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Detail from Ernie Barnes’s ‘Quintet,’ $645,000. Image courtesy of Heritage Auctions, ha.com

Play on: Heritage’s 68-lot American Art sale streaks past $6M

Ernie Barnes, ‘Quintet,’ $645,000. Image courtesy of Heritage Auctions, ha.com
Ernie Barnes, ‘Quintet,’ $645,000. Image courtesy of Heritage Auctions, ha.com

DALLAS — On May 12, Heritage Auctions showed real muscle and its own evolution in the American Art category with a finely curated event that brought a frenzy of bidders and broke auction records for a handful of beloved artists. The Diverse Visions: Important Works by American Masters Signature® Auction brought in $6,105,750. It took more than two hours to sell just 68 lots, with more than 500 bidders engaged. In addition, with the results of this auction, Heritage’s average lot value in its American Art Signature events is now just under $100,000. Works by familiar American greats, revisited stars, and increasingly desirable sleepers gave shape to an event that included Ernie Barnes, Arthur Wesley Dow, Jaune Quick-to-See Smith, Joseph Leyendecker and Charles White.

“We took risks this season, getting out of our comfort zone by expanding into areas that are not traditionally in our wheelhouse,” said Heritage’s Senior Vice President of American Art Aviva Lehmann, adding, “And we did not disappoint. We continue to demonstrate our commitment to the American Art field, and this sale is just the beginning of great things to come.”

George Tooker, ‘Sleepers I,’ $615,000. Image courtesy of Heritage Auctions, ha.com

George Tooker, ‘Sleepers I,’ $615,000. Image courtesy of Heritage Auctions, ha.com

Artists’ auction records are headline-makers, and Heritage broke three in one event. The painter George Tooker’s Sleepers I, from 1951, a tour de force of Magic Realism informed by canny neoclassical techniques (while remaining unequivocally modern) brought in $615,000 – a record for the artist. Arthur Wesley Dow’s 1912 painting Cosmic Cities, Grand Canyon of Arizona saw an auction record for the artist at $375,000. Dow’s surprising and dazzling work invokes his expansive trip out to the American West in 1911; he unveiled the Grand Canyon group in New York in April 1913.

Arthur Wesley Dow, ‘Cosmic Cities, Grand Canyon of Arizona,’ $375,000. Image courtesy of Heritage Auctions, ha.com
Arthur Wesley Dow, ‘Cosmic Cities, Grand Canyon of Arizona,’ $375,000. Courtesy Heritage Auctions, ha.com

Emerson Burkhart’s 1943 painting Life of the Spirit is Elevated by Pain brought a new record for the artist at $68,750; and Roger Norman Medearis’ 1947 painting Milking Time brought $118,750, his second-highest auction price, missing his record by a hair. The top lot in the sale was Theodore Robinson’s painting Normandy Mother and Child from 1892. It stems from Robinson’s “Giverny period” – considered the time frame of his strongest works – and melds a classic French Impressionist style with the American-favored subject of Normandy peasants. The hammer came down on that one at $645,000. Also bringing $645,000 was Ernie Barnes’ highly touted painting Quintet, dating to circa 1989. Barnes’ work is increasingly sought-after for good reason. Quintet was originally exhibited in the fall of 1990 at New York’s Grand Central Art Galleries as part of Barnes’ solo exhibition The Beauty of the Ghetto.

Jaune Quick-to-See Smith, ‘Night Catches Day,’ $447,000. Image courtesy of Heritage Auctions, ha.com

Jaune Quick-to-See Smith, ‘Night Catches Day,’ $447,000. Image courtesy of Heritage Auctions, ha.com

Jaune Quick-to-See Smith, born on the Flathead Indian Reservation in St. Ignatius, Montana in 1940 and of Salish, French-Cree, and Shoshone ancestry, is having a market moment, not to mention a current exhibition at the Whitney. Two of her paintings were top performers in the auction: Her Night Catches Day from 1985 brought $447,000, and her Paper Doll from 1986 saw $337,500. Unsurprisingly, the paintings are headed to a major American institution. Also, Joseph Christian Leyendecker’s cheeky summer of 1911 cover for the Saturday Evening Post titled Fourth of July brought $275,000, and Holocaust survivor Henry Koerner’s fascinating painting The Showboat, from 1948, sold for $262,500.

Hughie Lee-Smith, ‘Seascape,’ $206,250. Image courtesy of Heritage Auctions, ha.com

Hughie Lee-Smith, ‘Seascape,’ $206,250. Image courtesy of Heritage Auctions, ha.com

Other highlights of the March 12 event included Nicolai Fechin’s charming and intimate painting Taos Studio Interior, which sold for $237,500, and Hughie Lee-Smith’s oil-on-Masonite Seascape, from 1954, which sold for $206,250. Birger Sandzen had two standout moments in the sale with Sea and Rocks, a 1924 work that went for $100,000, and Lake at Moonrise, Estes Park, Colorado, from 1949, which brought $93,750.

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American art