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Jacob Cats (1577–1660) – Emblem: Invert, and You Will Turn Away – Engraving (17th Century) First Image

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Jacob Cats (1577–1660) – Emblem: Invert, and You Will Turn Away – Engraving (17th Century) First Image

Jacob Cats (1577–1660) – Emblem: Invert, and You Will Turn Away – Engraving (17th Century)

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Jacob Cats (1577–1660) – Man Shielding Eyes from Cupid – Engraving (1627) (1 of 2)

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Jacob Cats (1577–1660) – Landscape with Net and Cupid – Engraving (1627) (1 of 2)

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Jacob Cats – Honor of Virginity – Woodcut (1632) (1 of 2)

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Pieter Hendriksz. Schut (1618–1660) – Levi and Simeon Revenge the Defilement of Their Sister (1 of 2)

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Jacob Cats – Quod Licet, Ingratum Est – Woodcut (1632) (1 of 2)

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Jacob Cats (1577–1660) – Interior with Figure by a Fire – Engraving (1627) (1 of 2)

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Jacob Cats (1577–1660) – Emblem: Invert, and You Will Turn Away – Engraving (17th Century) (1 of 2)

Jacob Cats (1577–1660) – Emblem: Invert, and You Will Turn Away – Engraving (17th Century)This engraving is an emblem illustrating the moral and sacred themes contained in the surrounding Latin and Dutch text. The central circular scene depicts figures reacting to a large mask held by a di

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Jacob Cats (1577–1660) – Turn it Around, and You Will Turn Away – Engraving (17th Century) (1 of 3)

Jacob Cats (1577–1660) – Turn it Around, and You Will Turn Away – Engraving (17th Century)This engraving features a circular vignette illustrating the motto "Inverte, et Avertes," depicting a hand revealing the hollow back of a frightening mask to a child, symbolizing how understanding the

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Jacob Cats – Quod Juvat Exiguum Est – Emblem XIX – Copperplate Engraving – 17th Century (1 of 3)

Jacob Cats – Quod Juvat Exiguum Est – Emblem XIX – Copperplate Engraving – 17th Century Original emblematic copperplate engraving from a 17th-century edition of Sinnelick Leben or Emblemata, authored by Dutch poet and statesman Jacob Cats (1577–1660). Titled Quod Juvat Exiguum Est ("Wh

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Jacob Cats – Dum Trahimus, Trahimur – Emblem XX – Copperplate Engraving – 17th Century (1 of 3)

Jacob Cats – Dum Trahimus, Trahimur – Emblem XX – Copperplate Engraving – 17th Century Original copperplate engraving, emblem XX from the collection Sinnelick Leben by Dutch poet Jacob Cats (1577–1660). The emblem titled Dum Trahimus, Trahimur ("While we pull, we are pulled") depicts

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Jacob Cats (1577–1660) – Emblem of a Woman (Vrouwe) – Copperplate Engraving – c. 1655 (1 of 3)

Jacob Cats (1577–1660) – Emblem of a Woman (Vrouwe) – Copperplate Engraving – c. 1655 This is an original 17th-century copperplate engraving from the works of the highly influential Dutch poet and moralist, Jacob Cats. The print, titled "Vrouwe" (Woman), is an emblem from his famous bo

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Jacob Cats (1577–1660) – Emblem of a Woman (Vrouwe) – Copperplate Engraving – c. 1655 (1 of 3)

Jacob Cats (1577–1660) – Emblem of a Woman (Vrouwe) – Copperplate Engraving – c. 1655 This is an original 17th-century copperplate engraving from the works of the highly influential Dutch poet and moralist, Jacob Cats. The print, titled "Vrouwe" (Woman), is an emblem from his famous bo

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Jacob Cats (1577–1660) – Emblem of Courtship (Courting-Boat-Cow-Virgin) – Engraving – 1655 (1 of 4)

Jacob Cats (1577–1660) – Emblem of Courtship (Courting-Boat-Cow-Virgin) – Engraving – 1655 This original 17th-century copperplate engraving is an emblematic illustration from "Alle de Wercken van den Heere Jacob Cats" (All the Works of the Lord Jacob Cats), the first collected edition of th

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Jacob Cats (1577–1660) – Emblema:He Cares for That Which Has Weight – Engraving (17th Century) (1 of 2)

Jacob Cats (1577–1660) – Emblema:He Cares for That Which Has Weight – Engraving (17th Century)This print is an engraving from an emblem book, likely by Jacob Cats, titled "Emblema: Id Cvr.at, Qvod Pondvs Hab.et." (He Cares for That Which Has Weight.). The central image is a circular illustrati

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Jacob Cats (1577–1660) – Emblema:Nothing Is Hidden in Retreat – Engraving (17th Century) (1 of 2)

Jacob Cats (1577–1660) – Emblema:Nothing Is Hidden in Retreat – Engraving (17th Century)This print is an engraving from an emblem book, likely by Jacob Cats, titled "Emblema: In Recessv Nihil." (Nothing Is Hidden in Retreat.). The central image is a circular illustration featuring a tall

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Jacob Cats (1577–1660) – Emblema: Repete. (Repeat.) – Engraving (17th Century) (1 of 2)

Jacob Cats (1577–1660) – Emblema: Repete. (Repeat.) – Engraving (17th Century)This print is an engraving from an emblem book by Jacob Cats, titled "Emblema: Repete." (Repeat.). The central image is a circular illustration featuring a sturdy, leafy tree growing near water, with

