Opera house poscards convey civic pride

Author Willa Cather’s childhood home is located in Red Cloud, Neb. Built circa 1878, it is on the National Register of Historic Places. Image courtesy of Wikimedia Commons.

Author Willa Cather’s childhood home is located in Red Cloud, Neb. Built circa 1878, it is on the National Register of Historic Places. Image courtesy of Wikimedia Commons.
Author Willa Cather’s childhood home is located in Red Cloud, Neb. Built circa 1878, it is on the National Register of Historic Places. Image courtesy of Wikimedia Commons.
RED CLOUD, Neb. (AP) – When Guide Rock’s International Order of Odd Fellows Opera House opened in 1905, it was indicative of the optimism spreading across Nebraska at that time.

“Guide Rock built their opera house in 1905, when the town had 419 people, and they built an opera house that had 400 seats in it,” said Jay Yost, president emeritus of the Willa Cather Foundation board of governors. “To me that was the height of optimism, because it’s not as if you’re going to get the same 400 people in town for four performances, so they thought the town would get much bigger. It just showed you what people thought would happen with their towns.”

That opera house in Guide Rock is just one of 63 from across Nebraska represented by the Yost/Leak collection of postcards and memorabilia displayed in the Red Cloud Opera House. The total collection includes more than 200 opera houses. The collection will return to the Red Cloud Opera House Aug. 15 and remain in the gallery until Sept. 10.

Yost, who grew up in Red Cloud, now is a New York City banker. He discussed the collection and the opera houses in “Social Networking 1890: Nebraska Opera Houses in their Heyday,” a presentation he made as part of the 56th annual Willa Cather Spring Conference.

“Now we have Twitter and Facebook and all those ways for people to connect,” he said during an interview.

“Back in the 1890s and 1910s, one of the major ways people were able to connect with other people was getting together at the opera house. That was for community plays or weddings or dances as well as performances by traveling troops or musical companies or opera companies. Things like that.”

Stephany Thompson, director of foundation programming, said the Yost/Leak collection provides a local context to the overall theme of the annual Willa Cather conference.

“I think it brings a sense of what the state of Nebraska’s history of popular culture was,” she said. “I think many of the topics discussed in the conference will be of an international theme. The fact that we have a collection of Nebraska postcards really brings it to back to this state, to this area.”

Yost began collecting artifacts relating to pre-World War I performance spaces in Nebraska and Kansas around 2000.

“I got on the Cather Board in the late ’90s,” he said. “We were in the process of raising money to do this restoration (of the Red Cloud Opera House), and eBay was just coming out then. I thought it would be cool to start collecting opera house memorabilia thinking someday we would want to do something like this.”

The Yost/Leak collection includes more than just postcards. In the Opera House gallery now there are souvenirs such as spoons from the Arapahoe Opera House.

“Again, it shows you how important the thing was when they were doing commemorative souvenirs of these places, because it was one of the places in town that somebody would want to remember,” Yost said. He said at one time there were 513 documented opera houses in Nebraska. A study in the late 1980s showed only about 25 percent of those opera houses remained by then and only about 25 percent of those hadn’t been significantly damaged.

“For me it’s just sad that so many small towns don’t have a place to come together now,” Yost said. “You might have a community hall, but there’s really no soul to it. You can’t put on a performance, or we have had the prom dinner here the last couple of years, so people are recreating those memories three generations down the road.”

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Information from: Hastings Tribune, www.hastingstribune.com

Copyright 2011 Associated Press.

All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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ADDITIONAL IAMGE OF NOTE


Author Willa Cather’s childhood home is located in Red Cloud, Neb. Built circa 1878, it is on the National Register of Historic Places. Image courtesy of Wikimedia Commons.
Author Willa Cather’s childhood home is located in Red Cloud, Neb. Built circa 1878, it is on the National Register of Historic Places. Image courtesy of Wikimedia Commons.

