_target=” title_attr=” id=” custom_class=” template_class=” av_uid=’av-ls0h2brp’ sc_version=’1.0′ admin_preview_bg=”][/av_heading]

[av_post_metadata post_selected=” seperator=’ | ‘ before_meta_content=’Andrea Valluzzo |’ after_meta_content=” margin=” margin_sync=’true’ padding=’,,35px,’ av-desktop-margin=” av-desktop-margin_sync=’true’ av-desktop-padding=” av-desktop-padding_sync=’true’ av-medium-margin=” av-medium-margin_sync=’true’ av-medium-padding=” av-medium-padding_sync=’true’ av-small-margin=” av-small-margin_sync=’true’ av-small-padding=” av-small-padding_sync=’true’ av-mini-margin=” av-mini-margin_sync=’true’ av-mini-padding=” av-mini-padding_sync=’true’ align=’left’ custom_title=” size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” alb_description=” id=” custom_class=” template_class=” av_uid=’av-ls0h2kmf’ sc_version=’1.0′ admin_preview_bg=”]
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Romare Bearden’s ‘Inscriptions At The City Of Brass,’ a 1972 collage on Masonite, achieved $355,000 plus the buyer’s premium in December 2022. Image courtesy of La Parisienne Des Arts and LiveAuctioneers.
Romare Bearden’s ‘Inscriptions At The City Of Brass,’ a 1972 collage on Masonite, achieved $355,000 plus the buyer’s premium in December 2022. Image courtesy of La Parisienne Des Arts and LiveAuctioneers.

NEW YORK — Lively and spontaneous scenes from the Harlem diaspora as well as depictions of the Black experience helped Romare Bearden (1911-1988) shift from being just a talented painter to one who broke through racial barriers. Making a statement on Black American culture, Bearden created powerful paintings and collages to take his rightful place among the best of the American modernists, most of whom were white. Using his own memories, literature, popular magazines, and African American history, his artworks told African American stories in a way that made them universal.

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African American whaler scrimshaw topped $9K at Bruneau & Co.

[av_heading heading=’African American whaler scrimshaw topped $9K at Bruneau & Co. ‘ tag=’h1′ style=” subheading_active=” show_icon=” icon=’ue800′ font=’entypo-fontello’ size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-desktop-font-size-1=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=” custom_font=” subheading_color=” seperator_color=” icon_color=” margin=’,,35px,’ av-desktop-margin=” av-desktop-margin_sync=’true’ av-medium-margin=” av-medium-margin_sync=’true’ av-small-margin=’,,20px,’ av-mini-margin=” av-mini-margin_sync=’true’ headline_padding=” headline_padding_sync=’true’ av-desktop-headline_padding=” av-desktop-headline_padding_sync=’true’ av-medium-headline_padding=” av-medium-headline_padding_sync=’true’ av-small-headline_padding=” av-small-headline_padding_sync=’true’ av-mini-headline_padding=” av-mini-headline_padding_sync=’true’ padding=’10’ av-desktop-padding=” av-medium-padding=” av-small-padding=” av-mini-padding=” icon_padding=’10’ av-desktop-icon_padding=” av-medium-icon_padding=” av-small-icon_padding=” av-mini-icon_padding=” link=” link_target=” title_attr=” id=” custom_class=” template_class=” av_uid=’av-lrtlzrz7′ sc_version=’1.0′ admin_preview_bg=”][/av_heading]

[av_post_metadata post_selected=” seperator=’ | ‘ before_meta_content=’Roland Arkell |’ after_meta_content=” margin=” margin_sync=’true’ padding=’,,35px,’ av-desktop-margin=” av-desktop-margin_sync=’true’ av-desktop-padding=” av-desktop-padding_sync=’true’ av-medium-margin=” av-medium-margin_sync=’true’ av-medium-padding=” av-medium-padding_sync=’true’ av-small-margin=” av-small-margin_sync=’true’ av-small-padding=” av-small-padding_sync=’true’ av-mini-margin=” av-mini-margin_sync=’true’ av-mini-padding=” av-mini-padding_sync=’true’ align=’left’ custom_title=” size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” alb_description=” id=” custom_class=” template_class=” av_uid=’av-lrtlxnwg’ sc_version=’1.0′ admin_preview_bg=”]
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CRANSTON, R.I. – A 19th-century work of scrimshaw carved on board a whaling ship with an all-African American crew sold for $7,250 ($9,060 with buyer’s premium) at Bruneau & Co. on January 22. The finely worked sperm whale tooth depicts a detailed view of a bustling city and its harbor and the name John & Winthrop, and was estimated at $2,000-$4,000. Complete results are available at LiveAuctioneers.

