Adnet and Quinet midcentury works were in strong demand at LAMA

Jacques Adnet sideboard cabinet, estimated at $10,000-$15,000 at LAMA.

LOS ANGELES – Mid-century works by the modernist architects and interior designers Jacques Adnet (1900-1984) and Jacques Quinet (1918-1992) were in strong demand at Los Angeles Modern Auctions (LAMA). A trio of pieces in their signature leather-clad style brought five-figure sums on February 28. Complete results are available at LiveAuctioneers.

While Adnet began his career in the heyday of Art Deco Paris, it is increasingly his post-war work — a modern take on the traditional French country house interior — that the market admires most. Particularly coveted are the range of elegant furniture designs with tubular metal frames clad in saddle-stitched leather, made between the late 1940s and late 1950s. Aimed at the very highest-end clients (Adnet’s high-profile interiors projects in this period include the renovation of French President Vincent Auriol’s private apartments at the Palais de l’Elysée), they were made in association with the luxury leather goods house Hermès.

Dated circa 1955 was a 7ft 4in (2.24m)-wide sideboard cabinet of three drawers and two doors in black leather over a steel and oak frame. Mounted in lacquered brass (a gallery, handles, and fittings to the ‘bamboo’ pillars), it was described as being ‘in good vintage condition’, with the leather refinished. Estimated at $10,000-$15,000, it took $35,000 ($45,850 with buyer’s premium) as 86 bidders ‘watched’ on LiveAuctioneers.

It was unsigned, but a similar six-shelf library book stand and ladder attributed to Jacques Adnet and dated circa 1960 hammered for $28,000 ($36,680 with buyer’s premium) against the same estimate.

Working at the same time for a similar clientele, Jacques Quinet was another proponent of functional design that married the ‘new’ of fabricated tubular steel and the warmth of organic materials such as tropical hardwood, leather, rattan, and lacquer. He also used leatherette, the then-recently available artificial fabric that was both cheaper and required less maintenance.

His series of desks that were installed in the Mobilier National and the residence of General Eisenhower at Marne-la-Coquette are prized by decorators and collectors. The February 28 LAMA sale had a circa-1950 President desk in rouge leather, brass, and oak veneer, offered in ‘very good vintage condition’, which hammered for $30,000 ($39,300 with buyer’s premium) against $10,000-$15,000.

Among the most popular American-designed pieces in the sale was a set of six enameled steel Model 132U chairs by Donald Knorr. This was the design for which Knorr shared first prize at the influential ‘Low Cost furniture Design’ competition organized by the Museum of Modern Art in New York in 1948. However, it was only made by Treitel Gratz of New York for two years. The six chairs hammered well above estimate at $22,000 ($28,820 with buyer’s premium).

The top price of the sale was shared by an Alexander Calder (1898-1976) tapestry — one of two in the lineup from the series made to raise money for victims of the earthquake that afflicted Nicaragua and Guatemala in December 1972. Local workers, using traditional techniques and jute rather than wool, were paid four times their usual rate to complete the project. There are 14 different designs, with each made in an edition of 100. A Floating Circles tapestry, number 38 from the edition of 100, was the one that tied for top-lot honors, hammering at $35,000 ($45,850 with buyer’s premium), while a second Calder tapestry in the Moon design, 73 from the edition of 100, brought $22,000 ($28,820 with buyer’s premium) from a LiveAuctioneers bidder.

In November 2023, the Paris auction house Piasa offered a complete set of all 14 Calder weavings that had been owned by Kitty Meyer, the New York socialite who had first approached Calder with the earthquake fundraising idea. All numbered 53 of 100, they brought hammer prices between €30,000-€60,000 ($32,675-$65,350), with Moon selling at €32,000 ($34,850) and Floating Circle at €50,000 ($54,460).

Photography by women comes into focus at LAMA March 8

Diane Arbus, 'Tattooed Man at a Carnival, MD,' estimated at $10,000-$15,000 at LAMA.