Maryland celebrates National Road Bicentennial

A milestone in Columbus, Ohio, marks the path of the National Road. Image courtesy of Wikimedia Commons.
A milestone in Columbus, Ohio, marks the path of the National Road. Image courtesy of Wikimedia Commons.
A milestone in Columbus, Ohio, marks the path of the National Road. Image courtesy of Wikimedia Commons.

CUMBERLAND, Md. (AP) – The city of Cumberland held a parade Saturday to mark the 200th birthday of the nation’s first federally funded interstate highway.

A National Road bicentennial parade was held Saturday. The event included a caravan of antique wagons and vehicles arriving from Vandalia, Ill.

The parade culminated in the groundbreaking for commemorative marker. On Sunday, a time capsule was sealed.

The National Road ran from Cumberland to Vandalia, Ill. along a route largely followed today by U.S. 40.

It connected in Cumberland to the National Pike, leading to Baltimore.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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ADDITIONAL IMAGE OF NOTE


A milestone in Columbus, Ohio, marks the path of the National Road. Image courtesy of Wikimedia Commons.
A milestone in Columbus, Ohio, marks the path of the National Road. Image courtesy of Wikimedia Commons.

Spanish artist’s giant sculpture unveiled in NYC

NEW YORK (AP) – A giant sculpture of a girl’s head by Spanish artist Jaume Plensa has landed in a New York City park.

The 44-foot (13.5-meter)-tall “Echo” was unveiled Thursday in Madison Square Park by the park’s conservancy.

The internationally renowned artist says the white fiberglass resin work was inspired by the Greek mythological nymph Echo. She could only utter other people’s thoughts but not her own.

The massive scale of the work also draws parallels to Echo’s origin as a mountain nymph.

It will remain in the park until Aug. 14.

The artist says the sculpture’s face is based on the 9-year-old daughter of a restaurant owner near his home in Barcelona.

Plensa is known for his monumental forms. Chicago’s Millennium Park is home to his 50-foot(15-meter)-high ‘Crown Fountain.”

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-05-05-11 1902GMT

 

Walton foundation gives Arkansas museum $800 million

Among the many important paintings in the Crystal Bridges Museum of American Art's collection is John Singer Sargent's (American, 1856-1925) 1885 oil-on-canvas work titled 'Robert Louis Stevenson and His Wife.'
Among the many important paintings in the Crystal Bridges Museum of American Art's collection is John Singer Sargent's (American, 1856-1925) 1885 oil-on-canvas work titled 'Robert Louis Stevenson and His Wife.'
Among the many important paintings in the Crystal Bridges Museum of American Art’s collection is John Singer Sargent’s (American, 1856-1925) 1885 oil-on-canvas work titled ‘Robert Louis Stevenson and His Wife.’

BENTONVILLE, Ark. (AP) – A Bentonville museum has received $800 million in endowments from the Walton Family Foundation.

Crystal Bridges Museum of American Art executive director Don Bacigalupi announced the gifts on Wednesday.

Officials say the largest endowment – $350 million – will go toward operating the museum; $325 million will be used for acquisitions and $125 million will be used for capital improvements.

Officials say they expect the endowments to be supplemented with other gifts and memberships, as well as earned income.

Walton Family Foundation board member Alice Walton said in the statement that by investing in the museum, her family had laid a foundation for the institution to grow as a resource for Bentonville, the state of Arkansas and the entire country.

Alice Walton is an heir to Wal-Mart Stores Inc.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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ADDITIONAL IMAGE OF NOTE


Among the many important paintings in the Crystal Bridges Museum of American Art's collection is John Singer Sargent's (American, 1856-1925) 1885 oil-on-canvas work titled 'Robert Louis Stevenson and His Wife.'
Among the many important paintings in the Crystal Bridges Museum of American Art’s collection is John Singer Sargent’s (American, 1856-1925) 1885 oil-on-canvas work titled ‘Robert Louis Stevenson and His Wife.’

Arizona car auction owner indicted for fraud

PHOENIX (AP) – The owner of a car auction business in Gilbert has been indicted for allegedly defrauding more than 50 customers since 2009.

