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Storied provenance

Storied provenance drives Millea Bros. 3-day sale above expectations

Storied provenance
The top-selling David Hockney photograph from the personal collection of Ileana Sonnabend was ‘John St. Clair Swimming,’ 1976, that fetched $16,250. Millea Bros. image

BOONTON, N.J. – Realtors say it’s all about location, location and location. For Millea Bros., their Nov. 15-17 Select auction was all about provenance, provenance and provenance. Renowned art dealer, collector and philanthropist Eugene Thaw died at age 90 in January, leaving behind a large estate that was auctioned at Christie’s and Millea Bros. His wife, Clare, had died in 2017. The treasure trove offered by Millea Bros. evinces Thaw’s keen eye and includes fine antiques, American folk art, European art spanning antiquities to Impressionism, Victorian era architectural models, and post-Impressionist and modern art. Absentee and Internet live bidding is available through LiveAuctioneers.

Another well-known figure in the art world was gallerist Ileana Sonnabend, whose art photography collection passed down to her daughter, Nina Castelli Sundell, a curator and scholar until her death in 2014. Six months ago, at Millea Bros.’ auction in May, an initial offering of photography from Sonnabend’s collection performed well beyond expectation, soaring above estimate. The modern fine art photography in this fall sale, especially a group of David Hockney photographs, also outperformed expectation.

In recent years, Millea Bros. has been selling items from the estate of the late Americana collector Charles E. Sigety, ranging from examples of Norman Rockwell to important historic documents. Several choice artworks Sigety collected, from bronzes and paintings, found new buyers in this sale.

Modern art was on offer from the New York city estate of Dr. Pentti Kouri (1949-2009), a Finnish economist and venture capitalist with partner George Soros. He built his prestigious art collection with the goal of opening a private art foundation focused on his interests in Minimalism, Arte Povera, Conceptual and Text-based art. This is the third auction here featuring items from his estate.

“The auction was amazing, we always hope our sales will exceed our high estimate and this one certainly did by a lot,” said Michael Millea, who runs the auction house with his brother, Mark. “This sale was really driven by provenance. People really sought out the Thaw stuff, which was not a surprise to us. We had wanted to get the estate, were happy we got it and super happy with the results.”

The Thaw estate accounted for the lion’s share of items overall in the three-day sale, which overall totaled over 1,100 lots, as well as most of the top-selling lots, including the top lot, a Diego Giacometti bronze. Crossing the block in the second session, Chat maitre-d’hotel, by the Swiss sculptor (1902-1985) is a 1967 red-brown patinated cast bronze inscribed “Diego” on the base. The 11½-inch-tall work quickly achieved $81,250.

Storied provenance
The top lot of the auction was this Diego Giacometti cast bronze, ‘Chat maitre-d’hotel,’ circa 1967, which earned $81,250. Millea Bros. image

Thaw was a passionate collector of paintings and drawings and a standout in this sale included an unsigned oil on canvas attributed to Honore Daumier, titled Third Class Carriage, circa 1862, that went over its $20,000-$30,000 estimate to bring $68,750. This work is in the Daumier Registry as work # 9118 and referenced in Edward Fuch’s Der Maler Daumier, Munich, A. Langen, 1930.

Storied provenance
Another painting from the Thaw estate was this circa 1862 oil on canvas painting attributed to Honore Daumier, ‘Third Class Carriage,’ which sold for $68,750. Millea Bros. image

The Daumier painting was one of many surprising results in the sale, Millea said, noting it was difficult to predict if it would sell for $5,000 or $50,000. “I think a lot of these things needed further scholarship and for somebody to take it another step,” he said. Bidders clearly agreed and decided this painting was worth taking to the next level.

The Thaw collection also offered choice antiques, including a lot of two Italian Renaissance-style bronze medals that went for $23,750 and a 19th-century Victorian mahogany artist’s storage/easel cabinet, which was estimated at $600-800, going out at $17,500.

Thaw had far-ranging interests, spanning Asian antiques such as two antique carved wood netsuke going for $13,125 and a finely cast ancient Chinese gilt bronze tiger, likely Han dynasty, that brought $10,625, to American Indian arts, led by a Tlingit/Haida ceremonial grease bowl with carved bear-from handles by Augustus Bean (Inuit, 1850-1926) and Rudolph Walton (Inuit, 1867-1926), circa 1900, going out at $8,125.

Leading art from the Kouri estate was an Eva Hild (b. 1966) stoneware mask, Complex B, 2003, 26 by 31 by 30 inches, that made $40,000.

Storied provenance
This Eva Hild (b. 1966) stoneware mask, ‘Complex B,’ 2003, tripled its high estimate to realize $40,000. The 26-by-31-by 30-inch work came from the estate of venture capitalist Pentti Kouri. Millea Bros. image

The estate also yielded a pair of Arturo di Modica (Italian/American, b 1941), brown and verdigris patinated cast-bronze lions 1987, 50 by 63 by 17 inches, that sold for $32,500.

Storied provenance
A pair of bronze lions by Arturo di Modica (b. 1941), 1987, brought $32,500. The 50-inch-tall lions came from the Kouri estate. Millea Bros. image

From Charles Sigety’s estate came a J.C. Leyendecker oil on canvas portrait of Saint Jerome, circa 1898, and a Vassili Grachev (Russian, 1831-1905) cast bronze statue, Cattle Thief. Both works attained $21,250.

Sonnabend provenance also lends cachet to artworks and the art photography from her collection in this sale featured over 35 David Hockney photographs, led by his 1976 Chromogenic print, John St. Clair Swimming, which surpassed its $500-$700 estimate to bring $16,250.

Art dominated all three days of the auction but the furniture category offered some interesting and noteworthy finds such as an English burlwood kidney-shape kneehole desk, 19th/20th century, having burl veneer and an inset leather top, 30 by 54 by 29 inches, that earned $17,500. The desk came from the New York estate of Hope Gimbel Solinger.

Asian arts, which kicked off the sale on the first day, was led by a Chinese gold and silver inlaid bronze Hu vase ($600-$800) that made $28,750. “That was a surprise. When I saw it in the house, I thought it was really nice. It had that buttery bronze brown patina that seems to do really well,” Millea said, saying he knew it would do well but was surprised how well it did.

Storied provenance
Among surprises in the sale was this Chinese gold and silver inlaid bronze Hu vase, Qing dynasty, 11¾ inches tall, which realized $28,750. Millea Bros. image

Besides the items that soared over their estimates, the auction also offered some bargains, including an Albert Bierstadt (attrib.) oil on board, Ruin on the Prairie that sold below estimate for $8,750, a Vladimir Montufar (French/Guatemalan, b 1956) patinated bronze floor sculpture, Colonne II, 1992, for $1,500, and an oil on canvas in the manner of Henri Matisse, Deux Jeune Filles, 1947, going for $10,625.

For more information contact Millea Bros. at 973-377-1500.

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