Henry VIII gold chain sells for more than $490,000

LONDON (AP) _ A gold chain of office King Henry VIII is thought to have given to a Lord Chief Justice was sold at auction Thursday for more than 310,000 pounds ($490,000).

The intricate work, known as the Coleridge Collar, is the only known complete example of its type from Henry’s reign, according to Christie’s auctioneers.

The chain, dated to 1546 or 1547, is thought to have been given to Sir Edward Montagu, who was Lord Chief Justice of the Common Pleas, one of 16 executors of Henry’s will and governor to his heir, Edward VI.

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Lincoln 1864 re-election speech to be auctioned in NYC

NEW YORK (AP) – Christie’s is auctioning a handwritten copy of the 1864 speech Abraham Lincoln delivered at the White House after being re-elected in the midst of an unpopular Civil War that both he and his opponents believed might cost him his job.

The four-page manuscript, which remained in the family’s hands until 1916, will be sold on the bicentennial of Lincoln’s birth on Feb. 12, 2009, the auction house announced Thursday. It is expected to fetch more than $3 million.

Lincoln delivered the speech to a large crowd on Nov. 10, 1864, after winning a second term with 55 percent of the popular vote. He said the results “demonstrated that a people’s government can sustain a national election in the midst of a great civil war.”

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Swiss to return stolen antiquities to Italy

BASEL, Switzerland (AP) – Officials say Switzerland has agreed to return 4,400 antiquities stolen from archaeological sites in Italy.

Prosecutor Thomas Homberger says the artifacts include ceramics and bronze figures dating back to the Roman and Etruscan periods.

Homberger says the items were seized at an art dealership in northeastern city of Basel in the 1990s. The married couple running the shop failed in their legal efforts to stop the transfer of the artifacts back to Italy.

 

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Russian masterpiece fails to sell at NYC auction

NEW YORK (AP) – On Day 2 of the fall auction season, a Russian masterpiece expected to sell for up to $3 million at auction did not find a buyer Wednesday, further underscoring the impact of the global financial crisis on the art market.
Not one hand went up when View of St. Petersburg by Alexei Petrovich Bogoliubov was offered at Sotheby’s morning sale of important Russian works from the impressionist and modern periods.

Many other works sold at or below their pre-sale estimates; others did not sell at all. Final results were unavailable because sales were still under way.

It was the second day of lackluster bidding at the annual fall art season. On Monday, Sotheby’s kicked off the season with masterpieces by Edgar Degas, Kazimir Malevich and Edvard Munch that fetched impressive prices. But a high percentage also went unsold – 25 works did not sell while 45 did.

 

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Cezanne exhibit to have only one stop: Philadelphia

PHILADELPHIA (AP) – Philadelphia is preparing for an exhibit of works by postimpressionist painter Paul Cezanne and the artists he influenced.

The show is called ‘Cezanne and Beyond’ and will open at the Philadelphia Museum of Art in February. It will be the exhibition’s only world viewing.

The show includes about 60 Cezanne paintings, plus paintings by Picasso, Matisse and others who were influenced by Cezanne.

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Never too late: Cops crack 25-year-old case of clock theft

JERUSALEM (AP) – It took time, but Israeli police detectives have cracked one of the country’s greatest crimes – the legendary heist of a priceless clock collection from a Jerusalem museum a quarter century ago.

The 1983 theft, the costliest in Israel’s history, saw 106 timepieces worth millions of dollars disappear from the L.A. Mayer Museum for Islamic Art. Among them was a pocket watch made for French queen Marie Antoinette that museum officials value at more than $30 million.

Although the stolen clocks had no connection to Islamic culture, they were displayed in the museum because they had originally belonged to the father of the museum’s founder.

The heist baffled police for more than two decades. But detectives now blame Naaman Diller – a notorious Israeli thief who fled to Europe and died in the United States in 2004.

Investigators got their first break two years ago, when the museum informed them it paid some $40,000 to an anonymous American woman to buy back 40 of the items, including the Marie Antoinette timepiece made by famed watchmaker Abraham-Louis Breguet.

Rachel Hasson, the museum’s artistic director, calls the gold and rock crystal watch “the Mona Lisa of the clock world.” Also recovered were a Breguet creation from 1819 known as the “Sympathiques” and a clock shaped like a pistol from the same period.