VAN NUYS, Calif. — A 201-lot sale of Photographs at Los Angeles Modern Auctions showcases some of the leading women in the world of 20th-century photographic art. Scheduled for Friday, March 8, the catalog is now available for bidding at LiveAuctioneers.

Nan Goldin (b. 1953-) is an award-winning American photographer whose career has focused on LGBTQ+ subject matter and the AIDS epidemic of the 1980s and beyond. She also works extensively in fashion photography. Hair is from 2011 and is numbered 2 from an edition of 3. The print is also notated Paris, likely the source of the images in the collage. It is estimated at $25,000-$35,000.

The self-portraits of Cindy Sherman (b. 1954-) sees the photographer donning costumes and makeup and portraying all sorts of people, such as a B-movie actress or a world traveler. Untitled (Under the WTC) is from 1980 but the print, numbered 63 of 100, was made in 2001. It carries an estimate of $15,000-$20,000.

One of the most important and influential photographers of the 20th century was Diane Arbus (1923-1971). Her life’s work was capturing outsiders in their element — carnival workers, sex workers, transvestites, nudists, even parents with children — and always with a sympathetic eye. Much copied, Arbus today remains a powerful influence on successive generations of photographers.

Taken in 1970, a year prior to her death by suicide, Tattooed Man at a Carnival, MD is quintessential Arbus, with excellent use of light and forced perspective. The print presented here was made later by Neil Selkirk, and is numbered 46 from an edition of 75. It bears the Arbus copyright stamp and is estimated at $10,000-$15,000.

A Flower Girl at a Wedding, Conn. is from 1964 and as before, this is a later print issued with the Arbus stamp by Selkirk. It is similarly estimated at $10,000-$15,000.

Masters of 20th-century furniture design command attention at LAMA Feb. 28

Sam Maloof rocking chair, estimated at $20,000-$30,000 at LAMA.

VAN NUYS, Calif. — Some of the most important names in 20th-century furniture design are represented in the upcoming Design Auction at Los Angeles Modern Auctions (LAMA) on Wednesday, February 28. The complete catalog is now available for bidding at LiveAuctioneers.

The 202-lot sale is headed by this rocking chair from Sam Maloof (1916-2009). It was acquired directly from the artist in 1989 and is marked No. 45 1989 Sam Maloof f.A.C.C. ? to the underside. Described in the lot notes as being in ‘very good vintage condition,’ the chair is estimated at $20,000-$30,000.

Luisa, Marchesa Casati Stampa di Soncino (1881-1957) was an Italian heiress, muse, and art patron — along with being something of a public eccentric. According to LAMA, the marquess commissioned this bench from furniture designer Carlo Bugatti (1856-1940). Featuring what appears to be Arabic script decorations and what remains of the original silk tassels, the underside provides the tell, with Casati marked there. The bench is estimated at $20,000-$30,000.

The Larkin family of Maple Glen, Pennsylvania made a wise choice when they ordered this cabinet from Nakashima Studios in 1957. Now debuting at auction some 67 years after purchase, the cabinet is in fine condition and comes with a digital copy of the original purchase order. It is estimated at $20,000-$30,000.

The sale includes 17 works by Jacques Adnet (1900-1984), the renowned French designer best remembered for his innovative use of leather and metal in his furniture. This sideboard cabinet is constructed of saddle-stitched leather over steel with oak and brass elements. It is dated to around 1955 and carries an estimate of $10,000-$15,000.

No 20th-century furniture sale would be complete without an example from Charles and Ray Eames. The husband-and-wife design powerhouse created La Chaise for the 1948 International Competition for Low-Cost Furniture Design at New York’s Museum of Modern Art. However, it was not actually produced for retail until the 1990s by Vitra in Switzerland. This example is from around 2000 and is made of lacquered polyester resin, chrome-plated steel, and oak and is estimated at $3,000-$5,000.

