Tate Modern to host Magic Realism: Art in Weimar Germany 1919-33

Tate Modern

Albert Birkle, The Acrobat Schulz V 1921, The George Economou Collection (c) DACS, London 2017

LONDON – This summer, Tate Modern will explore the art of the Weimar Republic (1919-33) in a year-long, free display, drawing upon the rich holdings of The George Economou Collection. This presentation of around 70 paintings and works on paper will address the complex paradoxes of the Weimar era, in which liberalization and anti-militarism flourished in tandem with political and economic uncertainty. These loans offer a rare opportunity to view a range of artworks not ordinarily on public display – some of which have never been seen in the United Kingdom before – and to see a selection of key Tate works returned to the context in which they were originally created and exhibited nearly 100 years ago.

Although the term ‘magic realism’ is today commonly associated with the literature of Latin America, it was inherited from the artist and critic Franz Roh who invented it in 1925 to describe a shift from the anxious and emotional art of the expressionist era, towards the cold veracity and unsettling imagery of this inter-war period. In the context of growing political extremism, this new realism reflected a more liberal society as well as inner worlds of emotion and magic.

The profound social and political disarray after the First World War and the collapse of the Empire largely brought about this stylistic shift. Berlin in particular attracted a reputation for moral depravity and decadence in the context of the economic collapse. The reconfiguration of urban life was an important aspect of the Weimar moment. Alongside exploring how artists responded to social spaces and the studio, entertainment sites like the cabaret and the circus will be highlighted, including a display of Otto Dix’s enigmatic Zirkus (‘Circus’) print portfolio. Artists recognized the power in representing these realms of public fantasy and places where outsiders were welcomed.

Works by Otto Dix, George Grosz and Max Beckmann perhaps best known today for their unsettling depictions of Weimar life, will be presented alongside the works of under recognized artists such as Albert Birkle, Jeanne Mammen and Rudolf Schlichter, and many others whose careers were curtailed by the end of the Weimar period due to the rise of Nationalist Socialism and its agenda to promote art that celebrated its political ideologies.

The display comes at a pertinent time, in a year of commemoration of the anniversary of the end of the First World War, alongside Aftermath: Art in the Wake of World War One at Tate Britain and William Kentridge’s new performance for 14-18 Now at Tate Modern titled The Head and the Load, running from 11-15 July 2018.

Magic Realism is curated by Matthew Gale, Head of Displays and Katy Wan, Assistant Curator, Tate Modern. The display is realized with thanks to loans from The George Economou Collection, with additional support from the Huo Family Foundation (UK) Limited.

The display will be accompanied by a fully illustrated catalogue from Tate Publishing:

Magic Realism: Art in Weimar Germany 1919-33
Matthew Gale and Katy Wan
231 x 231 mm, 112pp
ISBN 978-1-84976-588-6, £14.99

The full list of artists in the display includes: Max Beckmann, Richard Biringer, Albert Birkle, Heinrich Campendonk, Marc Chagall, Lovis Corinth, Heinrich Maria Davringhausen, Harry Heinrich Deierling, Rudolf Dischinger, Otto Dix, Josef Eberz, Conrad Felixmüller, Otto Griebel, Carl Grossberg, George Grosz, Hans Grundig, Lea Grundig, Herbert Gurschner, August Heimüller, Karl Otto Hy, Alexander Kanoldt, Paul Klee, Jeanne Mammen, Josef Mangold, Carlo Mense, Richard Müller, Sergius Pauser, Christian Schad, Otto Rudolf Schatz, Rudolf Schlichter, Werner Schramm, Prosper de Troyer, Marie-Louise von Motesiczky and Nicolai Wassilieff.

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