Rare Chagall litho a top attraction in Quinn’s auction July 26

Marc Chagall, ‘Avenue de la Victoire, Nice,’ 1967, color lithograph on Arches wove paper, pencil signed, edition 59/150. Estimate: $10,000-$15,000. Quinn’s Auction Galleries image

FALLS CHURCH, Va. – Quinn’s Auction Galleries and its subsidiary Waverly Rare Books & Prints will host a July 26 Fine Art Prints, Posters and Works on Paper sale at the company’s Falls Church, Virginia gallery. The 458-lot evening auction will commence at 6 p.m. Eastern time, with absentee and Internet live bidding available through LiveAuctioneers.

Works included in the auction range from the late 19th century to the present day, with special attention paid to new collectors. “There are more than 200 lots with estimates of $400 or less,” said Catherine Payling, director of Waverly Rare Books & Prints. “Each is a carefully chosen, excellent-quality artwork that any collector would be proud to own and enjoy.”

Leading the selection is Marc Chagall’s (French/Russian, 1887-1985) color lithograph on Arches paper titled Avenue de la Victoire, Nice. It measures 24½ by 18 1/8 inches (sight), is artist-signed in pencil and numbered 59/150 from the 1967 Charles Sorlier edition “Nice and the Cote d’Azur.” This rare lithograph(above) is expected to bring an auction price of $10,000-$15,000.

A most unusual addition to the sale is an Andy Warhol (American, 1928-1987) canceled silkscreen mesh from the circa-1962-1967 “Marilyn” serigraph series. Extremely rare, the artwork-in-negative comes with the original box that was used to transport it from the Museum of Fine Arts, Boston, to Warhol’s manager, Fred Hughes, at the artist’s Manhattan studio residence. From Mr. Hughes, the silkscreen mesh passed to the consignor, who worked at the Warhol Foundation. Estimate: $3,000-$5,000

Andy Warhol (American, 1928-1987), canceled silkscreen mesh from ‘Marilyn’ serigraph series, circa 1962-1967, unbroken trail of provenance goes back to the artist himself. Estimate: $3,000-$5,000. Quinn’s Auction Galleries image

A circa-1951/55 etching and aquatint by Aaron Douglas (American, 1899-1979) titled Three Trees (Vineyard Haven) depicts a gentle waterside setting at a Martha’s Vineyard (Mass.) community long favored by African-American artists who vacationed there. The atmospheric work captures the trio of trees swaying in the wind amid distinctive island vegetation. Measuring 6¼ by 10 inches (full sheet), it will be offered at auction at Quinn’s for only the second time in 60+ years. Estimate: $4,000-$6,000.

Aaron Douglas (American, 1899-1979), ‘Three Trees (Vineyard Haven),’ circa 1951/55, etching and aquatint, pencil-signed and titled. Estimate: $4,000-$6,000. Quinn’s Auction Galleries image

There are two monotypes in the sale by Washington, D.C.-area favorite Sam Gilliam (b. 1933-). A Fog in the Hollow, 1974, is signed and dated in pencil and measures 32½ by 45 inches, framed. Peter’s Tweeter, a 1974 serigraph and string in colors on rag paper is also pencil-signed and dated by the artist, measuring 28¾ by 39 inches, framed. The works will be auctioned consecutively, each with a $3,000-$5,000 estimate.

Sam Gilliam (American, b. 1933-), ‘A Fog in the Hollow,’ 1974, signed and dated in pencil, 32½ by 45in, framed. Estimate: $3,000-$5,000. Quinn’s Auction Galleries image

One of the greatest of all nature photographers, Ansel Adams (American, 1902-1984) is represented in the auction by a 1947 gelatin silver print titled Fresh Snow, Yosemite Valley, California. An un-editioned press photograph, it was used in promotional material for “Ansel Adams and the West,” a Museum of Modern Art (NYC) exhibition that ran in September and October of 1979. It comes with the original press release and advance fact sheet from the show and is estimated at $3,000-$5,000.

Ansel Adams (American, 1902-1984), 1947 gelatin silver print titled ‘Fresh Snow, Yosemite Valley, California.’ Used as part of a press kit to publicize ‘Ansel Adams and the West,’ a 1979 at the Museum of Modern Art, New York. Comes with other press kit materials. Estimate: $3,000-$5,000. Quinn’s Auction Galleries image

More modestly estimated but no less desirable, a devilish 1906 Leonetto Cappiello (French, 1875-1942) lithographed poster advertising the absinthe aperitif “Maurin Quina” was printed by P. Vercasson, Rue de Lancry, Paris, and is reasonably estimated at $800-$1,200.

Leonetto Cappiello (French, 1875-1942) lithographed poster advertising the absinthe aperitif ‘Maurin Quina,’ 1906, 63½ x 47¾in. Estimate: $800-$1,200. Quinn’s Auction Galleries image

Another fine choice for new to intermediate collectors, or those who simply want an artistic splash of color for their walls, is Graham Sutherland’s (British, 1903-1980) vibrant travel poster designed in 1964 for the Cote d’Azur Alpes Maritimes Affiche. Originally aimed at the German market, its imagery and message promote travel to the glamorous French Riviera. Estimate: $300-$500.

Graham Sutherland’s (British, 1903-1980), travel poster designed for the Cote d’Azur Alpes Maritimes Affiche, 1964. Estimate: $300-$500. Quinn’s Auction Galleries image

The sale includes original drawings, watercolors and mixed-media pieces by many other artists favored by collectors but too numerous to mention, including Dali, Toulouse-Lautrec, Whistler, and Rockwell Kent. Additionally, there are more than a dozen 20th-century self-portraits by such artists as Knaths, Martin Lewis, Isaac Friedlander and Prentiss Taylor.

Rockwell Kent (American, 1882-1971), ‘The Drifter,’ 1933, wood engraving, ed. 250, pencil-signed. Estimate: $1,500-$2,000. Quinn’s Auction Galleries image

Quinn’s Thursday, July 26, 2018, Modern Prints, Poster & Works on Paper gallery auction will commence at 6 p.m. Eastern Time. All remote forms of bidding will also be available, including absentee, phone and live via the Internet through LiveAuctioneers.com. For additional information on any item in the auction, call 703-532-5632, ext. 575; or email waverly@quinnsauction.com.