The captain of the John & Winthrop, a whaling bark operating out of San Francisco in the 1880s and 1890s, was William T. Shorey (1859-1919). Known as Black Ahab to his crew, he was the only African American captain on the West Coast, and his ship the only whaler in the world to be manned entirely by an African American crew. A street in Oakland, where Shorey lived, is named after him. The scene engraved to this tooth likely depicts San Francisco and is accompanied by the words Bark John & Winthrop 1876-1880.

The top lot at the 438-lot Winter Fine & Decorative Art online-only auction was a speculative Old Master drawing. This unsigned 18th-century capriccio rendered in red chalk was cataloged as Italian, but was very much in the manner of the prolific French draughtsman Hubert Robert (1733-1808). He specialized in semi-fictitious picturesque depictions of ruins in Italy and the French countryside – in this case, a rural canal scene with fashionable figures in a punt in the foreground. Sold at the time as finished works rather than preparatory studies, numerous sketches by Robert are rendered in red chalk. Boasting some well-observed passages, this drawing measuring 11 by 15in (28 by 40cm) was estimated at $800-$1,200 but took $26,000 ($32,500 with buyer’s premium). It came for sale from a Newport, Rhode Island estate.

From the same source were two Chinese Export oils on canvas painting depicting shipping in the harbor at Canton (modern-day Guangdong). The best of these showed the famous view of the 13 Hongs of Canton, the warehouses where trade between the West and China was conducted from 1757 to 1842. The scene was popular in China Trade paintings from the mid-18th century, with this one, dating from circa 1830, showing Spanish, American, British, and Dutch flags and showing the buildings that were reconstructed after a catastrophic fire in November 1822. It was estimated at $3,000-$5,000 and hammered for $11,500 ($23,000 with buyer’s premium). The pendant picture showing shipping on the Pearl River was offered separately with an estimate of $2,000-$3,000 and sold at $6,250 ($7,810 with buyer’s premium).

Appealing more to Chinese taste was a late Qing or Republican carving that used the natural contours of a pink coral branch to depict birds perching on the limb of a tree laden with cherry blossoms. It hammered to an online bidder via LiveAuctioneers for $4,600 ($5,750 with buyer’s premium) against an estimate of $300-$500.
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19th-century scrimshaw created aboard the only known vessel with an all-African American crew, which sold for $7,250 ($9,060 with buyer’s premium) at Bruneau & Co.
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[av_slide slide_type=’image’ id=’183480′ video=’https://’ mobile_image=” fallback_link=’https://’ title=” video_ratio=’16:9′ custom_title_size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” custom_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” font_color=” custom_title=” custom_content=” heading_tag=” heading_class=” link_apply=’image’ link=’manually,https://www.liveauctioneers.com/item/168725318_old-master-italian-canal-scene-illustration’ link_target=’_blank’ av_uid=’av-abbg7n8′ sc_version=’1.0′ video_autoplay=” video_controls=” video_mute=” video_loop=”]
Old Master drawing, which sold for $26,000 ($32,500 with buyer’s premium) at Bruneau & Co.
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[av_slide slide_type=’image’ id=’182888′ video=’https://’ mobile_image=” fallback_link=’https://’ title=” video_ratio=’16:9′ custom_title_size=” av-desktop-font-size-title=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” custom_size=” av-desktop-font-size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” font_color=” custom_title=” custom_content=” heading_tag=” heading_class=” link_apply=’image’ link=’manually,https://www.liveauctioneers.com/item/168725397_c1830-13-hongs-of-canton-chinese-export-painting’ link_target=’_blank’ av_uid=’av-lrtnk20v’ sc_version=’1.0′]
13 Hongs of Canton Chinese Export painting, which sold for $11,500 ($23,000 with buyer’s premium) at Bruneau & Co.
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Chinese Export painting of a harbor landscape, which sold for $6,250 ($7,810 with buyer’s premium) at Bruneau & Co.
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Early 20th-century Chinese coral sculpture of birds in cherry blossoms, which sold for $4,600 ($5,750 with buyer’s premium) at Bruneau & Co.
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