Police forensics experts were allowed to examine the clocks, and detectives questioned the lawyer who negotiated the sale. The trail led to an Israeli woman in Los Angeles named Nili Shamrat, who police identified as the widow of Diller – a notorious criminal in Israel after a string of bold thefts in the 1960s and ’70s.

From there the mystery began to unravel, police say. Diller apparently confessed the crime to his wife on his deathbed. When Israeli police and American law enforcement officials arrived at her home last May to question her, they found more of the stolen clocks.

Police placed a gag order on the case, but lifted it last week after Israeli media violated the order.
Diller’s widow refused to answer questions from The Associated Press when contacted Saturday, and did not answer her phone Sunday and Monday. Her Israeli lawyer, Hila Efron-Gabai, also refused to discuss the case.

Oded Yaniv, one of the investigators who broke the case, said about 40 clocks are missing, but police are pursuing tips on where Diller scattered the goods around the world.

Yaniv called the investigation a “once in a lifetime” experience, filled with international intrigue in the murky world of art dealing and antiquity trading.

Diller was renowned in Israel for daring break-ins and an ability to keep one step ahead of the law. He meticulously researched sites for hours and used innovative techniques that earned him the admiration of the same people who were trying to stop him.

“He was a legendary robber. He was very different, very intelligent, and had a unique style,” Yaniv said. “We are all disappointed that we don’t have the chance to sit and talk to him and investigate him. We feel like we missed out on that.”

According to police, Diller used a crowbar to bend the bars on a back window of the museum the night of April 15, 1983, and behind the cover of a parked truck climbed inside with a ladder. Having staked out the museum, he knew the alarm was broken and the guard was stationed in front.

Police spokesman Shmulik Ben-Ruby said Diller was very thin and able to slither in and out of the opening unnoticed throughout the night. He said the clocks were generally small enough to easily pass through and Diller had the expertise to take others apart if needed.

The spokesman said police had thought of Diller as a possible suspect in 1983 but found nothing to link him to the robbery. In addition, police thought the heist was the work of a gang of at least three robbers. Yaniv said he and his colleagues were shocked to discover Diller acted alone.

Diller later moved to Europe, where he operated under several identities and was briefly jailed before moving to Los Angeles, where he died of cancer.

Hasson said she was ecstatic to get at least part of the collection back and plans to have the clock display open again within the two months. She said the museum purchased the watches back for a “symbolic” fee after Diller’s widow tried to sell the stolen goods elsewhere and failed.

“The clocks are so well-known that nobody would buy them,” she said.
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Associated Press researcher Randy Herschaft in New York contributed to this report.
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On the Net:
L.A. Mayer Museum for Islamic Art:http://www.islamicart.co.il/default-eng.asp
AP-CS-11-04-08 0600EST

Copyright 2008 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

Nov. 8 sale to launch Going Gone Auction Gallery in NYC

Queen Sissi of Hungary (1837-1898) is the subject of this large unsigned oil painting. It is estimated to sell for $8,000-$12,000 at Going Gone Auction Gallery's first auction, Nov. 8, in New York. Image courtesy Going Gone Auction Gallery.
Queen Sissi of Hungary (1837-1898) is the subject of this large unsigned oil painting. It is estimated to sell for $8,000-$12,000 at Going Gone Auction Gallery's first auction, Nov. 8, in New York.  Image courtesy Going Gone Auction Gallery.
Queen Sissi of Hungary (1837-1898) is the subject of this large unsigned oil painting. It is estimated to sell for $8,000-$12,000 at Going Gone Auction Gallery’s first auction, Nov. 8, in New York. Image courtesy Going Gone Auction Gallery.

NEW YORK – After a two-year hiatus from the auction business Tom O’Connor has been drawn back to the trade he has known 25 years. “It’s like an addiction. I tried to stay away from it for a while, but it’s into your blood and you’re drawn back to it,” said the Irish-born auctioneer.

His new company, Going Gone Auction Gallery, will fill a niche on New York’s Upper West Side, specializing in antiques and estates. Auctions will take place in a former church now called The Landmark, at 160 Central Park West at the corner of 76th Street.

“It’s a beautiful and spacious setting for an auction,” said O’Connor, whose offices and warehouse are at 3906 Crescent St. in Long Island City.

