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Frida Kahlo (Mexican, 1907-1954) ‘Self-Portrait with Monkeys,’ 1943. Oil on canvas, 32 1/8in by 24 ¾in (81.5cm by 63cm). The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation. © 2021 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York

Norton Museum of Art explores Kahlo, Rivera & Mexican Modernism

Frida Kahlo (Mexican, 1907-1954) ‘Self-Portrait with Monkeys,’ 1943. Oil on canvas, 32 1/8in by 24 ¾in (81.5cm by 63cm). The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation. © 2021 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York
Frida Kahlo (Mexican, 1907-1954), ‘Self-Portrait with Monkeys,’ 1943. Oil on canvas, 32 1/8 in by 24 ¾ in (81.5 cm by 63 cm). From the Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation. © 2021 Banco de Mexico Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./ Artists Rights Society (ARS), New York

WEST PALM BEACH, Fla. – The Norton Museum of Art is pleased to present Frida Kahlo, Diego Rivera and Mexican Modernism from the Jacques and Natasha Gelman Collection, on view from October 23, 2021 through February 6, 2022. Featuring more than 150 works, including paintings and works on paper collected by Jacques and Natasha Gelman alongside photographs and period clothing, the exhibition includes the largest group of works by Frida Kahlo and Diego Rivera ever on view at the institution.

Presenting these artists’ creative pursuits in the broader context of the art created during the renaissance following the end of the Mexican Revolution in 1920, the exhibition also includes work by Manuel and Lola Alvarez Bravo, Miguel Covarrubias, Gunther Gerzso, Maria Izquierdo, Carlos Merida, David Alfaro Siqueiros, Juan Soriano, and Rufino Tamayo. It explores these artists’ distinctive interpretations of modernism as expressed in themes of nature, home, and family in photographs and easel and large-scale mural paintings.

Diego Rivera (Mexican, 1886-1957), ‘Calla Lily Vendor,’ 1943. Oil on masonite, 59 1/16in by 47 ¼in (150cm by 120cm). The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation. © 2021 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York
Diego Rivera (Mexican, 1886-1957), ‘Calla Lily Vendor,’ 1943.Oil on masonite, 59 1/16in by 47 ¼in (150cm by 120cm).The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation.© 2021 Banco de Mexico Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./Artists Rights Society (ARS), New York

Frida Kahlo, Diego Rivera and Mexican Modernism is organized by the Vergel Foundation and MondoMostre in collaboration with the Instituto Nacional de Bellas Artes y Literatura (INBAL). It is curated by the Vergel Foundation curator, Magda Carranza de Akle, and for the Norton by Ellen E. Roberts, Harold and Anne Berkley Smith Curator of American Art.

Nickolas Muray (American, born Hungary, 1892-1965) ‘Frida Kahlo on Bench #5,’ 1939. Carbon print. 17 15/16in by 14 3/16in (45.5cm by 36cm). The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation. © Nickolas Muray Photo Archives
Nickolas Muray (American, born Hungary, 1892-1965), ‘Frida Kahlo on Bench #5,’ 1939. Carbon print. 17 15/16in by 14 3/16in (45.5cm by 36cm). The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation. © Nickolas Muray Photo Archives

The museum will mount a series of public and member programs will complement the exhibition, with Nelson-Atkins Museum of Art Director Julian Zugazagoitia holding an opening lecture for members. Throughout the exhibition, the Norton will host both remote and in-person programs, including curator conversations, art making, book discussions, and special tours.

Juan Soriano (Mexican, 1920-2006) ‘Girl with Still Life,’ 1939. Oil on canvas, 32in by 24 5/8in (81.3cm by 62.5cm). The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation. © 2021 Fundacion Juan Soriano y Marek Keller A.C.
Juan Soriano (Mexican, 1920-2006), ‘Girl with Still Life,’ 1939. Oil on canvas, 32in by 24 5/8in (81.3cm by 62.5cm). The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation. © 2021 Fundacion Juan Soriano y Marek Keller A.C.