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Jacob Cats (1577–1660) – Dood-kiste XXIX – Emblematic Engraving (17th Century) (1 of 3)

Jacob Cats (1577–1660) – Dood-kiste XXIX – Emblematic Engraving (17th Century)This emblematic engraving appears in the section Dood-kiste (“Coffin”) from Jacob Cats’s monumental emblem book Alle de wercken. The image illustrates emblem XXIX, which references Job 7:9 a

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Jacob Cats (1577–1660) – Emblema: Love Hates a Doctor – Engraving (17th Century) (1 of 2)

Jacob Cats (1577–1660) – Emblema: Love Hates a Doctor – Engraving (17th Century)This print is an engraving from an emblem book by Jacob Cats, titled "Emblema: Odit Amor Medicum." (Love Hates a Doctor.). The central image is a circular illustration featuring a scene inside a black

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Jacob Cats (1577–1660) – It is Bad to Catch Hares with Drums – Engraving (17th Century) (1 of 3)

Jacob Cats (1577–1660) – It is Bad to Catch Hares with Drums – Engraving (17th Century)This engraving is a moralistic emblem depicting two figures, one a man beating a large drum while a companion guides hunting dogs, illustrating the futility of trying to catch hares noisily. The motto

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Jacob Cats (1577-1660) – The Turtle – Engraving (Early 17th Century) (1 of 3)

Jacob Cats (1577-1660) – The Turtle – Engraving (Early 17th Century)This engraving is an emblem from a book by the Dutch poet Jacob Cats. The work depicts a turtle crawling on a beach in the foreground, with a Dutch ship and a fortified city in the background. The ima

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Jacob Cats (1577-1660) – The Birdcage – Engraving (Early 17th Century) (1 of 3)

Jacob Cats (1577-1660) – The Birdcage – Engraving (Early 17th Century)This engraving is an emblem from a book by the Dutch poet Jacob Cats. The work depicts a birdcage hanging from a ceiling, with a bird visible inside. The background shows an architectural setting with

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Jacob Cats (1577–1660) – Interior Scene with Butter Churning (from an emblem book) – Engraving (1 of 3)

Jacob Cats (1577–1660) – Interior Scene with Butter Churning (from an emblem book) – Engraving This original 17th-century engraving by Jacob Cats depicts a detailed interior scene, likely a kitchen or pantry, bustling with domestic activity. A woman is prominently shown operating a large butter

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Jacob Cats (1577–1660) – The Folly of Marrying for Wealth – Engraving (1 of 3)

Jacob Cats (1577–1660) – The Folly of Marrying for Wealth – Engraving This emblematic 17th-century engraving presents a satirical moral lesson from Jacob Cats’s emblem books. The scene depicts two elderly men with youthful wigs—one adjusting his wig himself, the oth

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Jacob Cats (1577–1660) – Maegden-Roof / Abduction of Maidens – Engraving (ca. 1640) (1 of 3)

Jacob Cats (1577–1660) – Maegden-Roof / Abduction of Maidens – Engraving (ca. 1640)This rare 17th-century emblematic engraving titled Maegden-Roof (Abduction of Maidens) comes from the emblem book tradition authored by Jacob Cats, one of the most influential moral poets of the Dutch

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Jacob Cats (1577–1660) – A Courting Couple (The Bride) – Engraving (c. 1620–1650) (1 of 3)

Jacob Cats (1577–1660) – A Courting Couple (The Bride) – Engraving (c. 1620–1650)A detailed engraving from a Dutch emblem book, illustrating a man and a woman in 17th-century attire standing with a dog by a river, with a town and landscapes in the background. The print is from Jac

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Jacob Cats (1577–1660) – Amica Amanti Anima (A Friend is a Soul to a Lover) – Copperplate (1 of 2)

Jacob Cats (1577–1660) – Amica Amanti Anima (A Friend is a Soul to a Lover) – Copperplate This circular emblem illustrates a courtship scene within an interior setting, typical of the moralistic imagery popularized in 17th-century Dutch literature. The engraving depicts a finely dressed ma

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Jacob Cats (1577–1660) – Amor, Tela Penelopes (Love, the Web of Penelope) (1 of 2)

Jacob Cats (1577–1660) – Amor, Tela Penelopes (Love, the Web of Penelope)This circular emblem illustrates a moral lesson through the image of a woman standing by a large stone fountain. The engraving depicts a woman in an elaborate 17th-century dress, holding a long stick

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Jacob Cats (1577–1660) – Honest Courtship – Engraving (17th Century) (1 of 3)

Jacob Cats (1577–1660) – Honest Courtship – Engraving (17th Century)This engraving, a plate from a Dutch illustrated publication, presents a genre scene titled Honest Courtship. The work depicts a man and a woman in a rural setting, a visual representation of the mora

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Jacob Cats (1577–1660) – Senses Aroused – Engraving (17th Century) (1 of 3)

Jacob Cats (1577–1660) – Senses Aroused – Engraving (17th Century)This engraving, a plate from a Dutch illustrated publication, presents a genre scene titled Senses Aroused. The work depicts multiple figures in a room in 17th-century attire. The print serves as an i

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Jacob Cats (1577–1660) – Old Age – Engraving (17th Century) (1 of 3)

Jacob Cats (1577–1660) – Old Age – Engraving (17th Century)This engraving, a plate from a Dutch illustrated publication, is an allegorical scene titled Old Age. The work depicts a group of elderly figures in an outdoor setting, with allegorical figures such a

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