Maricopa County prosecutors say a 101-count indictment charges Stanley Dean Torgerson of fraud and theft for allegedly selling vehicles for customers and failing to give them the proceeds.

Torgerson owns International Car Auction, which has been in business for about 20 years.

Authorities say Torgerson was arrested Tuesday morning by Gilbert police. He remains jailed on a $50,000 cash only bond. It’s unclear whether Torgerson has legal representation.

Prosecutors say Torgerson’s financial records show he spent the auction proceeds on family members, personal expenses and other businesses. They say Torgerson could get a life prison term if he’s convicted on all counts and sentenced to consecutive aggravated terms.

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Organ played on ‘Bozo’s Circus’ to go to museum

A costumed and face-painted Frank Avruch, circa 1960s, one of many TV actors who portrayed Bozo the Clown. Photo appears with permission of GNU Free Documentation License.
A costumed and face-painted Frank Avruch, circa 1960s, one of many TV actors who portrayed Bozo the Clown. Photo appears with permission of GNU Free Documentation License.
A costumed and face-painted Frank Avruch, circa 1960s, one of many TV actors who portrayed Bozo the Clown. Photo appears with permission of GNU Free Documentation License.

CHICAGO (AP) – A Chicago marketing executive has paid $3,000 at auction to buy the electric organ used on the long-running Bozo’s Circus television show.

The Chicago Tribune reports that while David Plier grew up watching the show, he doesn’t plan on keeping the organ. The 43-year-old Plier says he will donate the organ to Chicago’s Museum of Broadcast Communications. Plier serves on the museum’s board.

The museum has other Bozo historic pieces, including a bass drum, costumes and the famous Grand Prize Game. Plier says the museum will create a Bozo exhibit in its new facility.

Plier says the organ needs some cosmetic and mechanical work before it can be displayed.

WGN-TV stopped broadcasting Bozo’s Circus in 2001.

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Information from: Chicago Tribune, http://www.chicagotribune.com

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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Salazar endorses National Latino Museum plan

Agustin Anavitate painting of Native-American Indian Chief Agueybana greeting Spanish explorer Juan Ponce de León (1474-1521), who led the first European expedition to Florida and was later appointed Governor of Puerto Rico by the Spanish Crown.
Agustin Anavitate painting of Native-American Indian Chief Agueybana greeting Spanish explorer Juan Ponce de León (1474-1521), who led the first European expedition to Florida and was later appointed Governor of Puerto Rico by the Spanish Crown.
Agustin Anavitate painting of Native-American Indian Chief Agueybana greeting Spanish explorer Juan Ponce de León (1474-1521), who led the first European expedition to Florida and was later appointed Governor of Puerto Rico by the Spanish Crown.

WASHINGTON (AP) – Interior Secretary Ken Salazar is endorsing a federal commission’s call to build a national museum devoted to American Latino art, history and culture next to the Capitol as part of the Smithsonian Institution.

In an interview with The Associated Press ahead of the commission’s report Thursday, Salazar said he would urge Congress to approve creation of the museum. He said such a building on the Capitol’s grounds would be in keeping with the National Park Service’s plan for the National Mall, which calls for overhauling the nearby Capitol reflecting pool as a civic square.

Many contributions of the nation’s Latinos, dating back to before the nation’s founding, have never been recognized, and they deserve a space on the National Mall among the nation’s top cultural attractions, Salazar said.

“My own view is America’s strength in the future is dependent upon America being inclusive of all of its people,” he said. “In the United States today, we have about 50 million-plus Americans who are of Latino descent.”

A copy of the commission’s report obtained by the AP said the museum would represent Latinos where their heritage has been absent at the Smithsonian.

“The mall, more than any other public space in our country does indeed tell the story of America, and yet that story is not complete,” wrote commission chairman Henry R. Munoz III.