To conclude the exhibition’s run at the Norton, the museum will present a symposium on January 22. Led by Roberts, Modernism in Mexico will include panel conversations with Mary Coffey, Professor of Art History, Dartmouth College; Ramon Favela, Research Professor Emeritus, UC Santa Barbara; Anna Indych-Lopez, Associate Professor, City College and the Graduate Center, CUNY; and Stephanie Weissberg, Associate Curator, Pulitzer Arts Foundation. A full list of programs follows on the second page, and additional details can be found at Norton.org.

Frida Kahlo (Mexican, 1907-1954) ‘The Bride who Becomes Frightened when She Sees Life Opened,’ 1943. Oil on canvas, 24 ¾in by 32 1/8in (63cm by 81.5cm). The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation. © 2021 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York
Frida Kahlo (Mexican, 1907-1954) ‘The Bride who Becomes Frightened when She Sees Life Opened,’ 1943. Oil on canvas, 24 ¾in by 32 1/8in (63cm by 81.5cm). The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation. © 2021 Banco de Mexico Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York

“Frida Kahlo, Diego Rivera and Mexican Modernism is among the largest exhibition of Mexican art that we’ve ever presented,” said Ghislain d’Humieres, Director and CEO of the Norton Museum of Art. “We are thrilled to have the opportunity to exhibit works by esteemed artists Frida Kahlo and Diego Rivera in the context of their peers and in conversation with our collection. Beyond presenting outstanding art, this exhibition reflects the relationships and tastes that the Gelmans shared with the artists in their orbit. Offering audiences the chance to view these works through the lens of their collection, the exhibition suggests fresh modes of experiencing beloved works of art.”

Diego Rivera (Mexican, 1886-1957) ‘Sunflowers,’ 1943. Oil on canvas, 35 ½ in by 51 ¼ in. (90cm by 130cm). The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation. © 2021 Banco de Mexico Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York
Diego Rivera (Mexican, 1886-1957) ‘Sunflowers,’ 1943. Oil on canvas, 35 ½ in by 51 ¼ in. (90cm by 130cm). The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation. © 2021 Banco de Mexico Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York

In conjunction with this exhibition, the Norton will launch Guia, an eight week-long bilingual docent training program for students from the local John I. Leonard High School. Participants will learn to facilitate conversations with exhibition visitors and sharpen their visual literacy and public speaking skills. After the eight-week program, students can lead tours of the exhibition in Spanish.

 Maria Izquierdo (Mexican, 1902-1955) ‘Bride from Papantla,’ 1944. Oil on canvas, 49 ¼in by 38 ½in (125cm by 100 cm). The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation. © 2021 Artists Rights Society (ARS), New York / SOMAAP, Mexico City

Maria Izquierdo (Mexican, 1902-1955) ‘Bride from Papantla,’ 1944. Oil on canvas, 49 ¼in by 38 ½in (125cm by 100 cm). The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation. © 2021 Artists Rights Society (ARS), New York / SOMAAP, Mexico City

A companion exhibition titled Frida and Me, curated by Assistant Curator Rachel Gustafson, will present a selection of works that respond to and are inspired by Kahlo’s works and practice. Additional related programming will be announced in the coming months.

 Lola Alvarez Bravo (Mexican, 1907-1993) ‘Burial at Yalalag (Oaxaca, Mexico),’ 1946. Gelatin silver print, 7 ½in by 9in (19.1cm by 22.9cm). The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation. © 2021 Center for Creative Photography, The University of Arizona Foundation / Artists Rights Society (ARS), New York

Lola Alvarez Bravo (Mexican, 1907-1993),‘Burial at Yalalag (Oaxaca, Mexico),’ 1946. Gelatin silver print, 7 ½in by 9in (19.1cm by 22.9cm). The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation. © 2021 Center for Creative Photography, The University of Arizona Foundation / Artists Rights Society (ARS), New York

Visit the website of the Norton Museum of Art and see its dedicated page for Frida Kahlo, Diego Rivera and Mexican Modernism from the Jacques and Natasha Gelman Collection.