With LiveAuctioneers, Moran’s fall auction harvests strong prices

As much a work of art as a functioning instrument, this Louis XVI-style Steinway Model B piano, serial number 99,999, was painted with a ‘fete galante’ by Arthur Thomas in 1907. Estimated at $30,000–40,000, it sold for $39,975. John Moran Auctioneers image.

As much a work of art as a functioning instrument, this Louis XVI-style Steinway Model B piano, serial number 99,999, was painted with a ‘fete galante’ by Arthur Thomas in 1907. Estimated at $30,000–40,000, it sold for $39,975. John Moran Auctioneers image.

PASADENA, Calif. – John Moran Auctioneers opened their fall auction season with a Decorative Arts Auction at the Pasadena Convention Center on Sept. 23. The two-session sale, featuring more than 400 lots of American and European design from the early to mid-20th century, traditional Continental furnishings from the 19th century, silver, Asian furniture and art, and a larger-than-usual selection of paintings, demonstrated a strong market for better items across all categories.

In keeping with recent trends, the vast majority of bidders participated online. LiveAuctioneers.com facilitated Internet live bidding and provided 360 bidders.

The more than 80 California and American paintings in the 228-lot cataloged session made an impression, finding a receptive audience among collectors and dealers who otherwise frequent Moran’s sales to purchase antiques. They showed a clear willingness to cross over into the fine art market, and to pay healthy prices in the process.

Several paintings fetched prices commensurate with those earned at Moran’s semiannual fine art auctions, and a few sold for twice the upper end of the presale estimate. A Summer, a scene of rolling hills by Los Angeles, Calif., painter William Lees Judson (1842–1928), realized $3,900, while Leland Curtis’s more dramatic Sierra Peaks reached a price of $1,882.50 (all prices include 20 percent buyer premium). A number of bidders competed for a hypnotic scene of a lily pond receding deeply into a grove of trees, painted by Wayne Beam Morrell (1923–2013 Rockport, Mass). Boasting deft brushwork and richly saturated color, the oil had no difficulty in selling for $3,000 (est: $1,000–1,500).

Select examples of early 20th century design were also greeted enthusiastically. A hauntingly beautiful Gallé cameo glass vase, wheel-cut in brown, green and blue with stark imagery commemorating the 1914 Battle of Lorraine, commanded an impressive price of $11,685, well over the $3,000-4,000 estimate. A two-piece lot of Art Deco Argenta pottery by Swedish designer William Kage for the Gustavsberg factory was an irresistible find. Glazed in mottled jade green and inlaid in silver with stylized mermaids and boldly patterned borders, the bowl and charger fetched $1,192.25 (est: $600–900). Also in the Art Deco style, a pair of clear glass vases by Sydney Bieler Waugh for Steuben featuring simple lines and boldly etched, classically inspired designs of Pegasus and a recumbent lamb brought $960 (est: $300–400). A Tiffany Studios bronze and Favrile glass Lily lamp with 10 lights earned a price at the high end of its estimate of $15,000–18,000, realizing $17,150, while an oak Morris chair by Gustav Stickley sold comfortably over the estimate of $1,500–2,500 at $4,800.

Good examples of European furnishings and decorative items in classic 19th century revivalist styles typically perform well at Moran’s auctions. This month’s crop of standouts included:

– A pair of 19th century Empire-style patinated bronze five-light candelabra modeled as cherubs standing on tall plinths, estimated at $1,000–2,000, brought $5,400.

– A Louis XV-style Boulle marquetry bracket clock dating to the second half of the 19th century, marked to the movement “H & F Paris,’’ realized $3,900 (est: $800 – 1,000).

– Modeled after “Water” in the “Four Elements” series by J.J. Kandler, a large 19th century Meissen porcelain ewer elaborately molded and painted with Tritons, Neptune, a mermaid and seahorses brought $9,840 (est: $5,000–8,000).

– Also by Meissen, a pair of figurines of cherubs designed after the models by Heinrich Schwabe achieved the high estimate, together realizing $1,200.

– A Spanish Baroque-style vargueno and stand also appealed to buyers despite heavy restorations, bringing $7,800 (est: $3,000–4000).

Moran’s offered two outstandingly grand pianos, each clad in a distinctive art case. A 1901 Louis XVI-style Steinway Model B, serial number 99,999, was decorated with portraits of composers painted to the exterior lid and a “fete galante’’ scene of figures in a bucolic landscape painted on the lid interior by Arthur Thomas in 1907. Arriving at auction with an impressive provenance, the fully functional work of art fetched $39,975, barely missing the high end of the estimate of $30,000–40,000. The other piano, by the venerable Parisian firm Érard, was handsomely outfitted with gilt bronze mounts and complex marquetry inlay. This instrument also clearly impressed buyers, as bidding rang off the scales to $27,000, well over the $10,000–15,000 estimate.

For more information on Moran’s sales contact John Moran Auctioneers at info@johnmoran.com or phone 626-793-1833. Consignment inquiries are always welcome.

Click here to view the fully illustrated catalog for this sale, complete with prices realized.


ADDITIONAL LOTS OF NOTE


As much a work of art as a functioning instrument, this Louis XVI-style Steinway Model B piano, serial number 99,999, was painted with a ‘fete galante’ by Arthur Thomas in 1907. Estimated at $30,000–40,000, it sold for $39,975. John Moran Auctioneers image.

As much a work of art as a functioning instrument, this Louis XVI-style Steinway Model B piano, serial number 99,999, was painted with a ‘fete galante’ by Arthur Thomas in 1907. Estimated at $30,000–40,000, it sold for $39,975. John Moran Auctioneers image.

A rare commemorative piece from the Gallé factory, this cameo glass vase marking the 1914 Battle of Lorraine brought $11,685, handily outperforming the $3,000–4,000 estimate. John Moran Auctioneers image.

A rare commemorative piece from the Gallé factory, this cameo glass vase marking the 1914 Battle of Lorraine brought $11,685, handily outperforming the $3,000–4,000 estimate. John Moran Auctioneers image.

This summer landscape by Los Angeles artist William Lees Judson (1842–1928), one of several high quality paintings in the sale realized $3,900, nearly double the high estimate. John Moran Auctioneers image.

This summer landscape by Los Angeles artist William Lees Judson (1842–1928), one of several high quality paintings in the sale realized $3,900, nearly double the high estimate. John Moran Auctioneers image.

Estimated to bring $1,000–1,500, this lily pond scene by Wayne Beam Morrell (1923–2013 Rockport, Mass.) entranced bidders and eventually sold for $3,000. John Moran Auctioneers image.

Estimated to bring $1,000–1,500, this lily pond scene by Wayne Beam Morrell (1923–2013 Rockport, Mass.) entranced bidders and eventually sold for $3,000. John Moran Auctioneers image.

This pair of large Empire-style bronze candelabra demonstrated a strong market for stately pieces of high quality, selling for $5,400 (est: $1,000–2,000). John Moran Auctioneers image.

This pair of large Empire-style bronze candelabra demonstrated a strong market for stately pieces of high quality, selling for $5,400 (est: $1,000–2,000). John Moran Auctioneers image.

Modeled after ‘Water’ in J.J. Kandler’s ‘Four Elements’ series, this large Meissen allegorical ewer charmed bidders with its myriad mythological figures, realizing $9,840 (est: $5,000–8,000). John Moran Auctioneers image.

Modeled after ‘Water’ in J.J. Kandler’s ‘Four Elements’ series, this large Meissen allegorical ewer charmed bidders with its myriad mythological figures, realizing $9,840 (est: $5,000–8,000). John Moran Auctioneers image.