A 1994 Smithsonian report entitled “Willful Neglect” found U.S. Hispanics were the only major contributor to American civilization not permanently recognized at the museum complex.

The Latino museum would join the Smithsonian’s National Museum of the American Indian and its planned National Museum of African American History and Culture, slated to open in four years. There has been some hesitance in Congress to add more ethnic museums for fear that they could appeal to segregated audiences.

The commission tried to head off such arguments from the start.

“This is not a museum for Latinos. This is a museum that more fully describes what the American story is,” Munoz said in an interview. “The historical myth of the United States begins with 1776 and the Mayflower, totally ignoring the fact that we were here well before then and have been contributors to the development of this country in every single way.”

Democratic California Rep. Xavier Becerra, who drafted legislation to form the museum commission, said he hasn’t heard any opposition in Congress to creating the museum, though all budget matters will draw attention. It’s an opportunity to “rectify what the Smithsonian will admit was a wrong,” he said.

Becerra, who serves on the Smithsonian Board of Regents, said the board will want to make sure the museum complex will have the resources to handle any new responsibilities and create a high-quality space.

Republican California Rep. Devin Nunes, who is co-chair of the Congressional Hispanic Conference, would be more inclined to support a museum that’s inclusive of all U.S. immigrants, spokesman Andrew House said. Nunes isn’t opposed to a Latino museum but doesn’t think it should be funded by taxpayers at all, due to federal deficits.

Munoz said he envisions a lively, interactive space with performances and perhaps a plaza that allows programs to spill out onto the Capitol grounds.

The commission voted unanimously to recommend the Capitol site over others. It would fall outside an area where Congress has banned any new construction on the mall, officials said.

The report lays out a case for retracing 500 years of Latino history with roots in Europe, Africa, Asia and from indigenous people. It notes Spanish explorers were first to land in Florida decades before English settlers founded Jamestown, and they created outposts that eventually led to the founding of San Francisco and Santa Fe, N.M. It details Latinos’ contributions to the military, the economy and the arts.

At the same time, many groups want to add museums on the National Mall, including efforts to recognize women’s history, gay history and the history of immigration.

“The history of all peoples has got to be told across America,” Salazar said, but the Latino museum proposal was a “definitive plan that addresses the history of 1/6 of the population,” he said.

“We can’t deal with the whole world right now, but I think the time is now to do something like this.”

Federal budget constraints could be the biggest hurdle. The commission’s report calls for building a $600 million museum with Congress providing half the funds and private donations covering the remainder.

Salazar, one of the highest ranking Hispanics in government, pledged to help raise millions of dollars to privately fund the museum’s construction _ and, if necessary, more than half the cost. He previously advocated for the project as a U.S. Senator.

President George W. Bush signed legislation establishing the Latino museum commission in 2008, and President Barack Obama, along with congressional leaders, appointed a 23-member commission. It includes Eva Longoria from TV’s Desperate Housewives, producer Emilio Estefan and others for their expertise in museums, fundraising and Latino culture.

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Online: www.americanlatinomuseum.org

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.


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ADDITIONAL IMAGE OF NOTE


Agustin Anavitate painting of Native-American Indian Chief Agueybana greeting Spanish explorer Juan Ponce de León (1474-1521), who led the first European expedition to Florida and was later appointed Governor of Puerto Rico by the Spanish Crown.
Agustin Anavitate painting of Native-American Indian Chief Agueybana greeting Spanish explorer Juan Ponce de León (1474-1521), who led the first European expedition to Florida and was later appointed Governor of Puerto Rico by the Spanish Crown.

Arts funding gains support in Kan. budget talks

TOPEKA, Kan. (AP) – The Kansas Arts Commission has an improved chance of getting funded in the state budget approved by legislators this year.

Budget negotiators moved closer Tuesday to including $689,000 for the commission in a $14 billion spending plan for the fiscal year beginning July 1.

Republican Gov. Sam Brownback has proposed eliminating the commission as a state agency and replacing it with a private, non-profit foundation. The House endorsed that proposal, but the Senate rejected it.

