Archangel Uriel painting lights fire under Leland Little’s bidders

Though the artist is not known, this Spanish Colonial School painting of the Archangel Uriel, done around 1700, flew to $14,375.

Though the artist is not known, this Spanish Colonial School painting of the Archangel Uriel, done around 1700, flew to $14,375.

HILLSBOROUGH, N.C. – An oil-on-canvas rendering of the Archangel Uriel holding a musket and standing before a mountainous landscape, painted around 1700 by an unknown artist in the Spanish Colonial School, sold for $14,375 at an auction conducted Sept. 13 by Leland Little Auction Estate Sales Ltd.

The painting was one of 615 lots that changed hands in a sale that grossed $690,000. Most of the lots were drawn from seven important and prominent estates and lifetime single-owner collections.

The archangel Uriel painting came from the estate of former U.S. Ambassador Findley Burns Jr., of Southern Pines, N.C.

“Mr. Burns and his wife only collected choice, worldwide material,” said Leland Little. “It didn’t surprise me his estate drew so much attention from bidders.”

And there were plenty of bidders vying for the mostly fresh-to-the-market merchandise. About 250 people packed the showroom in Hillsborough, while record numbers of phone and absentee bids – nearly 1,000, versus the usual 750 at most Leland Little sales – were posted. In addition, more than 1,400 online registered bidders participated through LiveAuctioneers.com, which facilitated Internet bidding.

The top lot of the auction was a Regina automatic disc changer 27-inch music box that soared to $18,400. (All prices include a 15 percent buyer’s premium.) The two-door cabinet boasted a carved dragon grille on the upper door and an interior lithograph depicted the goddess of music. Included were 20 discs. Another music box, a Criterion double-comb example on a stand, with mahogany case and 40 discs, hit $5,060.

Fine art did well. An oil on canvas painting of a forest interior by the New York artist Jervis McEntee (1828-1891), signed and dated 1864, coasted to $12,650. An oil on canvas work by Jerry Okimoto (Hawaii/New York, 1924-1998), titled “Beneath the Sea,” made $6,612. An oil on canvas work by the French artist Francoise Gall (1912-1987), titled “Plage Deauville,” hammered for $4,370.

Silver pieces were in abundance. Paddles wagged over a Tiffany Co. sterling Japanese pitcher with a beautiful hand-hammered finish, circa 1873-1891, that sold for $13,225. A hand-wrought American silver sauceboat by New York silversmith Samuel Tingley, circa 1770, earned $4,600, and a Gorham sterling silver soup tureen with cover in the Neoclassical style fetched $3,910. Also from the category: a French silver wine taster, made in the late 18th century and inscribed “Tour a Tour,” climbed to $3,105. A Warsaw silver sugar box with Russian marks, circa 1857, in a rectangular form with hinged lid raised on four ball feet, garnered $1,840. An Alabama coin silver mug by James Conning, circa 1842-1872, cylindrical form with cast and applied handle, made $1,495.

From the furniture group, a pair of 18th-century English George II walnut side chairs hit $9,200. An American late Federal tiger maple sideboard made in the first half of the 19th century rose to $4,830. Two stools by Wharton Esherick, Pennsylvania, 1887-1970, one with a cherry seat and ash legs, the other with a walnut seat and ash legs, both made in 1966, went for $5,750 each.

Americana examples pumped up the crowd. An important historic sampler, executed in 1828 by Louisa Gash of Buncombe County, N.C., worked on linen in wool embroidery floss, sold for $9,200. An early American painted leather fire bucket dated 1785, owned by the Baker family of Hingham, Mass., reached $6,325. A vintage Iroquois wooden face mask with a split leather strap on the back hit $9,775. Civil War and militaria enthusiasts were not disappointed. An Italian Renaissance steel armor front plate, fashioned around 1580, went to a determined bidder for $6,612. A Confederate D-Guard Bowie knife, with iron guard and blade and carried during the Civil War, achieved $5,520. A sixth-plate ambrotype of a youthful Confederate officer chalked up $2,645.

