Herbert Haseltine (1877-1962) Percheron Mare: Messaline and Foal 9 3/4 in. (24.8 cm.) high, on a...

Herbert Haseltine 1877-1962 The Perfect Thoroughbred bronze with brown patination, mounted to marble plinth signed and dated 1920 in casting, and with C. Valsuani "Cire Perdu" foundry mark 9 1/4 x 12

Herbert Haseltine (1877-1962) Horse Head signed and dated '© Herbert Haseltine 1941' (along the neck) bronze with green patina 10 1/4 x 10 x 2 1/2in (26 x 25.4 x 6.4cm) Modeled and cast in 1941.

A bronze animalier statue by Herbert Haseltine (French American, 1877-1962). A posthumous bronze casting with black patina, produced circa 1967. Titled, "Shorthorn Bull: Bridgebank Paymaster." The ori

A bronze animalier bust sculpture by Herbert Haseltine (French American, 1877-1962). A wildlife work depicting a thoroughbred horse head. Impressed signature and dated to rim bottom in Roman numerals

Alan Reynolds (British, 1926-2014) Autumn Nocturne signed and dated 'Reynolds/54' (lower right) oil on board 24.8 x 31.5 cm. (9 3/4 x 11 7/8 in.) Footnotes: Provenance With Redfern Gallery, London, 8

Artist: Antonio Maria De Reyna Manescau (Spanish, 1859-1937) Title: Venice Medium: Oil on Canvas Size: 13 1/4†x 28 1/2†inches (34.9 x 74.9 cm) canvas size Date: Notes: Superb example of the

French School (19th Century)Pair of Bacchanalian Figural GroupsBronze with

CHINESE QING PERIOD ENAMELLED SNUFF BOTTLE with Qianlong four character mark to the base; probably Republic Provenance: Marie Beauvoir Collection Dimensions:9 cm. high; 3.5 cm. wide; 3.5 cm. deep

34 x 34 cm high side 11 cm low side 6 cm oversized agate hand carved. Color rubs red

Tarot 19 signed and dated 1967 (verso) acrylic and collage on board 13 1/2" x 9" (34 cm x 23 cm) PROVENANCEPrivate Collection, Manila Roberto Chabet, the Father of Philippine Conceptual Art, is renown

conceived circa 1881; bronze with brown patination; signed to front of base "P. Gauguin" (no edition number or foundry mark) 11 in. (27.9 cm.) high Provenance: Property from The Kelton Collection, The

Florentine School, 16th Century A cavalry battle before a walled city oil on panel, tondo 24.7 cm. (9 3/4 in.) diameter together with another tondo showing the beheading of a female saint (2)

Augustus Saint-Gaudens (1848-1907) Robert Louis Stevenson inscribed 'TO ROBERT LOVIS / STEVENSON,' 'AVGVSTVS / SAINT GAVDENS,' 'M•D•C•C•C•L•X•X•X•

each in two parts Overall: 86 x 20 1/4 x 13 3/4 in. (218.4 x 51.4 x 34.9 cm.) Provenance: Property from the personal collection of Jeff Schuerholz of Fat Chance, the iconic Los Angeles store for the H

A Franco-Flemish Wool Tapestry, early 18th century 104 x 98 inches (264.2 x 248.9 cm) The tapestry with floral border framing a landscape with hound feigning from trees with parrots perched and a city

offset lithograph; signed in pencil "R. Kenton Nelson" lower right Image: 16 1/2 x 13 1/2 in. (41.9 x 34.3 cm.), Sheet: 24 x 18 in. (61 x 45.7 cm.) Provenance: Property from J. J. Blick's Lukenheimer

each depicting a woman with a fan 19 1/2 x 13 3/4 in. (49.5 x 34.9 cm.), Frame: 21 x 15 1/2 in. (53.3 x 39.4 cm.)

A Monumental Chinese Blue and White Triple Gourd Vase, Qing Dynasty, Kangxi Period, circa 1654

The taller one: 15.1/4 in. (38.7 cm.) high; the shorter one: 14.3/4 in. (37.5 cm.) high, both 9.3/4 in. (24.8 cm.) wide. Provenance: Ralph M. Chait Galleries, New York; Wolf Family Collection No. 0836

A Large Chinese Blue and White Porcelain Hu-Form Vase, Qing Dynasty, 19th-20th centuryMark

Dale Chihuly (American, b. 1941)Cobalt Blue and Indian Red Venetian Vase, 1988<

Two Rare London Double-Decker Bus Biscuit Tins,&nbsp;circa 1920-1930Crawford's Shortbread, Hunt

A Chinese Porcelain&nbsp;Clouds and Sun&nbsp;Stem Cup, Late Q

Various Artists &lpar;Chinese&comma; 19th&sol;20th century&rpar; Calligraphy &lpar;Three Works&rpar; Ink on paper 53-1&sol;8 x 13-5&sol;8 inches &lpar;134&period;9 x 34&period;6 cm&rpar; &lpar;longest