Getty Museum in Los Angeles to return illegally exported art to Italy

Orpheus and the Sirens, a group of Greek sculptures dating to 350-300 B.C., photographed on display at the Getty Museum in Los Angeles in June 2010. The museum announced on August 11 that it would return the terra-cottas to Italy after receiving evidence from the Manhattan district attorney’s office that they were illegally excavated. Image courtesy of Wikimedia Commons, photo credit Gary Todd. Shared under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
Orpheus and the Sirens, a group of Greek sculptures dating to 350-300 B.C., photographed on display at the Getty Museum in Los Angeles in June 2010. The museum announced on August 11 that it would return the terra-cottas to Italy after receiving evidence from the Manhattan district attorney’s office that they were illegally excavated. Image courtesy of Wikimedia Commons, photo credit Gary Todd. Shared under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
Orpheus and the Sirens, a group of Greek sculptures dating to 350-300 B.C., photographed on display at the Getty Museum in Los Angeles in June 2010. The museum announced August 11 it would return them to Italy after receiving evidence from the Manhattan district attorney’s office that they were illegally excavated. Image courtesy of Wikimedia Commons, photo credit Gary Todd. Shared under the Creative Commons CC0 1.0 Universal Public Domain Dedication.

LOS ANGELES (AP) – The J. Paul Getty Museum in Los Angeles is returning ancient sculptures and other works of art that were illegally exported from Italy, the museum announced August 11.

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Jewels of the Nile shine at Worcester Art Museum

Brooch featuring an ancient scarab in a modern winged mount, scarab is ancient Egyptian, (scarab) New Kingdom, about 1539–1077 B.C.; (gold mount) early 1900s, glazed steatite and gold (modern), Mrs. Kingsmill Marrs Collection, Worcester Art Museum, 1926.86
Brooch featuring an ancient scarab in a modern winged mount, scarab is ancient Egyptian, (scarab) New Kingdom, about 1539–1077 B.C.; (gold mount) early 1900s, glazed steatite and gold (modern), Mrs. Kingsmill Marrs Collection, Worcester Art Museum, 1926.86
Brooch featuring an ancient scarab in a modern winged mount, scarab is ancient Egyptian, (scarab) New Kingdom, about 1539–1077 B.C.; (gold mount) early 1900s, glazed steatite and gold (modern), Mrs. Kingsmill Marrs Collection, Worcester Art Museum, 1926.86

WORCESTER, Mass. — The Worcester Art Museum (WAM) presents Jewels of the Nile: Ancient Egyptian Treasures from the Worcester Art Museum now until January 29, 2023. It brings to light the exceptional collection of Egyptian jewelry assembled by Kingsmill Marrs and Laura Norcross Marrs and given to WAM by Mrs. Marrs in 1926.

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Goodwill find in Texas turns out to be Ancient Roman bust

 Taking home the Portrait of a man after purchasing the bust at the Goodwill in Austin. Image courtesy of Laura Young

Taking home the Portrait of a man after purchasing the bust at the Goodwill in Austin. Image courtesy of Laura Young

SAN ANTONIO, Texas — When Austin, Texas-based art collector Laura Young purchased a marble bust at a local Goodwill store in 2018, she didn’t know that she had accidentally stumbled upon a centuries-old sculpture that once belonged in the collection of King Ludwig I of Bavaria. The work, which was initially identified by Sotheby’s consultant Jorg Deterling and further authenticated by the Bavarian Administration of State-Owned Palaces, Gardens, and Lakes, is now on view at the San Antonio Museum of Art (SAMA) through May 2023.