Polychrome figures were in evidence. A pair of polychrome Santos figures, depicting Mary and Joseph, likely Spanish Colonial and executed in the 18th century, rang out at $4,600. A carved polychrome reclining horse, also likely Spanish Colonial from the 18th century, hit $4,312. An 18th-century polychrome and gilt wooden winged Triton holding a branch aloft made $4,140.

From the books and maps group, a rare Italian book by Alfonso Isacchi, published in 1619 and one of only a few examples known, soared to $3,335. A map by John Speed titled A New Description of Carolina (London: Bassett Chiswell, 1676), depicting the area from Delaware to Florida, brought $2,760; and another map by Speed, A Map of Virginia and Maryland (London, 1676), made $2,645.

A Reed Barton Chelsea ship’s clock, made in the early 20th century and with a hinged gilt brass case and an engraved and enameled steel dial, found a new owner for $4,830. An antique subminiature Swiss carriage clock, circa 1900, with an enameled porcelain dial, exquisite gold-toned grand sonnerie movement and guilloche starburst pattern on top, hit $2,875.

Jewelry brought handsome prices. An 18-karat Andrew Grima diamond and adamite brooch, with beautiful composition by a celebrated artist and juxtaposing diamonds, gold and crystal, rose to $4,485. An 18-karat Greek hinged lion’s head bracelet, a gorgeous reproduction of a fourth-century B.C. piece, fetched $2,185. A 16-inch Carolyn Morris Bach pearl and silver necklace, artist signed, made $1,840. A Byzantine marble column capital from Kerak, Jordan, with a custom-fitted wooden base, crossed the block at $5,750. A large Chinese wooden Buddha, 19th century, with an ornately carved pierced arch back behind the figure and heavy gilt with red lacquer field on the robe, topped out at $5,175. A beautiful pair of French ormolu cassolettes, circa 1800, reached $3,680. An antique Japanese Mu-Mei Katana samurai sword, possibly from the 15th century, unsigned, changed hands at $2,070. A large Chinese medium-blue porcelain vase from the 19th century, unsigned and exhibiting excellent form, achieved $3,795.

A 97-piece Copeland Spode china set in the Blue Fitzhugh pattern, with 12 dinner plates and 12 lunch plates, reached $2,530.

Rounding out the top lots of the day, an alkaline glazed stoneware 5-gallon storage jar by North Carolina potter James Franklin Seagle, stamped with the most unusual Roman numeral “V” and stamped with the maker’s initials, realized $5,635. An antique Kazak area rug, 6 feet by 4 feet, made in Southwest Caucasus around 1870 and with a wool base and hooked medallions, made $3,105.

Leland Little Auction Estate Sales Ltd., has quarterly cataloged auctions planned for Dec. 6-7 and March 21. Watch the Web site for more details (www.LLauctions.com), email info@LLauctions.com or phone 919-644-1243.


ADDITIONAL LOTS OF NOTE


Period furniture at Leland Little's auction included these English George II walnut side chairs. The pair brought $9,200.

Period furniture at Leland Little’s auction included these English George II walnut side chairs. The pair brought $9,200.

Nineteenth century New York artist Jervis McEntee painted this scene of a forest interior, which brought $12,650. 

Nineteenth century New York artist Jervis McEntee painted this scene of a forest interior, which brought $12,650. 

The No. 1 hit of the sale was this Regina automatic disc changer music box with 20 discs. The golden oldie from the early 1900s turned $18,400.

The No. 1 hit of the sale was this Regina automatic disc changer music box with 20 discs. The golden oldie from the early 1900s turned $18,400.

This beautiful pair of French ormolu cassolettes, circa 1800, sold for $3,680.

This beautiful pair of French ormolu cassolettes, circa 1800, sold for $3,680.