Skip to content
John Baeder, 'Stardust Motel,' 1977. Oil on canvas, 58 x 70 in. (147.32 x 177.8 cm). Yale University Art Gallery, Richard Brown Baker, B.A. 1935, Collection. Courtesy of the artist

Photorealism exhibit flashes Currier museum back to the ’70s

MANCHESTER, N.H. (PRWEB) – Imagine paintings that look so real that the viewers feel as if they can walk into the canvas and back in time. “Still Life: 1970s Photorealism,” which opens at Manchester’s Currier Museum of Art on Jan. 24 and runs through May 3, takes the viewer back to a world filled with muscle cars, endless highways, diners, 1970s cityscapes and more. To those who lived through the 1960s and ’70s, these images will seem intensely familiar. The artworks that will be on view in this exhibition reflect a passion for hyperrealism and provide today’s audiences with an unflinching journey back in time to life 40 years ago.

“People are immediately drawn to these works of art,” said Kurt Sundstrom, Currier curator. “Most baby boomers will view this show nostalgically but everyone will appreciate each artist’s precision in creating these seemingly real scenes. The bottom line is that one can’t help but be fascinated when looking at this exhibition.”

In the 1970s, a loosely knit group of primarily American artists including Richard Estes, Duane Hanson, Tom Blackwell and Audrey Flack decided that art should accurately reflect the world around us. Photorealists took photographs of commonplace scenes, some not even in sharp focus, and precisely revisited those captured worlds in monumental paintings and sculptures. Viewed from a distance, these works faithfully capture a scene, but as with impressionistic paintings, when viewed up close, the artist’s brushstrokes become easily visible. As with the Currier’s recent M.C. Escher exhibition, the deeper one looks at these works of art, the more dazzled one will be by the artists’ skills.

Still Life: 1970s Photorealism was organized by the Yale University Art Gallery in New Haven, Conn. and has been on view at the Nassau County Museum of Art in Roslyn Harbor, N.Y. It will include 37 works from the Yale collection and an additional six from the Currier. The Boston Globe, in its review of the Yale exhibition, called it, “thought provoking,” emphasizing the fascinating “tension between the there-and-then of photography and the here-and-now of painting.”

Exhibition Support
Still Life: 1970s Photorealism. Exhibition organized by the Yale University Art Gallery. Made possible by the Janet and Simeon Braguin Fund.

The Currier Museum of Art, located at 150 Ash St., Manchester, N.H., is open every day except Tuesday. It is home to an internationally respected collection of European and American paintings, decorative arts, photographs and sculpture, including works by Picasso, Matisse, Monet and O’Keeffe.

For more information, visit http://www.currier.org or call 603-669-6144, x108.