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US returns smuggled ancient artifacts to Libya

US authorities have returned a cache of looted antiquities to Libya, among them a Hellenic bust of a veiled woman dating to circa 350 BCE. Image courtesy of the Manhattan District Attorney’s Office.
US authorities have returned a cache of looted antiquities to Libya, among them a Hellenic bust of a veiled woman (left) and a work dubbed ‘Veiled Head of a Female,’ (right) both dating to circa 350 BCE. Images courtesy of the Manhattan District Attorney’s Office.
US authorities have returned a cache of looted antiquities to Libya, among them a Hellenic bust of a veiled woman (left) and a work dubbed ‘Veiled Head of a Female,’ (right) both dating to circa 350 BCE. Images courtesy of the Manhattan District Attorney’s Office.

TRIPOLI, Libya (AP) – The United States on March 31 returned a cache of smuggled ancient artifacts to Libya as the oil-rich Mediterranean country struggles to protect its heritage against the backdrop of years of war, turmoil and unrest. The repatriated items include two sculptures dating to the 4th century BCE from the ancient city of Cyrene.

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With an eye on funding from China, Taliban now preserves Buddhas

November 2011 image of an ancient Buddhist settlement at Mes Anyak in Afghanistan. Taliban leaders who once ordered the destruction of Buddhist sculptures are now committed to preserving Mes Anyak’s art and artifacts to please Chinese investors attracted by a nearby copper mine. Image courtesy of Wikimedia Commons, photo credit Jerome Starkey. Shared under the Creative Commons Attribution-Share Alike 2.0 Generic license.
November 2011 image of an ancient Buddhist settlement at Mes Anyak in Afghanistan. Taliban leaders who once ordered the destruction of Buddhist sculptures are now committed to preserving Mes Anyak’s art and artifacts to please Chinese investors attracted by a nearby copper mine. Image courtesy of Wikimedia Commons, photo credit Jerome Starkey. Shared under the Creative Commons Attribution-Share Alike 2.0 Generic license.

November 2011 image of an ancient Buddhist settlement at Mes Anyak in Afghanistan. Taliban leaders who once ordered the destruction of Buddhist sculptures are now committed to preserving Mes Anyak’s art and artifacts to please Chinese investors attracted by a nearby copper mine. Image courtesy of Wikimedia Commons, photo credit Jerome Starkey. Shared under the Creative Commons Attribution-Share Alike 2.0 Generic license.

MES AYNAK, Afghanistan (AP) – The ancient Buddha statues sit in serene meditation in the caves carved into the russet cliffs of rural Afghanistan. Hundreds of meters below lies what is believed to be the world’s largest deposit of copper. Afghanistan’s Taliban rulers are pinning their hopes on Beijing to turn that rich vein into revenue to salvage the cash-starved country amid crippling international sanctions.

The fighters standing guard by the rocky hillside may once have considered destroying the terracotta Buddhas. Two decades ago when the Islamic hard-line Taliban were first in power, they sparked world outrage by blowing up gigantic Buddha statues in another part of the country, calling them pagan symbols that must be purged. But now they are intent on preserving the relics of the Mes Aynak copper mine. Doing so is key to unlocking billions in Chinese investment, said Hakumullah Mubariz, the Taliban head of security at the site, peering into the remnants of a monastery built by first-century Buddhist monks.

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Ancient limestone panel recovered and returned to India

Indian Ambassador Santosh Jha and Art Recovery International (ARI) founder Christopher A. Marinello pose with the third century Indian limestone panel, which had been stolen from a museum in the mid-1990s and was recently recovered and returned to India. Image courtesy of Art Recovery International
Indian Ambassador Santosh Jha and Art Recovery International (ARI) founder Christopher A. Marinello pose with the third century Indian limestone panel, which had been stolen from a museum in the mid-1990s and was recently recovered and returned to India. Image courtesy of Art Recovery International
Indian Ambassador Santosh Jha and Art Recovery International (ARI) founder Christopher A. Marinello pose with the third-century Indian limestone panel, which had been stolen from a museum in the mid-1990s and was recently recovered and returned to India. Image courtesy of Art Recovery International

BRUSSELS, Belgium – Art Recovery International has announced the recovery of a part of India’s cultural heritage dating from the second half of the 3rd century. This is the third such repatriation of stolen and looted Indian art in the last three months for Art Recovery International (ARI) working in partnership with The India Pride Project (IPP).

