The largest grouping from a single artist is the collection of 15 works by 1960s abstract minimalist Leon Polk Smith (Native American, 1906-1996). Influenced by Piet Mondrian, Smith’s highly original style is associated with the hard-edge school, of which he is considered a founder. Smith spent most of his life in New York City, with the only breaks being a two-year tenure at Rollins College in Florida and a brief period of residence in Cuba. His influence and importance are validated by the many museums whose permanent collections include his paintings, such as the Whitney, the National Gallery of Art, and the Guggenheim, where Smith received a coveted fellowship.
Among the Leon Polk Smith paintings in the April 7 sale is a signed 1970 acrylic on shaped canvas painting from Smith’s acclaimed Constellation series. Measuring 19 inches square, it is estimated at $4,000-$6,000. Also, a 31½in diameter oil and collage on canvas titled “Vermilion Black” is signed on verso and carries the inscription “Gift to Bob Jamieson 1956.” It is expected to make $6,000-$9,000.
The legacy of New York artists continues with three quintessential Johann Berthelsen (American, 1883-1972) oil-on-board snow scenes of Manhattan landmarks: Washington Square Park (18¾in x 22¾in sight, est. $4,000-$6,000), the Empire State Building (19 7/8in x 24in sight, est. $4,000-$6,000) and Central Park. Each of the paintings is signed and attractively framed.
Howard Gardiner Cushing’s (American, 1869-1916) signed oil-on-board “Portrait of Gertrude Vanderbilt Whitney” depicts the famous New York art patron and museum founder in a fanciful Leon Bakst-designed costume. A pencil notation on the back of the 18in x 13¼in (sight) painting reads, in part, “Bought by Mrs. Delano, 131 E. 36…” It is estimated at $5,000-$7,000.
“It is interesting how the artworks acquired from completely different estates somehow came together in this sale so many years later,” Dowd said. “The ‘Mrs. Delano’ who purchased the Cushing painting was the wife of architect William Adams Delano of the firm Delano & Aldrich. After Howard Cushing died, Mrs. Whitney helped fund a gallery at the Newport Art Museum to memorialize Cushing’s work. Mrs. Whitney’s good friend, William Delano, was chosen to design the gallery.’
“We’re also auctioning some beautiful New York City architectural prints by Chester Price, who, coincidentally, worked for Delano & Aldrich for many years,” Dowd added. “And bringing it full circle, the sale also includes a collection of artists’ books, one of which is filled with colorful plates depicting some of Leon Bakst’s Ballets Russes costumes similar to the one Gertrude Whitney wore for her Cushing portrait.”
A Gustave Baumann (American, 1881-1971) woodblock print titled “Cholla and Sahuaro” vividly showcases several varieties of cacti, some of them flowering, in a Southwestern desert setting. Pencil-signed with the artist’s chop mark, the 20in x 19in (framed) work is numbered 49/125 and expected to realize $10,000-$15,000 at auction.
Distinctly the work of Balcomb Greene (American, 1904-1990), a dramatic oil-on-linen artwork depicting craggy rocks and chilly waters is titled “The Cove.” It measures 60in x 54in, is artist signed and estimated at $4,000-$6,000. A more placid water scene is William Allyn Nichols’ (American, b. 1942-) signed 53in x 78in (sight) oil on canvas titled “Japanese Foot Bridge,” which is entered in the sale with a $6,000-$8,000 estimate. Making it a marine trifecta, Emile A. Gruppe’s (American, 1896-1978) 1958 oil painting “Shelling Longboat Key” is offered with a $4,000-$6,000 estimate.
Alfonso A. Ossorio’s (American, 1916-1990) signed and dated 1952 freeform watercolor titled “Mononucleosis” measures 40in x 26¼in (sight) and could bring $3,000-$4,000 at auction. Another compelling contemporary work is the Louise Berliawsky Nevelson (American, 1899-1988) oil on canvas titled “Cats.” Signed but unframed, it measures 20in x 38in and is estimated at $2,000-$4,000.
Heading the European art section is a Joan Miro (Spanish, 1893-1983) aquatint etching “L’aigrette Rouge,” signed and numbered 15/50. Sized 64in x 46in (framed), it is estimated at $10,000-$15,000. “It is unusual to encounter a Miro from such a small edition,” Dowd noted.
Because the April 7 event is Myers’ first specialty fine art sale in more than three years, co-owners Mary Dowd and Michael Myers were both selective and inclusionary in their final choices. The auction features many excellent, fresh-to-market works by lesser-known artists in addition to elusive paintings by avidly collected, high-profile names.
Myers Fine Art’s Sunday, April 7 auction of fine art from New York, American and European artists’ estates will commence at 12 noon Eastern Time. A preview will be held from 10-6 on Saturday, April 6, and from 10 a.m. till noon on auction day. The gallery is located at 1600 4th St. North in St. Petersburg, FL 33704. For additional information, call 727-823-3249 or e-mail firstname.lastname@example.org.
View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.LiveAuctioneers.com.
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