Luis Jiminez 1992 ‘Mustang’ fiberglass model that presages ‘Blucifer’ at LAMA Feb. 21

Luis Jiminez 1992 'Mustang' fiberglass model that presages 'Blucifer' at LAMA Feb. 21

VAN NUYS, Calif. — Luis Jiminez (1940-2006) specialized in sculptures made of fiberglass, giving him the freedom to create and decorate his designs with great flexibility. In 1994, Jiminez won a contract from Denver International Airport to create a sculpture to stand at the motorway entrance to the facility. Having previously rejected a concept for a stampede of buffalo, DIA instead felt a horse — perhaps in homage to the mascot of the Denver Broncos NFL team — might be more appropriate.

Jiminez had created sculptures of horses, but his plan for DIA was a tour de force: a 32-foot tall sculpture of a mustang rearing up on his hind legs, painted blue and with illuminated eyes. He called it Blue Mustang, and he worked tirelessly on it for 12 years — a bit longer than DIA had anticipated, resulting in a lawsuit demanding the return of the initial payment to Jiminez. Mediation after Jiminez countersued determined that the artist should simply complete the work.

Prior to completion, Jiminez was lifting elements of the horse sculpture with a crane in his New Mexico studio. Tragedy struck when one of the three main sections fell and pinned the artist against a steel beam, severing an artery in his leg and leading to his death.

The sculpture that killed its artist was finally installed at DIA in 2008, two years after Jiminez’s demise. Locals began referring to it as ‘Blucifer’ in an ominous reference to it having literally killed its creator.

In 1992, Jiminez created a series of 10 fiberglass rearing-horse sculptures standing 31.5in in height. While not an exact match for Blue Mustang, and predating the former by many years, the likeness is uncanny nonetheless. Los Angeles Modern Auctions brings number 6 from the series to market on Wednesday, February 21, with an estimate of $60,000-$80,000.

Toshiko Takaezu, Betty Woodman, Lucie Rie and Claude Conover headline Rago’s Oct. 4 sale

Toshiko Takaezu, 'Spring Moon (with rattle),' which sold for $140,000 ($183,400 with buyer’s premium) at Rago.

LAMBERTVILLE, N.J. — Rago, along with its partners Wright and Los Angeles Modern Auctions, have combined forces to present some of the most prominent names in postwar and contemporary ceramics on Wednesday, October 4. The catalog is now available for bidding at LiveAuctioneers.

Toshiko Takaezu (1922-2011) was a driving force in redefining clay as an artistic medium. Her focus on Abstractionism placed her as a leader in the postwar scene, with her works gaining international attention in the 1950s and ’60s. Takaezu’s work helped transform ceramics from everyday household objects to a medium for artistic expression.

The top lot in the sale is a well-known work from Takaezu that comes from a private collection in Tucson, Arizona. Spring Moon (With Rattle) features unforgettable glazing and is estimated at $70,000-$90,000.

Pillow Pitcher is a circa-1985 glazed earthenware work by Betty Woodman (1930-2018). Like many in her generation, Woodman began making functional ceramics but soon moved to more expressionist designs while retaining a degree of functionality, an aesthetic that Pillow Pitcher represents. The lot carries an estimate of $25,000-$35,000.

The sale also showcases numerous pieces from noted postwar ceramicists. There are four works from Lucie Rie (1902-1995), topped by a large bottle with a flaring lip estimated at $10,000-$15,000. Four works from famed ceramic artist Claude Conover (1907-1994) are featured as well, including a rare Totonac vessel, estimated at $20,000-$30,000.

LAMA kicks off inaugural Photographs sale in grand style, Aug. 2

Barbara Morgan, ‘Martha Graham – Letter to the World (Kick),’ estimated at $4,000-$6,000. Image courtesy of Los Angeles Modern Auctions (LAMA)
Barbara Morgan, ‘Martha Graham – Letter to the World (Kick),’ estimated at $4,000-$6,000. Image courtesy of Los Angeles Modern Auctions (LAMA)

VAN NUYS, Calif. – Los Angeles Modern Auctions (LAMA) is proud to announce the addition of photographs to its roster of auction categories, with the first sale set to take place Wednesday, August 2. This dedicated auction expands on LAMA’s success with photographs and photography-based works, offering a larger breadth of material across time periods and genres. Absentee and Internet live bidding will be available through LiveAuctioneers.

