Carlos Almaraz (1941-1989) Mexican/ Californian

CARLOS ALMARAZ (American-Mexican 1941 - 1989) Southwest Song - 1988SerigraphSigned and dated lower right and editioned 15/120 lower leftSheet size 34.25 inches x 47.25 inches, contained in

Carlos Almaraz (Mexican-American, 1941-1989). Oil on board painting titled "Traffic in Red," 1985, depicting an abstract expressionist rendering of traffic on a high, overlapping bridges speeding over

FOOLS PARADISE, 1989, color screenprint, signed and dated in pencil, numbered 34/120, size 47 1/2 x 37", framed.

Carlos Almaraz (1941-1989) Growing City, 1988 Silkscreen From the edition of 5 Printer's Proof aside from the numbered edition of 100 Signed and annotated on recto Sheet: 33 x 48 inches; Framed: 39 x

Carlos Almaráz (1941-1989) Untitled, 1984 Etching with hand-coloring on wove paper, signed in pencil and dated, with the blindstamp of the publisher, Efram Wolff Studio, Vashon, Washington, with

CLOCK STRUCK THREE, 1986, color screenprint, signed and dated in pencil, numbered 29/90, sheet 30 x 44 1/2", framed.

RED LAKE, 1986, color aquatint etching, signed and dated and inscribed HC (hors commerce) aside from the numbered edition of 45, printed by Efram Wolff image 13 ¾ x 16 ¾”, full margins

Oil on canvas.Signed with initials on base. Slight paint loss. 38 x 38 cm; 56.5 x 56.5 cm. (frame). Carlos Almaraz was a Mexican-American artist and one of the first Chicano street artists. These days

Struggle of Mankind", 1989 Original Hand Printed Silkscreen Print by Carlos Almaraz. Published by The Artist and Modern Multiples. This limited edition print measures 28.5" x 47.25" and is a limited e

Carlos Mérida (Mexican, 1891-1984) Mexican Costume, 1941 color screenprints 17 of 25 plates and text, with booklet foreword by Rene D'Harnoncourt The Pocahontas Press, Chicago, Illinois edition o

Carlos Merida (Guatalmala-Mexico, 1895-1984). Two silk screens from the Mexican Costume portfolio by Carlos Merida,1941. 1) Ozumazins of the State of Oaxaca. 2) Triques of the State of Oaxaca. Edition

Estate / Collection: Property from a Prominent Corporate Collection THREE FACES FLOATING (GHOST) Color monotype, 1989, on cream wove paper, signed and dated in brown crayon, with full margins, framed.

Estate / Collection: Property from a Prominent Corporate Collection BUSTAMANTE BROTHERS Color monotype, 1989, on Arches paper, signed and dated in brown crayon, with printer's or publisher's blindstam

Mexican Costume: 25 Color Plates. Carlos Merida. 1941. Complete portfolio; 16.5in. X 13.5in.

BYRON GALVEZ (Mexican, 1941-2009)On Stage1989, bronzesigned, dated, and numbered Byron 89 42/100 on baseedition produced by Fingerhut Group, California, stamped Fingerhut on baseh

MEXICAN COSTUMES, 1941, the portfolio with twenty-five loose-leaf color screenprints, six framed, signatures lower right, from an edition of 1000, with text and portfolio cover, printed by C. W. Belde

UNTITLED, 1989, color print on sheet metal, signed and dated in ink, numbered 64/250, sheet 13 x 35", framed.

Carlos Almaraz, Early original oil painting, 1964. 42 x 42 inches, and with the thin edge frame 43 x 43 inches. This represents a very large early painting by tha artist who was primary working on sma

signed lower left titled to stretcher verso Provenance: Dalzell Hatfield Galleries, Los Angeles (label verso); Eighth Annual Madonna Festival, May 3 to May 10, 1953 23 1/2 x 10 1/2 inches sight; frame

STILL LIFE WITH CAT AND FLOWERS, 2000, oil painting on canvas, signed and dated upper left, 54 x 54â€. From the collection of Paul J. Coady.

Carlos Almaraz Portrait of a Man, 1973 Acrylic on paper Provenance: From the personal collection of John Valadez, gifted to Valadez in 73 by the artist Signed/dated on recto Dimensions: 43 x 32 inches

Ink wash drawing on paper Provenance: From the Estate of Peggy Lloyd (gifted to her at Ottis when they were students together) We would like to thank Elsa Flores and Craig Krull Gallery for the acknow

GROWING CITY, 1988, color screenprint, signed and dated in white pencil, proof aside from the numbered edition 100, sheet 33 x 48 ¼”, frame 39 x 54” with non-glare Plexiglas.

SUAVE COMO LA NOCHE, 1985, color screenprint, signed and numbered PP 11/15 in pencil, printed by Richard Duardo, sheet 24 ¼ x 30 ½”.