HUDSON, N.Y. – Finding antiques with the wow factor was Ann Getty’s forte, and she did it with great dedication, some good advice, and a formidable bank balance. When Stair Galleries sold more lots from the remarkable Ann and Gordon Getty collection on January 23-25, it meant more of the sumptuous English and European furnishings that made the $200 million-plus series of sales at Christie’s in New York such memorable events. Complete results are available at LiveAuctioneers (Day 1, Day 2, Day 3).

Colin Stair had known Ann and Gordon Getty personally, having worked with them during his time at Sotheby’s and Stair Restoration. “Ann Getty was patience and taste personified”, he said. “She was, without a doubt, one of America’s greatest self-taught decorators.”

The 726 lots titled A Lifetime of Connoisseurship, Curiosity and Collecting brought together art, furniture, and objects from three California properties that were furnished in what was dubbed the ‘layered maximalism’ style: an Italianate manse in Pacific Heights; her childhood home outside of Sacramento, known as Wheatland; and Temple of Wings, the Greco-Roman-style estate in Berkeley Hills.

Many items included provenances to Sotheby’s and Christie’s auctions in London and New York, bought from the late 1970s into the first decade of the 21st century. However, the difference between this and previous sales were the distinctly affordable estimates. Most entries were estimated under $2,000, and few had reserves.

Two distinctly different carpets led the first day of selling, bringing $20,000 ($25,600 with buyer’s premium) each.

Estimated at $4,000-$6,000 was a late 19th-century Bessarabian carpet of the type produced under late Ottoman rule in the area corresponding to modern Bulgaria and Romania. This example, measuring a substantial 9ft 5in by 9ft 7in, had been bought from London specialist dealer C. John in 1993.

Bringing the same sum against a modest estimate of $1,500-$3,000 was an Arts and Crafts rug of a similar date. Made at the Donegal workshop established by Scottish industrialist Alexander Morton in the 1890s, the design is probably one made by family member Gavin Morton in collaboration with colleague G. K. Robertson. A number of similar carpets formed part of Christie’s sale of selected contents from Temple of Wings that was furnished from the late 19th and early 20th century embracing the Arts & Crafts movement, the Gothic Revival, and the Aesthetic Movement.

The English furniture from the Getty sales has been particularly good. It’s no surprise to learn that the market is not where it once was, but in terms of quality and quantity, the Getty offering amounts to the finest dispersal of its type for a generation.

Among the more academic pieces in this sale was a George IV gilt-metal and scagliola top center table. The choice of materials is unusual and reflects its history: it was probably made for the Scottish Whig Member of Parliament and collector Alexander Murray (d. 1845), who lived at Cally House in the town of Gatehouse, Kirkcudbrightshire. This table is made in a similar way to steel fenders and was probably fashioned by a metalworker rather than a cabinetmaker, harnessing the local expertise available in an industrial center once known as ‘the Glasgow of the South’. It is thought to have been part of the contents of the Cally House auction in 1846, more recently selling at Christie’s in 2003 for £9,500 ($12,035). At Stair, it hammered for $14,000 ($17,920 with buyer’s premium) against an estimate of $3,000-$5,000.

This sale comprised fewer period objects and more 19th- and 20th-century revivalist pieces. Its strength was the ‘just so’ objects such as a Napoleon III-style 4ft 6in settee upholstered in brocade, which hammered for $12,000 and sold for $15,360 with buyer’s premium to a bidder using LiveAuctioneers; and a provincial Italian rococo-style chest of drawers in dusty aquamarine and yellow paint that hammered for $7,000, or $8,960 with buyer’s premium.

Another country house favorite was a Chinese Export six-panel screen decorated in black lacquer and parcel gilt. It had been sold as 18th century when offered by Christie’s in London in June 1986 as part of the property of the Victorian industrialist Viscount Leverhulme. Here undated, it was estimated at $2,500-$5,000 and hammered for $25,000 ($32,000 with buyer’s premium).

Dining at Ann and Gordon Getty’s Californian residences could seldom have been dull. Guests were treated to a sense of the theatrical with the choice of countless Tiffany and Limoges porcelain dinner services, flatware from Christofle electroplate to Delarboulas stainless steel and pink acrylic, and seating styles from William Kent to Craig Nutt.

The dinner party conversation piece par excellence was an early 20th-century painted wood and antler chandelier in the form of a mermaid. Made in the Swiss region of Brienz known for its wood carving shops (traditionally called Black Forest furniture) it measured an impressive 4ft 1in across. Bought by Ann Getty from the San Francisco dealership Gaylord Antiques in 1996, it hammered for $13,000 ($16,640 with buyer’s premium) against an estimate of $700-$900.

Similarly estimated was a pair of circa-1930 painted metal, shell, and faux coral wall sconces by uber-fashionable French designer-decorator Bolette Natanson (d. 1936). Typical of her love of under-the-sea fauna and surrealism, these went to a LiveAuctioneers bidder at $14,000 ($17,920 with buyer’s premium).

Even Santa Claus made a belated appearance on the final day, arriving behind the wheel of a Tipp & Co. clockwork roadster. Dated circa 1928, this Nuremburg lithographed tin toy profusely decorated with images of toys, teddies, and colorful balloons carries a revolving Christmas feather tree on its trunk. Given that another in better condition had sold for $25,000 at Bertoia Auctions in September 2012, it was perhaps no great surprise to see this one roll past its estimate to bring $11,000 ($14,080 with buyer’s premium).

A final Getty sale at Stair, titled A Confluence of 19th and 20th Century Design, is scheduled for Thursday, February 29. The proceeds of all the sales benefit the Ann and Gordon Getty Foundation for the Arts.