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Jean-Michel Basquiat

100+ Basquiat/Warhol collaborations at center of Fondation Louis Vuitton exhibition

Jean-Michel Basquiat and Andy Warhol, ‘OP OP,’ 1984. Acrylic on canvas, 287 by 417cm. Collection Bischofberger, Mannedorf-Zurich / Bischofberger collection, Mannedorf-Zurich. © Estate of Jean-Michel Basquiat, licensed by Artestar, New York; © The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by ADAGP, Paris 20. Photo credit: Courtesy of Bischofberger collection, Mannedorf-Zurich
Jean-Michel Basquiat and Andy Warhol, ‘OP OP,’ 1984. Acrylic on canvas, 287 by 417cm. Collection Bischofberger, Mannedorf-Zurich / Bischofberger collection, Mannedorf-Zurich. © Estate of Jean-Michel Basquiat, licensed by Artestar, New York; © The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by ADAGP, Paris 20. Photo credit: Courtesy of Bischofberger collection, Mannedorf-Zurich

PARIS – In 2018, the Fondation Louis Vuitton presented Jean-Michel Basquiat, a career-spanning exhibition of the artist’s work, which was a massive success and drew an estimated 700,000 visitors during the exhibition run. In 2023, the Fondation will continue its exploration of the work of Jean-Michel Basquiat, revealing, this time, his collaboration with Andy Warhol. “Basquiat x Warhol, painting 4 hands” will open on April 5 and continue through August 28.

Between 1984 and 1985, Jean-Michel Basquiat (American, 1960-1988) and Andy Warhol (American, 1928-1987) created approximately 160 paintings together in tandem, “a quatre mains (with four hands),” including some of the largest and most iconic works produced during their respective careers. Keith Haring (American, 1958-1990), who witnessed their friendship and collaboration production, would go on to speak of a “conversation occurring through painting instead of words” and of the two minds merging to create a “third distinctive and unique mind.”

Jean-Michel Basquiat, ‘Arm and Hammer II,’ 1985. Acrylic on canvas, 193 by 285cm. Collection Bischofberger, Mannedorf-Zurich / Bischofberger collection, Mannedorf-Zurich. © Estate of Jean-Michel Basquiat, licensed by Artestar, New York. Photo credit: Courtesy Galerie Bruno Bischofberger, Mannedorf-Zurich
Jean-Michel Basquiat, ‘Arm and Hammer II,’ 1985. Acrylic on canvas, 193 by 285cm. Collection Bischofberger, Mannedorf-Zurich / Bischofberger collection, Mannedorf-Zurich. © Estate of Jean-Michel Basquiat, licensed by Artestar, New York. Photo credit: Courtesy Galerie Bruno Bischofberger, Mannedorf-Zurich

Basquiat x Warhol, painting 4 hands will be the most important exhibition ever dedicated to this extraordinary body of work. Curated by Dieter Buchhart and Anna Karina Hofbauer, in partnership with Olivier Michelon, curator at the Fondation Louis Vuitton, the exhibition will bring together more than 100 paintings jointly signed by the two artists.

‘Andy Warhol and Jean-Michel Basquiat #143 New York City, July 10, 1985,’ Photo credit © Michael Halsband, 2022
‘Andy Warhol and Jean-Michel Basquiat #143 New York City, July 10, 1985,’ Photo credit © Michael Halsband, 2022

Also featured will be individual works by each artist as well as a set of works by other major artists — Keith Haring, Jenny Holzer and Kenny Scharf, among others — to evoke the energy of the New York downtown art scene of the 1980s. The exhibition will be further enriched by photos, including the famous Boxing Gloves photograph series by Michael Halsband produced for the poster of the Jean-Michel Basquiat and Andy Warhol exhibition in 1985.

Andy Warhol, ‘Portrait of Jean-Michel Basquiat as David,’ 1984. Acrylic and silkscreen on canvas, 228.6 by 176.5cm. Collection of Norman and Irma Braman. © The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by ADAGP, Paris 20
Andy Warhol, ‘Portrait of Jean-Michel Basquiat as David,’ 1984. Acrylic and silkscreen on canvas, 228.6 by 176.5cm. Collection of Norman and Irma Braman. © The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by ADAGP, Paris 20

The exhibition will open with a series of portraits of Basquiat by Warhol and of Warhol by Basquiat. It will continue with the early collaborations. These works, initiated by the two artists’ dealer, Bruno Bischofberger, benefited from a collaboration with the Italian artist, Francesco Clemente (b. 1952-). After completing these 15 paintings with Clemente, Basquiat and Warhol pursued their collaboration on nearly a daily basis, with enthusiasm and complicity. The energy and force of these incessant exchanges will be the driving force of the exhibition, running through every gallery in the Foundation.

Jean-Michel Basquiat and Andy Warhol, ‘Collaboration No. 19,’ 1984-85. 169 by 309cm. Collection particuliere Israel / Private collection Israel. © The estate of Jean-Michel Basquiat / Adagp, Paris 20; © The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by ADAGP, Paris 20. Photo credit: Courtesy of Zidoun-Bossuyt Gallery, Luxembourg
Jean-Michel Basquiat and Andy Warhol, ‘Collaboration No. 19,’ 1984-85. 169 by 309cm. Private collection, Israel. © The estate of Jean-Michel Basquiat / Adagp, Paris 20; © The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by ADAGP, Paris 20. Photo credit: Courtesy of Zidoun-Bossuyt Gallery, Luxembourg

Basquiat admired Warhol as a mentor, a key art world personality, and the pioneer of a new language and of a groundbreaking relationship to pop culture. Warhol, in turn, found in Basquiat a renewed interest in painting. Thanks to him, he went back to painting manually on a very large scale. Warhol’s subjects (newspapers, logos of General Electric, Paramount, and the Olympic Games) serve as the basis for a whole series of artworks that will punctuate the exhibition.

Jean-Michel Basquiat and Andy Warhol, ‘6.99,’ 1984. 297.2 by 420.4cm. Nicola Erni Collection. © Estate of Jean-Michel Basquiat licensed by Artestar, New York; © The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by ADAGP, Paris 20
Jean-Michel Basquiat and Andy Warhol, ‘6.99,’ 1984. 297.2 by 420.4cm. Nicola Erni Collection. © Estate of Jean-Michel Basquiat licensed by Artestar, New York; © The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by ADAGP, Paris 20

“Andy would start one (painting) and put something very recognizable on it, or a product logo, and I would sort of deface it. Then I would try to get him to work some more on it; I would try to get him to do at least two things,” explained Basquiat. “I drew it first, and then I painted it like Jean-Michel. I think those paintings we’re doing together are better when you can’t tell who did which parts,” noted Warhol.

The exhibition will show these back and forths – a dialog of styles and forms that also tackles crucial subjects such as the integration of the African American community into the narrative of North America – a continent in which Warhol was a leading manufacturer of icons.

Visit the website of Fondation Louis Vuitton and see its dedicated page for Basquiat x Warhol, painting 4 hands.