Grand Delacroix retrospective coming to the Met this fall


Eugène Delacroix (French, 1798-1863). ‘Self-Portrait with Green Vest,’ circa. 1837. Oil on canvas, 25 9/16 x 21 7/16 in. (65 x 54.5 cm). Musée du Louvre, Paris. © RMN-Grand Palais (Musée du Louvre) / Michel Urtado

NEW YORK – The exhibition “Delacroix,” organized by The Metropolitan Museum of Art and the Musée du Louvre, will open Sept. 17 at the Met. It is the first comprehensive retrospective in North America devoted to the French painter.

Eugène Delacroix (1798–1863) was one of the greatest creative figures of the 19th century. Through his choice of daring subjects and compositions, a vibrant palette and bold brushwork, he set into motion a cascade of innovations that changed the course of art.

As Van Gogh wrote in 1885: “What I find so fine about Delacroix is precisely that he reveals the liveliness of things, and the expression and the movement, that he is utterly beyond the paint.”

Although Delacroix is celebrated as the embodiment of the Romantic era, much remains to be understood about his life and prolific career. Visitors will discover a protean genius who continues to set the bar for artists today.

The monumental exhibition will illuminate Delacroix’s restless imagination in all its complexity through approximately 145 paintings, drawings, and prints—many of which have never been shown before in the United States. In addition to works from The Met collection, the exhibition will include exceptional loans from the Musée du Louvre and more than 60 museums and private collections throughout Europe and North America.

The exhibition will feature the three main phases of Delacroix’s career, which spanned more than four decades. The first section will be devoted to his formative years during the 1820s, when his ambitious paintings exhibited at the annual Paris Salons won him public recognition. The second section will focus on his exploration of historical themes, often on a grand scale, informed by public commissions from the 1830s onward. The third section will present an overview of the artist’s final years, marked by his triumph at the Universal Exposition of 1855 and his growing interest in nature.

The presentation will enable visitors to explore the diversity of themes that preoccupied Delacroix throughout his life. For example, he engaged with the art of the past; had a lifelong fascination with literary, historical and biblical themes; and made transformative contributions to printmaking and book illustration. The exhibition will spotlight Delacroix’s interest in the world beyond Europe, including his own epochal voyage to North Africa in 1832. The variety of works will reveal Delacroix’s creative process and his progressive mastery of materials, including oil paint, watercolor and graphic media.

Among the highlights will be Delacroix’s landmark works Greece on the Ruins of Missolonghi (1826), The Battle of Nancy (1831), and Women of Algiers in Their Apartment (1834). Visitors will have the first opportunity in a generation to examine closely Christ in the Garden of Olives (1824–27), removed from its perch high on the wall of the Parisian church of Saint-Paul-Saint-Louis and cleaned especially for the exhibition.

Delacroix’s genius as a lithographer will be demonstrated in the 1828 French edition of Goethe’s Faust. The book will be paired with never-before-exhibited proof impressions for its illustrations, along with preparatory drawings for individual plates. The Met’s Department of Paintings Conservation has completed a yearlong treatment of the seminal still life Basket of Flowers (1848–49), removing a scrim-like layer of old varnish to reveal Delacroix’s full coloristic brilliance. Saint Sebastian Tended by the Holy Women (1836) and Medea about to Kill Her Children (1838) will convey the grandeur and gravitas of the artist’s maturity, while his anthropomorphic approach to animal subjects will be on full display in Young Tiger Playing with Its Mother (1830) and The Lion Hunt (1855).

Exhibition visitors will come away with a broadened appreciation for Delacroix’s remarkable oeuvre and its enduring appeal.