“Although our donor wishes to remain anonymous, we express our gratitude for this generous support of a major goal of the Second Century Campaign – strengthening our academic programs and increasing the number of endowed academic positions,” said SMU President R. Gerald Turner. “The appointment of Dr. Tejada and this innovative new doctoral program in art history leverage the unique resources of the Meadows Museum and the cultural richness of our region.”
A well-known specialist in modern and contemporary Latin American and Latino/U.S. visual culture, Dr. Tejada is also a highly distinguished teacher, art critic, poet, curator and editor. Ramón A. Gutierrez, Preston & Sterling Morton Distinguished Professor of History at the University of Chicago, said that Tejada is regarded as “one of a very small handful of top Latino art historians/critics and as one of Latin America’s most important thinkers in the field.”
“We are thrilled to have Professor Tejada as our new endowed chair,” said Dr. José Bowen, dean of the Meadows School of the Arts. “He has formidable scholarly, curatorial and editorial credentials that will transform SMU’s already excellent art history program into one of national and international prominence, particularly in the arena of Latin American and Iberian studies. Building on the excellence of our existing faculty’s expertise in Colonial Latin America, Pre-Columbian art, and medieval Spain, and also on the strengths of the Meadows Museum and its renowned collection of Spanish art, Dr. Tejada will be a magnet for Ph.D. students around the world.”
The international search for the new chair was led by SMU University Distinguished Professor in Art History Greg Warden. The search committee included numerous prominent scholars, among them W.J.T. Mitchell of the University of Chicago and Annabel J. Wharton of Duke University.
Tejada comes to SMU from the University of Texas at Austin, where for the past two years he has been an associate professor in the art and art history department. Prior to that he taught for six years at the University of California-San Diego, where he was one of eight prominent scholars specifically hired by the university to promote interdisciplinary research and create synergies among departments, programs and research centers. Tejada was considered by his colleagues to be the catalytic force linking Latin American studies with literature, media history and the visual arts. Before teaching at San Diego, Tejada held a postdoctoral fellowship at Dartmouth College.
Tejada also has lived in Mexico City, taught at Universidad Nacional Autónoma de México, and curated for the Museo de las Artes in Guadalajara. He spent seven years as executive editor for Artes de México, one of the continent’s leading arts journals, and was on the editorial team of Vuelta Magazine in Mexico City, published by the late Nobel Laureate Octavio Paz, which focused on the arts, culture and politics of Latin America. He has published books on Mexican photography and on the artist Celia Alvarez Muñoz as well as numerous articles in such journals as Afterimage, Aperture, The Brooklyn Rail, SF Camerawork and Third Text. In 1991 he founded and is now co-editor of Mandorla: New Writing from the Americas, one of the premier bilingual journals of poetry, poetics, and visual arts from the Americas; he will continue to publish the journal at SMU.
Tejada is also a prolific and highly accomplished poet. Adrienne Rich, one of the country’s most venerated living poets and a National Book Award winner, selected Tejada as one of only six writers to contribute an essay on her work to a special issue of the Virginia Quarterly Review.
As a curator, Tejada’s exhibits have included “Manuel Álvarez Bravo: Optical Parables” at the J. Paul Getty Museum in Los Angeles; “Paper Traces: Latin American Prints and Drawings” at the San Diego Museum of Art; and “Luis Gispert: Loud Image” at Dartmouth’s Hood Museum, among others.
The recipient of numerous grants and fellowships, Tejada earned his Ph.D. at the State University of New York-Buffalo in interdisciplinary studies (art history, English, comparative literature and media studies) and his B.A. in comparative literature at New York University.
Dallas’s increasingly vibrant arts community, its nationally recognized museums and collections, and the attention focused on the arts resulting from the construction of the new AT&T Performing Arts Center, provided an important impetus for SMU to create a doctoral program in art history.
The Ph.D. program will feature a curriculum with two areas of concentration: one geographic, covering Latin America, Iberia and the Americas; and the other media-based, focusing on technologies of visual communication.
The new Ph.D. builds on the experience and success of the art history M.A. program launched in 1983; its graduates have regularly gone on to doctoral programs at such institutions as Harvard, Yale, Brown, Cornell and the Courtauld Institute at the University of London. The new Ph.D. program is expected to begin in fall 2011.