Tate Modern spotlights a continent in A Year in Art: Australia 1992

Emily Kame Kngwarreye, ‘Untitled (Alhalkere),’ 1989 Tate, purchased with funds provided by Lady Sarah Atcherley in honor of Simon Mordant 2019. © Estate of Emily Kame Kngwarreye / DACS 2020, All rights reserved
Emily Kame Kngwarreye, ‘Untitled (Alhalkere),’ 1989 Tate, purchased with funds provided by Lady Sarah Atcherley in honor of Simon Mordant 2019. © Estate of Emily Kame Kngwarreye / DACS 2020, All rights reserved
Emily Kame Kngwarreye, ‘Untitled (Alhalkere),’ 1989, Tate, bought with funds provided by Lady Sarah Atcherley in honor of Simon Mordant 2019. © Estate of Emily Kame Kngwarreye/DACS 2020, All rights reserved

LONDON – Tate Modern has opened A Year in Art: Australia 1992, a free exhibition of more than 25 works by Australian artists, many on show for the first time in the UK, to explore debates around land rights and the ongoing legacies of colonialism. It takes as its starting point the High Court of Australia’s landmark 1992 Mabo ruling in favour of five Meriam people including Edward Koiki Mabo. This decision overturned terra nullius (meaning ‘land belonging to nobody’), the doctrine on which the British had justified colonizing the land now known as Australia. The exhibition brings together works from Tate’s collection which explore Aboriginal and Torres Strait Islander peoples’ relationship with their lands, as well as colonization’s continuing impact on issues of representation, social injustice, and climate emergency. The exhibit will continue until spring 2022.

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