The $689,000 approved by the Senate represents a 14 percent cut in the commission’s current budget.

In budget negotiations, House members agreed to accept the Senate’s position.

Many lawmakers expect Brownback to veto any budget line funding the commission, though he hasn’t promised it publicly.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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Database documents Nazi theft of Jewish goods

U.S. National Archives Building, Constitution Avenue facade, Washington D.C. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

U.S. National Archives Building, Constitution Avenue facade, Washington D.C. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
U.S. National Archives Building, Constitution Avenue facade, Washington D.C. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
WASHINGTON (AFP) – The U.S. National Archives on Thursday launched an international database of Nazi-era documents that officials said will make it easier to recover plundered Jewish artifacts.

The International Research Portal for Records Related to Nazi-Era Cultural Property will work with the National Archives of the United Kingdom, the Federal Archives of Germany, the State Archives of Belgium, the Commission for Looted Art in Europe, and various other groups to display millions of pages of detailed images.

The creators said that the site will catalog cultural property that was stolen, looted, seized, forcibly sold, or otherwise lost during the Holocaust, in the hope of reuniting the lost objects with their rightful owners.

The property documented in the records, the National Archives said, runs the gamut from artwork to books to religious objects, antiquities, archival documents, carvings, and other artifacts.

“At the forefront of Holocaust restitution research efforts for over 15 years, the U.S. National Archives has strived to identify its records and to make them widely available and accessible to all,” said David Ferriero, archivist of the United States.

He said the new portal will help individuals and institutions recover their precious stolen assets.

“Researchers from all over the world will now be able to use a single point of entry to gain digital access to these widely dispersed archival materials,” he said at a ceremony Thursday.

 

 


ADDITIONAL IMAGE OF NOTE


U.S. National Archives Building, Constitution Avenue facade, Washington D.C. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
U.S. National Archives Building, Constitution Avenue facade, Washington D.C. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Enhanced venue for May 13-15 Wayside Inn Antiques Show

Wayside Inn, Sudbury, Mass., in a photo taken by John Phelan on Nov. 29, 2009 and licensed under the Creative Commons Attribution 3.0 Unported license.
Wayside Inn, Sudbury, Mass., in a photo taken by John Phelan on Nov. 29, 2009 and licensed under the Creative Commons Attribution 3.0 Unported license.
Wayside Inn, Sudbury, Mass., in a photo taken by John Phelan on Nov. 29, 2009 and licensed under the Creative Commons Attribution 3.0 Unported license.

SUDBURY – Following an eminently successful first year, the Wayside Inn Antiques Show is now destined to be an annual event drawing antique dealers and antique lovers from all over the Northeast, Midwest and this year, from across the Atlantic.

Nearly 50 premier antique dealers will converge upon grounds of the inn, 72 Wayside Inn Road, from May 13, through 15. This year’s event will be held in a 20,000 square-foot lavishly appointed, climate controlled tent and feature dealers from as far away as Portugal. New this year is an unmatched opportunity for those attending to get in-depth knowledge from experts via eight “Booth Chats” to be held during the show on Saturday and Sunday.

Proceeds from the show will be donated to The Wayside Inn Historic Site, the 501(c)3 not-for-profit corporation that oversees the sprawling 125-acre campus. The grounds include Longfellow’s Wayside Inn, The Gristmill, the Schoolhouse, and the Martha-Mary Chapel, along with many scenic walking trails connecting the buildings. Funds raised will be used for upkeep of the grounds and buildings and for informational and educational purposes.

“Last year’s event was successful beyond even our high expectations,” said Guy LeBlanc, Wayside’s museum services coordinator. “We’re very pleased to be able to offer the region what will now be an annual show featuring extremely high quality exhibitors and their wares.”

