Agnes Pelton’s long-lost ‘Flowering’ from 1919 leads our five lots to watch

Agnes Pelton, ‘Flowering,’ estimated at $300,000-$500,000 at John Moran August 13.

Agnes Pelton, ‘Flowering’

MONROVIA, CA — Unseen in public for nearly one hundred years and rescued from a house-clearing with the contents destined for bulk donation to Mexico, Agnes Pelton’s transcendental abstraction Flowering will appear at John Moran Auctioneers on Tuesday, August 13 as only the fifth Pelton abstract to head to auction since her death in 1961.

Pelton (1881-1961) is widely acknowledged as a true master of Modernism in the early 20th century. Her career saw three distinct phases: ‘imaginative’ paintings, Southwest art, and spiritual abstracts. Her works hang in more than two dozen American museums, including the Museum of Modern Art in New York, the Whitney Museum of American Art in New York, and the Los Angeles County Museum of Art.

Flowering dates to 1919, when Pelton was at her creative peak. She was living in both Long Island (at a windmill) and Connecticut on a rural, secluded farm when Flowering was created. In 1931, she relocated to Cathedral City near Palm Springs, California when her desert and Southwest period began. She would live there until her passing in 1961.

Given the fact that the painting has not been seen in public in almost a century, Moran estimates the work at $300,000-$500,000. It comes to market by way of its third owner, having originally been given by Pelton to Matille Prigge ‘Billie’ Seaman (1883-1966) and Josephine Morse True (1888-1975), neighbors and friends of Pelton. They later sold it to Anne-Marie Boyce of San Diego, from whose estate it comes (and very nearly ended up in Mexico as a cast-off).

Clark Voorhees, Jr., ‘Fish With Flag’

Clark Voorhees, Jr., ‘Fish With Flag,’ estimated at $500-$750 at New England Auctions August 15.
Clark Voorhees, Jr., ‘Fish With Flag,’ estimated at $500-$750 at New England Auctions August 15.

BRANFORD, CT — Clark Voorhees (1871-1933) is a noted New England Impressionist whose works hang in major museums. His son, Clark Voorhees, Jr. (1911-1980) was also an artist, but he worked in wood-carving. The ‘Fish With Flag’ that will be offered on Thursday, August 15 at New England Auctions – Fred Giampietro is identified by the house as a ‘Clark Voorhees’, but is more than likely the work of the son. The carving is 35in wide by 18.5in in height and was purchased by the consigner directly from the artist. New England Auctions describes it as a contemporary rendition of a 19th-century design and estimates it at $500-$750.

Schuco ‘Three Little Pigs’ Factory Prototypes

Schuco ‘Three Little Pigs’ factory prototype, estimated at $100-$10,000 at Milestone Auctions August 24.
Schuco ‘Three Little Pigs’ factory prototype, estimated at $100-$10,000 at Milestone Auctions August 24.

WILLOUGHBY, OH — Milestone Auctions’ 630-plus lot Premier Schuco Toy sale, scheduled for Saturday, August 24, includes a number of items claimed to be factory prototypes. All seem to be pre-production design samples, including wire-frame appendages and unfinished decoration.

The 4in-tall ‘Three Little Pigs’ is undated, but is likely from the German interwar period given the design style. Made of what the lot notes deem ‘composition and tin’, the toy pigs together carry an estimate of $100-$10,000.

Victorian Novelty Mussel Shell Vinaigrette by Samuel Mordan

Victorian novelty mussel shell vinaigrette by Samuel Mordan, estimated at £500-£700 ($650-$900) at Cheffins August 15.
Victorian novelty mussel shell vinaigrette by Samuel Mordan, estimated at £500-£700 ($650-$900) at Cheffins August 15.

CAMBRIDGE, UK – Vinaigrettes, used from the late 18th century through the mid-19th century as an antidote to the stench of urban Britain, come in a huge variety of forms. Silver novelties are particularly popular.

This example, formed as a hinged mussel shell, is marked for the London firm Sampson Mordan & Co. The pierced grille, which would have contained a piece of sponge soaked in an aromatic liquid, has a registration mark indicating a date of February 29, 1876. It has an estimate of £500-£700 ($650-$900) at Cheffins’ Thursday, August 15 auction titled Jewellery, Silver and Watches Sale.

Jack Nicklaus-signed Masters Tournament Pin Flag

Jack Nicklaus-signed Masters Tournament pin flag, estimated at $750-$1,500 at Piece of the Past August 11.
Jack Nicklaus-signed Masters Tournament pin flag, estimated at $750-$1,500 at Piece of the Past August 11.

