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Left to Right: Pierre-Auguste Renoir, 'Femmes dans un Jardin' (Women in a Garden) (1873); Vincent van Gogh, 'Route aux confins de Paris, avec paysan portant la bêche sur l'épaule' (Path on the outskirts of Paris, with a peasant carrying a spade) (1887); Claude Monet, 'The Seine at Bougival') (1869). Images courtesy of the Currier Museum of Art.

Currier Museum loaned van Gogh, Renoir paintings

Catherine Saunders-Watson
Catherine Saunders-Watson
Left to Right: Pierre-Auguste Renoir, 'Femmes dans un Jardin' (Women in a Garden) (1873); Vincent van Gogh, 'Route aux confins de Paris, avec paysan portant la bêche sur l'épaule' (Path on the outskirts of Paris, with a peasant carrying a spade) (1887); Claude Monet, 'The Seine at Bougival') (1869). Images courtesy of the Currier Museum of Art.
Left to Right: Pierre-Auguste Renoir, ‘Femmes dans un Jardin’ (Women in a Garden) (1873); Vincent van Gogh, ‘Route aux confins de Paris, avec paysan portant la bêche sur l’épaule’ (Path on the outskirts of Paris, with a peasant carrying a spade) (1887); Claude Monet, ‘The Seine at Bougival’) (1869). Images courtesy of the Currier Museum of Art.

MANCHESTER, N.H. – Two outstanding Impressionist paintings, Vincent van Gogh’s Route aux confins de Paris, avec paysan portant la bêche sur l’épaule (Path on the outskirts of Paris, with a peasant carrying a spade) (1887) and Pierre-Auguste Renoir’s Femmes dans un Jardin (Women in a Garden) (1873) are now on view at the Currier Museum of Art in Manchester, NH.

The paintings are located in the European Gallery, next to the Currier’s Claude Monet impressionist painting, The Seine at Bougival (1869).

“The Renoir and van Gogh landscapes are both richly painted and visually appealing compositions by these important and much beloved masters. We are delighted to share them with the public for a limited time in the context of our early Monet,” said Susan Strickler, director and CEO of the Currier.

The van Gogh painting features a peasant in a field near a country lane. The city of Paris is visible in the distance. The painting reveals how the work of contemporary impressionist and neo-impressionist artists living in Paris influenced van Gogh. After he arrived in Paris, van Gogh changed from the drab, dark colors of his Dutch subjects, mostly peasants laboring in the field, to a warmer palette and subject matter. During his two years there, van Gogh experimented with new styles, subjects and techniques. He applied small dots of paint that visually combine to create a vibrant and sunnier atmosphere. This style of painting—called pointillism—is most closely associated with artists Georges Seurat and van Gogh’s close friend, Paul Signac.

While many know Renoir as a figure painter, this work is essentially a landscape. In the deep shadows of the painting stands a woman in a blue dress holding a white parasol and a bunch of freshly picked flowers. Behind her is another woman painted more darkly, emerging from the darkness of the trees. The contrasting pigment and especially the brightly “lit” parasol, instantly draw your eye deeper down the pathway to where the women are standing.

The painting was likely done in the summer of 1873 when Renoir went to stay with Claude Monet, who was living in Argenteuil, about five miles northwest of Paris. It was probably painted outside and is wholly impressionistic. The flowers, shrubs and both women are made up of small dabs of color, blurring the distinction between the people and nature.

The paintings are on loan to the Currier until the end of January 2014.

Visit the currier Museum online at www.currier.org.

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ADDITIONAL IMAGE OF NOTE

Left to Right: Pierre-Auguste Renoir, 'Femmes dans un Jardin' (Women in a Garden) (1873); Vincent van Gogh, 'Route aux confins de Paris, avec paysan portant la bêche sur l'épaule' (Path on the outskirts of Paris, with a peasant carrying a spade) (1887); Claude Monet, 'The Seine at Bougival') (1869). Images courtesy of the Currier Museum of Art.
Left to Right: Pierre-Auguste Renoir, ‘Femmes dans un Jardin’ (Women in a Garden) (1873); Vincent van Gogh, ‘Route aux confins de Paris, avec paysan portant la bêche sur l’épaule’ (Path on the outskirts of Paris, with a peasant carrying a spade) (1887); Claude Monet, ‘The Seine at Bougival’) (1869). Images courtesy of the Currier Museum of Art.