The show begins on Friday evening, May 13, with a preview party and reception from 6:30-9 p.m. Tickets for the preview party, a major fundraising portion of the event, are $125 per person with advanced registration, or $150 at the door. The main show will run on May 14 and 15 from 10 a.m. to 5 p.m. each day. General admission on Saturday and Sunday is $10 at the door. Once again Skinner Auctioneers & Appraisers, of Marlborough and Boston, is the show’s presenting sponsor.

“Skinner is proud to again sponsor the Wayside Inn Antiques Show. With so many first-rate dealers assembled under one roof, collectors and aficionados will find an incredible array of antiques and decorative art,” said Karen Keane, CEO of Skinner. “As appraisers and auctioneers, we relish in discovering the treasures of yesterday. This show brings that excitement to the general public with the opportunity to appreciate and experience all that American furniture and decorative arts have to offer.”

New to this year’s show will be the informative “booth chats,” four each day, at 11 a.m., noon, 1 and 2 p.m. Each chat will feature one of the show’s exhibitors discussing topics including American furniture, oriental carpets, American painting, and caring for fine art collections.

Sarah B. Cunningham, a Sudbury resident and the owner of Walker-Cunningham Fine Art on Boston’s Newbury Street, will be conducting the booth chat titled “Secrets from a Gallery Owner – Tips on Managing Your Collection,” on Sunday at 2 p.m.

“I’m very pleased to be back this year and to be giving this presentation,” Cunningham said. “I will be talking about organizing a collection, insuring it, appraising it and caring for it. Collections take shape over time and some collectors may lose sight of very important details involved in conserving their collections.”

Cunningham will also be bringing many paintings to the show, including two rare Boston school works, Wilton Lockwood’s Still Life of Peonies, and Frank Hector Tompkins’ The Young Mother.

Another dealer, Keith Funston, of Funston Antiques, also a Sudbury resident, will return this year as well, having had a great experience with the first show last spring.

“I’m really looking forward to this year’s show,” he said. “We drew a great crowd from all over the region last year, and with the economy picking up, we should do even better this year.”

Funston specializes in recreating wunderkammerns, or wonder chambers, also called chambers of curiosities. Such rooms were created in Europe during the Age of Discovery, circa 1500 to 1650, whereby collectors would display all sorts of items culled from the “New World” together with wonder-inspiring things made by local artists.

This year, Funston will be displaying a 17th century table cabinet used in a wonder chamber collection, fossilized dinosaur bones, a Victorian bird egg collection, tribal antiquities and many other items. The idea, according to Funston, is to create a “sensation of juxtaposition” pleasing to a 21st Century eye. Funston noted that he has been seeing more interest in wonder chambers, as evidenced by a replication of them in Macy’s store windows in New York City this past Christmas season.

For further information please call 978-443-1776 or log on to www.thewaysideinnantiquesshow.org. For information on presenting sponsor Skinner Auctioneers & Appraisers, go to www.skinnerinc.com, for Walker-Cunningham Fine Art go to www.walkercunningham.com, and for Funston Antiques go to www.funstonantiques.com.

About the Wayside Inn Historic Site:

The Wayside Inn Historic Site (WIHS) is an internationally recognized 125-acre campus which operates the colonial-era inn and tavern known as Longfellow’s Wayside Inn. The WIHS offers educational tours of its village-like property to nearly 150,000 visitors annually, providing access to a water-powered grist mill, an early one-room schoolhouse, as well as the Wayside Inn homestead itself. A non-profit since 1945, the WIHS remains dedicated to the preservation and stewardship of its role as an important 18th-century stagecoach stop, using museum-room settings and display cases to exhibit objects related to the four generations of the Howe family who ran a well-known inn keeping business on this site from 1716 to 1861.

 

 


ADDITIONAL IMAGE OF NOTE


Wayside Inn, Sudbury, Mass., in a photo taken by John Phelan on Nov. 29, 2009 and licensed under the Creative Commons Attribution 3.0 Unported license.
Wayside Inn, Sudbury, Mass., in a photo taken by John Phelan on Nov. 29, 2009 and licensed under the Creative Commons Attribution 3.0 Unported license.