TEMPE, AZ — The Masters Tournament is one of professional golf’s most hallowed events, having been initiated in 1934 by legendary golfer Bobby Jones in Augusta, Georgia on a course of his and Alister MacKenzie’s design. Since 1949, the winner of the by-invitation-only tournament has earned the coveted green jacket that is now synonymous with the event.

Jack Nicklaus (b. 1940-) is widely considered to be one of the greatest golfers of all time. He is third in all-time PGA wins with 73, and won a record 18 major tournament championships. Nicklaus won the Masters six times, in 1963, 1965, 1966, 1972, 1975, and 1986.

Piece of the Past brings an incredible piece of Nicklaus memorabilia to auction on Sunday, August 11 as part of its Autograph Auction: a pin flag used at a Masters Tournament, signed by Jack Nicklaus and accompanied by the years of his wins in his own hand. The flag is estimated at $750-$1,500 and has been authenticated by autograph expert Kevin Martin.

Friedel Dzubas, Catherine Wiley, and Alberto Burri works stomped estimates at Case

Friedel Dzubas, 'High Pass,' which sold for $130,000 ($169,000 with buyer's premium) at Case.

KNOXVILLE, TN — The Summer Fine Art and Antiques sale on July 6 at Case Antiques provided collectors with quality works by many prominent 20th-century artists, many of which sold far above their high estimates. Complete results are available at LiveAuctioneers.

The sale’s top seller was High Pass, a magna acrylic on canvas from Friedel Dzubas (1915-1994). The Abstract Expressionist work was signed, titled, and dated 1976 on the reverse, alongside an M. Knoedler Gallery label. Born in Germany and having fled to the United States in 1939, Dzubas is credited with being in the vanguard on the stain painting technique. He is most often associated with Abstract Expressionists such as Jackson Pollock, Clement Greenberg, and Helen Frankenthaler. Estimated at $78,000-$82,000, High Pass hammered for $130,000, or $169,000 with buyer’s premium.

Catherine Wiley (1879-1958) is regarded as one of Tennessee’s most important nationally recognized artists. She studied at the Art Students League in New York and won numerous prizes, including two Gold Medals at the Appalachian Exposition in 1910. Her paintings were exhibited at prominent American venues including the National Academy of Design in New York and the Pennsylvania Academy of Fine Arts. Sadly, her career ended with mental collapse in 1926, leaving her institutionalized until her death. Though untitled, Woman with Green Parasol is a quintessential Wiley work featuring a lovely young woman sitting atop a split-rail fence. Estimated at $60,000-$70,000, it hammered for $120,000, or $156,000 with buyer’s premium.

Though somewhat forgotten today, Alberto Burri (1915-1995) was a medical doctor and a prominent postwar artist who successfully blurred the lines between sculpture and painting. Using the materialist style, his works feature texture and light to convey his themes. Combustione.T.2. is a 1960 paper, acrylic, fabric, and combustion on canvas mixed media abstract Art Informel collage. Bidders at Case hadn’t forgotten Burri. They pushed the work well beyond its estimate of $38,000-$42,000, all the way to $110,000 ($143,000 with buyer’s premium).

299-lot ‘Contemporary Vision: Transformative Impulses’ auction presented in New York August 13

Leonid Pavlenko, ‘Grandmother in a Yellow Scarf’, estimated at $1,500-$2,000 at Jasper52.

NEW YORK – On Tuesday, August 13, starting at 5 pm Eastern time, Jasper52 will present a sale titled Contemporary Vision: Transformative Impulses. Absentee and Internet live bidding will be available through LiveAuctioneers.

Highlights from the 299-lot sale include several recently rendered works that are figurative and realistic. These include Grandmother in a Yellow Scarf, an oil on canvas by Leonid Pavlenko. The Ukrainian-born artist, who has participated in more than 120 exhibitions to date, displays his mastery of both the human form and also color in this work, which is estimated at $1,500-$2,000.

Several pieces by Konsta G. Amelinn are on offer in the August 13 sale, including Hiranyagarbha, a seemingly Surrealist work of monumental proportions – it measures roughly 70 by 78in. The oil on canvas carries a hefty estimate of $65,000-$78,000.

Also worthy of mention is Yellow Dawn, by Andriy Klishyn, an artist born in Azerbaijan who is now living in Kyiv, Ukraine. He took up art late, at the age of 61, after careers in teaching, engineering, finance, banking, and insurance. The oil on canvas, masterfully rendered in a limited palette of yellow, blue, and black in bold, thick strokes, is estimated at $1,100-$1,500.