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Dutch museum confirms authenticity of two van Goghs

AMSTERDAM, Netherlands (AP) – Two portraits whose authenticity was in doubt have been verified as real van Goghs, the museum named for the Dutch master confirmed Friday.

One portrait is the face and torso of a woman in a hat. In the second, a lady sits with gloved hands folded in her lap.
Because the themes were so common in the 19th century and the paintings had little similarity to the rest of the work by Vincent van Gogh, their authorship was in doubt, said spokeswoman Natalie Bos of the Van Gogh Museum.

However, a review of physical and historical evidence showed van Gogh painted them, probably in the spring of 1886 while he was studying under the painter Fernand Cormon in Paris.

Chemical analysis showed the paint was identical to other works definitely attributed to van Gogh in that period.
On the back of one of the portraits was the stamp of a paint merchant near where van Gogh lived with his brother Theo at that time, the museum said in a statement.

The picture frames also were by the same manufacturer as other confirmed van Goghs of that period, Bos said.
A thorough review of van Gogh’s work turned up other pieces that were stylistically similar.

“The combined weight of all this evidence offers convincing grounds for the reattribution of these two female portraits to Van Gogh,” the museum said. The identity of the women “remains a mystery.”

Although van Gogh is now seen as one of history’s greatest painters, few recognized his talent during his lifetime, and he was increasingly troubled by mental illness. He died of a self-inflicted gunshot wound in 1890 when he was 37.

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1868 3-cent stamp sells for more than $1M in NYC auction

NEW YORK (AP) – A rare 1868 U.S. postage stamp has sold for more than $1 million at a New York City auction.

The 3-cent, rose-colored “B Grill” stamp was among the highlights of a three-day Siegel Auction Galleries sale that ended Thursday, Oct. 30. The auction house says only three other known examples of the stamp remain.

“B Grill” refers to an embossed pattern in the stamp paper.

An anonymous buyer put in the winning bid of $1,035,000.

The auction also included one of stamp collecting’s most famous prizes, the so-called “Inverted Jenny” from 1918. The 24-cent American airmail stamp features a biplane accidentally printed upside-down. Only 100 of the red, white and blue stamps were printed.

Siegel says New Rochelle, N.Y., stamp dealer Harry Hagendorf bought the one auctioned on Thursday for $388,125.

Copyright 2008 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

 

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Museum returns Leger painting found to be Nazi loot

MINNEAPOLIS (AP) – The Minneapolis Institute of Arts has sent a painting by cubist Fernand Leger back to the heirs of a Jewish art collector in France, after concluding it had been stolen by the Nazis during World War II.

The museum had owned the 1911 Leger painting Smoke Over Rooftops since 1961. But after a decade of detective work, the institute decided to return it to the heirs of noted Parisian collector Alphonse Kann, who died in 1948.

“Having researched this to the end of the road, we decided we had to return the painting; it was the right thing to do,” Kaywin Feldman, director of the institute, told the Star Tribune for a story published on Oct. 30.

In 1997, the museum received a letter claiming the painting had been part of Kann’s collection that was confiscated by the Nazis after he fled Paris for London. Kann got much of his art back after the war, but not the Leger, now worth about $2.8 million.

The Leger was bequeathed to the institute in 1961 by Minneapolis businessman Putnam Dana McMillan, who had bought it from the Buchholz Gallery in New York in 1951.

It took years for the institute to determine if the claim was legitimate. Smoke Over Rooftops was a theme Leger painted at least six times, so it wasn’t clear at first if it was the same one Kann had owned.

The research took years of scrutiny of Nazi-era documents, gallery and auction records in four countries.

It’s not an unusual dilemma for a museum. According to the Association of Art Museum Directors, U.S. museums identified in their collections 22 works between 1998 and July 2006 that had been stolen by the Nazis. The art was either returned to heirs or settlements were reached, in some cases allowing the art to remain at the museums.

Investigators established that after Kann fled Paris, the Nazis confiscated the bulk of his collection, a trove so extensive that the Nazis’ inventory of it ran to 60 typed pages. A Paris art dealer, Galerie Leiris, bought the Leger at an auction in 1942 and later sold it to Buchholz Gallery.
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Minneapolis Institute of Arts: http://www.artsmia.org
Association of Art Museum Directors: http://www.aamd.org
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Information from: Star Tribune, http://www.startribune.com

Copyright 2008 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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