After Pieter van Avont Belgian (1600-1652) Etching

After: Pieter van Avont, Belgian (1600 - 1652) Etching on Paper Childrens Games, Signed in the Plate. Marked W. Holler fecit. Measures 5" x 8", frame measures 10-3/4" x 14" Condition: Foxing otherwise

Van Avont, Pieter (Mecheln 1600–1652 Antwerpen) Umkreis Anbetung der Hirten. Öl auf Holz. 58,7x51 cm.

(or Peeter, Flemish, 1600-1652) The Abduction of Europa, unsigned, oil on panel, 16-1/4 x 23-1/2 in.; 20th century black-painted reverse-profile frame,. Condition: visible underdrawing, light retouch,

Erasmus Roterodamus, unsigned, on paper. 9.5" X 7" (15" X 12.5"). Raydon Gallery label on reverse.

Signed original antique etching ( Circa 1652 ) by Adrian Van Ostade " Man, woman, and child at door of cottage". Signature at bottom of ethcing, and information is on back of frame. In good co

Lot of two Herman Van Swanevelt (Dutch, 1600-1665) original etchings. "Diane Asleep", and "Landscape". One etching is loose, while the other has been laid down to a new backing (affixed in a few scatt

Pieter van der Aa (Dutch, 1659-1733), "Veduta di Venezia", etching, St. Mark's Basilica, Venice, legend verso, 11" x 13 1/2" (plate), framed and under glass 21" x 23 3/4". Provenance: Andover, Massach

Pieter II Van der Borcht Belgium,1545-1608 Titled "Dutch Village in the Foreground Hagar and the Angel" (Niederländische Ortschaft, im Vordergrund Hagar und der Engel or Landschaft mit Hagar und de

(Haarlem 1610-1685) The woman Spinning, 1652, etching on wove paper, signed and dated "Av. Ostade 1652" in the plate lower left, 13.8 x 17.4 cm, trimmed to platemark, Ho., God. 31 IV (of VII), mounted

Adriaen van Ostade (Dutch, 1610-1685) ''The Spectacle Seller'', c. 1646-1652. Etching on laid paper, Hollstein 29/Godefroy, signed in the plate lower right, grape watermark, sixth and final state of s

Adriaen van Ostade (1610-1685) La Danse sous La Treille (Bartsch 47; Godefroy 47), c. 1652 Etching, on laid paper, glued down in some areas, the seventh (final) state, trimmed within the plate mark, f

Herman van Suanevelt (Dutch, c. 1600-1665) Flight to Egypt, etching. Size: 12.25" x 14.25", 31 x 36 cm (sheet).

Color etching by Alfred Joseph Van Neste (Belgian, 1874 - 1969), pencil numbered 8/350 lower left, pencil signed lower right, framed. Visible image: approx. 17 1/2" x 20 1/4". Frame: approx. 21 1/4" x

Hendrick Goltzius (German/Dutch, 1558-1617). Figural etching depicting two putti embracing before a country villa; Lucas van Uden (Belgian, 1595-1672). “Landscape with a House and a Well” (Holl. 3

Circa 1600 engraving of Philip Galle after Jan van der Straet, Antwerp. Loss to right margin, Measures 11 x 8”. Reserve: $30.00 Shipping: Domestic: Flat-rate of $5.00 to anywhere within the contiguo

Herman van Swanevelt (Netherlands) c. 1600-1655. Graveyard on the Appian Way. Etching, c. 1625. Bartsch 57. Dutuit 57, ii/II. A good later (18th century) impression. Initialed in the plate and inscrib

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, but a later impression of New Hollstein's sixth state (of six), on cream laid pape

ADRIAEN VAN OSTADE The Dance in the Inn. Etching and drypoint, 1652. 255x320 mm; 10x12⅝ inches, narrow margins. Seventh state (of 9), before the completion of the right border line. Banded shiel

Herman van Swanevelt (Woerden circa 1600-1665 Paris), and Jan Asselijn (Dieppe 1610-1652 Amsterdam) A wooded landscape with a huntsman and his dogs resting on a rock oil on canvas 90.2 x 117.5cm (35 1

each on laid paper, possibly later impressions or reproductions of the original etchings, to include three works by Jan van Almeloven (Dutch, circa 1652-1683), Henrietta Fort by Wenceslaus Hollar (Boh

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

Rembrandt van Rijn (1606-1669)A Scholar in his Study ('Faust')Etching and drypoint, circa 1652, but a later impression of New Hollstein's final state (of seven) on cream laid paper without watermark,

Artist: Rembrandt Van Rijn Title: Peasant Family on the Tramp Medium: Etching on Beige Laid paper Year: 1652 Size: 4 x 3.5 inches Framed Size: 22.75 x 21.5 inches Artist Information: