Maria Regnier modernist silver coffee set could top $7K at Neal Auction July 18

Modernist sterling silver coffee service by Maria Regnier, estimated at $5,000-$7,000 at Neal Auction Company.

NEW ORLEANS — A silver coffee set by the Hungarian-American silversmith Maria Regnier (1901-1994) makes a rare appearance on the market this month. The three-piece hand-wrought coffee pot, covered sugar and creamer has a guide of $5,000-$7,000 at Neal Auction Company’s Mid-Century Modern and Contemporary Auction on July 18.

Regnier’s silver objects in the modernist style have been described as “hand-crafted Machine Age.” While well represented in institutional collections such as the St. Louis Art Museum, the Museum of Fine Arts Boston and the Museum of Fine Arts Houston, they make only very occasional visits to the auction block.

This 62oz coffee set dates to the 1950s and was made in either Brentwood, MO (where Regnier was active from 1935-1957) or Savannah, GA, where she had a workshop from 1957 to 1961. A similar coffee pot with the same rectilinear form and hammered surface is shown in the background of the 1957 portrait of the silversmith by the artist Siegfried Reinhardt at the St. Louis Art Museum.

Born in Budapest, Maria Regnier immigrated to St. Louis with her family in 1921 and studied at the Rhode Island School of Design and the William Dixon School in New York to learn silversmithing.

The sale is led by some textbook works by Louisiana contemporary artists. Estimated at $7,000-$10,000 is the oil Stanley K as Oedipus by George Valentine Dureau (1930-2014). This monumental 6ft 4in x 4ft canvas is offered together with a 1977 gelatin silver print by Sarah Benham (b. 1941-) titled George Dureau, Painter, Photographer, New Orleans in which the artist is pictured alongside a drawing of the same work.

Coin du Lestin by George Bauer Dunbar (1927-2024) is estimated at $20,000-$30,000. The New Orleans artist, who died in June, trained at the Tyler School of Art under Jackson Pollock and Franz Kline and first exhibited in Philadelphia in 1953. A one-man show of his work titled George Dunbar: Elements of Chance was at the New Orleans Museum of Art in 2016. Coin du Lestin, measuring 4ft by 3ft 6in, is a typical late work with its geometric design fashioned in palladium leaf on black clay.

Zsolnay wares excelled at Quittenbaum

Circa-1901 Zsolnay dragon vase, which sold for €54,000 ($58,000, or $75,980 with buyer’s premium) at Quittenbaum.

MUNICH — A choice selection of prime-period wares by the Zsolnay factory excelled at Quittenbaum on June 11. All selling for prices well above conservative estimates, the seven pieces by the Pecs factory dominated an auction of Art Nouveau and Art Deco material.

The most desirable of the varied wares produced by the Zsolnay family in southwest Hungary are those created between the 1890s and the start of the First World War.

It was then that Vilmos Zsolnay (1828-1900) – having encountered the glazes of Clement Massier in Paris – perfected his trademark lustrous glaze that he named Eosine after Eos, the goddess of dawn, and engaged his principal designer Tade Sikorski to model forms sympathetic to the Art Nouveau and Jugendstil movements.

The results were first displayed to great national acclaim at the 1896 Millennium exhibition in Budapest, held to mark the 1000th anniversary of Magyar settlement of the Carpathian Basin, and, under Miklos Zsolnay (1857-1922), hit new highs of artistic and economic success with gold medals in St. Petersburg in 1901, Turin in 1902, and St. Louis, Missouri in 1904.

The group of works from a private collection offered by Quittenbaum all dated from circa 1900-1902 and showed the factory at the top of its game. Among the most sought-after of all Zsolnay forms is the 14in dragon vase dating to circa 1901, the rival to a similar vessel made by the sculptor and ceramist Eduard Stellmacher (Amphora) in Bohemia. The example at Quittenbaum had only minimal chipping and retouching, and was glazed in a vivid blue with gold, green, and brown tones. Pitched at €4,000-€5,000 ($4,300-$5,400), it ultimately sold for €54,000 ($58,000, or $75,980 with buyer’s premium). Another in the same colorway sold for $55,000 at John Moran in July 2012.

A 13in vase modeled circa 1902 as a huge cerith shell and a fish in a red and brownish Eosin glaze with gold and green tones also made 10 times its estimate at €42,000 ($45,110, or $55,020 with buyer’s premium). It was followed at €17,000 ($18,260, or $23,920 with buyer’s premium) by a 10in tapering jug with a polychrome luster scene of a smoking campfire in an evening tree landscape – a model shown at the Turin World Fair in 1902 – and an 11in vase formed as four snails around a seashell circa 1902 in blue, gold, and green tones, which earned €16,000 ($17,185, or $22,515 with buyer’s premium).