The influence of woodblock printing is far reaching. Although the process became popular with artisans in the 18th century, woodblocks served an important role in the work of 17th century printers. The use of woodblock printing resulted in reproduction of important text for large-scale distribution.

Although a source of inspiration and influence among iconic artists including Renoir, Cassatt, and Monet, in their own right Japanese woodblock prints continue to gain appreciation among collectors and artists alike. Woodblock prints often depict urban settings and rural scenery, and a story and/or sentiment through the presentation, positioning and characteristics of the subjects in the print.

Authentic Japanese woodblock prints are presently selling for anywhere from a couple of hundred dollars to tens of thousands of dollars. With the number seven celebrated in Japanese culture as a sign of good fortunate, we selected seven examples of Japanese woodblock prints that evoke wit, wisdom and wonder:

 

Opening of the New Azuma Bridge in Tokyo

 

 

Before the widespread use of photography, woodblock prints were used to record significant moments in history. Such is the case with this three-panel panoramic print showcasing the opening of the steel Azuma Bridge in Tokyo. The bridge, which crosses the Sumida River, opened to the public in 1887.

 

Rising Moon Over Mount Nanping

 

 

The art of storytelling is often celebrated in woodblock prints, like this one. Front and slightly to the right of center is legendary warrior Cao Cao standing firm aboard a boat as it crosses the Yangzi river, en route to do battle. Just above the warrior are two black crows, which were often viewed as an ominous sign of things to come.

 

Musashi Plaine Moon

 

 

Mystical legends and lore are also popular subjects of woodblock print artists. The sacred land of the Musashi Plain, and an ancient mystical fox, are both represented in intricate detail and steadfast color, in this woodblock print by master printer Yoshitoshi.

 

Stone From Toyoshima

 

 

The history of Japanese woodblock prints is marked by challenge, with artisans encountering restrictions to artistic freedom. In the mid-19th century, the Japanese government placed a regulation on the colors that could be used. For this reason, various prints of that period, like this one from the series “Celebrated Products of Mountains and Sea” of 1852, feature predominate use of blue, an approved color.

 

The Moon of Yamaki Mansion

 

 

This original Yoshitoshi print, illustrating a confrontation between members of rival clans, demonstrates some of the clever intricacies available in the woodblock print process that evoke action and emotion. It’s easy to see how this could influence later generations of artists developing animation art.

 

The 28 Deified Generals of Tokugawa

 

 

Paying respect and honor to leaders was a significant practice within Japanese culture. Woodblock prints allowed artists to show the character and rank of leaders, like this group of deified generals, in the armor, clothing and facial details.

 

Change E Flees to the Moon

 

 

Ancient myths and royal figures also often appear as subjects in woodblock prints. In this single print, the story of Change E becoming the queen of the moon is explained in imagery, rich color and composition. The slight rubbing at the edges also seems to add to the mythical sense of the image.

 

A fine collection of Japanese woodblock prints  will be auctioned on July 16 by Last Chance by LiveAuctioneers.

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By C.A. LEO