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Bell from Columbus’ Santa Maria will toll at Affiliated auction, March 2

The naval bell that was once aboard the Santa Maria, one of the three ships Christopher Columbus sailed to the New World, will be auctioned on March 2. It is estimated at $2.5 million-$5 million.
The naval bell that was once aboard the Santa Maria, one of the three ships Christopher Columbus sailed to the New World, will be auctioned on March 2. It is estimated at $2.5 million-$5 million.

TALLAHASSEE, Fla. – Affiliated Auctions and Realty, LLC landed “the historical object of a lifetime” when the bell of the Santa Maria arrived at their auction house last month. The naval bell reportedly was aboard the largest of Christopher Columbus’ fleet of ships used during his first voyage of discovery and new lands in 1492. The auction house will offer the bell for public sale on Wednesday, March 2. Its estimate is $2.5 million-$5 million. Absentee and Internet live bidding will be available through LiveAuctioneers.

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British Museum unveils exciting prehistoric art discovery

Burton Agnes chalk drum, chalk ball and bone pin, 3005-2890 BCE. Photo © The Trustees of the British Museum
Burton Agnes chalk drum, chalk ball and bone pin, 3005-2890 BCE. Photo © The Trustees of the British Museum
Burton Agnes chalk drum, chalk ball and bone pin, 3005-2890 BCE. Photo © The Trustees of the British Museum

LONDON – On February 9, The British Museum and Allen Archaeology announced the discovery of what they call “the most important piece of prehistoric art to be found in Britain in the last 100 years.” The object is a 5,000-year-old chalk sculpture that was found on a country estate near the village of Burton Agnes in East Yorkshire.

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1860 Pony Express envelope to Lincoln heads to auction Jan. 26

Pony Express envelope addressed to Abraham Lincoln, sent from San Francisco, and postmarked Aug. 18, 1860. Image courtesy of H.R. Harmer Fine Stamp Auctions

NEW YORK – On January 26, a philatelic auction gallery in New York will be offering the sixth installment of 10 featuring the “Erivan” Collection of United and Confederate States Postal History. This particular installment is distinguished by its inclusion of a Pony Express envelope addressed to Abraham Lincoln.

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Italian museum sending Parthenon fragment to Athens in nudge to UK

The Parthenon temple, shown at night. The A. Salinas Archaeological Museum in Sicily, Italy announced a four-year loan of a Parthenon frieze fragment to the Acropolis Museum in Athens, an act designed to nudge the British Museum and other European institutions to return their holdings of Parthenon marbles to Greece. Image courtesy of Wikimedia Commons, taken by Athanasios Benisis in September 2004 and shared under the Creative Commons Attribution-Share Alike 4.0 International license.
The Parthenon temple, shown at night. The A. Salinas Archaeological Museum in Sicily, Italy announced a four-year loan of a Parthenon frieze fragment to the Acropolis Museum in Athens, an act designed to nudge the British Museum and other European institutions to return their holdings of Parthenon marbles to Greece. Image courtesy of Wikimedia Commons, taken by Athanasios Benisis in September 2004 and shared under the Creative Commons Attribution-Share Alike 4.0 International license.
The Parthenon temple, shown at night. The A. Salinas Archaeological Museum in Sicily, Italy announced a four-year loan of a Parthenon frieze fragment to the Acropolis Museum in Athens, an act designed to nudge the British Museum and other European institutions to return their holdings of Parthenon marbles to Greece. Image courtesy of Wikimedia Commons, taken by Athanasios Benisis in September 2004 and shared under the Creative Commons Attribution-Share Alike 4.0 International license.

ROME (AP) – An Italian museum is lending a fragment of the Parthenon Sculptures to Greece, in what both sides hope will become a permanent return that might encourage others – the British Museum, in particular – to send their own pieces of the works back, too.

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