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Single-owner Swatch collection featured at LA Modern Auctions, July 19

Damien Hirst for Swatch maxi wall clock MGZ323, estimated at $3,000-$4,000. Image courtesy of LAMA
Damien Hirst for Swatch maxi wall clock MGZ323, estimated at $3,000-$4,000. Image courtesy of LAMA
Damien Hirst for Swatch maxi wall clock MGZ323, estimated at $3,000-$4,000. Image courtesy of LAMA

VAN NUYS, Calif. – Los Angeles Modern Auctions (LAMA) will present Swatches: The Collection of Esther Montagner on Wednesday, July 19. It features a truly remarkable presentation of iconic Swatch watches, rare collector’s packaging, celebrity autographs, and historic ephemera gathered during decades, from the early days of Swatch’s inception to the present moment. Absentee and Internet live bidding will be available through LiveAuctioneers.

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California artists featured at LAMA’s Feb. 22 Modern & Contemporary Art auction

Billy Al Bengston, ‘I Tatti,’ estimated at $28,000-$38,000. Image courtesy of Los Angeles Modern Auctions
Billy Al Bengston, ‘I Tatti,’ estimated at $28,000-$38,000. Image courtesy of Los Angeles Modern Auctions

Billy Al Bengston, ‘I Tatti,’ estimated at $28,000-$38,000. Courtesy Los Angeles Modern Auctions

VAN NUYS, Calif. – LA Modern Auctions (LAMA) will present a sale of Modern & Contemporary Art on Wednesday, February 22. This tightly curated auction brings an exemplary selection of paintings, drawings and sculpture to the market, with a special emphasis on post-war Californian artists. Absentee and Internet live bidding will be available through LiveAuctioneers.

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Stellar collection of vintage NASA photos lands at Wright / LAMA, Oct. 28

The Blue Marble: First human-taken photograph of the full earth, Harrison Schmitt, Apollo 17, December 7-19, 1972, estimated at $15,000-$25,000
The Blue Marble: First human-taken photograph of the full earth, Harrison Schmitt, Apollo 17, December 7-19, 1972, estimated at $15,000-$25,000
‘The Blue Marble’: First human-taken photograph of the full earth, Harrison Schmitt, Apollo 17, December 7-19, 1972, estimated at $15,000-$25,000

CHICAGO – Marking the 50th anniversary of the last human voyage to the moon, Wright and LAMA present One Giant Leap for Mankind: Vintage Photographs from the Victor Martin-Malburet Collection, Celebrating the 50th Anniversary of Project Apollo (1961–1972), an auction to take place in Chicago on Friday, October 28. This stunning collection comprises more than 300 original historic photographs from Project Apollo, the NASA program responsible for placing the first humans on the surface of the moon. Meticulously researched and collected during the course of 25 years by Victor Martin-Malburet, each image represents extraordinary feats of human exploration, imagination and collaboration, and many of those being offered have never been published. Absentee and Internet live bidding will be available through LiveAuctioneers.

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Rago/Wright announces merger with Toomey & Co.

On September 7, Rago/Wright announced it will merge with Chicago auction house Toomey & Co.
On September 7, Rago/Wright announced it will merge with Chicago auction house Toomey & Co.
On September 7, Rago/Wright announced it will merge with Chicago auction house Toomey & Co.

LAMBERTVILLE, N.J. – Rago/Wright announces that Chicago auction house Toomey & Co. will join the brand, building on the company’s continued momentum and growth in the industry. As with Rago/Wright’s 2021 partnership with LA Modern Auctions (LAMA), Toomey & Co. will maintain its name while all four houses work together to share technology, expertise and marketing efforts. Based in the suburb of Oak Park, Illinois, the Toomey & Co. office and galleries will relocate to Wright’s Chicago headquarters at 1440 W. Hubbard St. in the fall.

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