James Abbott McNeill Whistler (1834 - 1903) drawing of older gentleman, with seal, looks like

James Abbott McNeill Whistler (1834 - 1903) drawing of older gentleman, with seal, looks like initials & label which reads ( From the Edward Ballasis collection. No. 54 Marked. The drawing measures 4"

(Lowell, 1834 - Londra, 1903) Quindici disegni raffiguranti personaggi e paesaggi diversi Tecnica mista su carta, cm 22X34 (il maggiore) FIFTEEN DRAWINGS ATTRIBUTED TO JAMES ABBOTT MCNEILL WHISTLER (1

James Abbott McNeill Whistler (1834 - 1903) American. Pastel on Paper. Dated 1865. Measure 4"in H x 7"in W and 10 3/4"in H x 14"in W with frame. Known for: Figure, landscape, and portrait painting, et

Title: Annie Seated. James Abbott McNeill Whistler (1834-1903) was an American artist active during the American Gilded Age, and based primarily in the United Kingdom. He eschewed sentimentality and m

James Abbott McNeill Whistler (1834-1903) Little Court, Cloth Fair 1887 The transfer lithograph from 1887 is signed with Whistler's 'Butterfly' signature by hand in graphite just below the image. A se

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

James Abbott McNeill Whistler (1834-1903) Doorway and Vine, from Second Venice Set (Kennedy 196, Glasgow 191), c. 1879-80 Etching on laid paper with 'IV Countermark' watermark (Stratis 197), Glasgow's

James Abbott McNeill WHISTLER (1834-1903): "The Little Hat". Etching with touches of drypoint printed in brownish ink on laid paper, 1887. Refs: Kennedy 335; Glasgow 366. Eight or nine impressions are

James Abbott McNeill Whistler (1834-1903): The Winged Hat Lithograph in black on laid paper, 1890, signed with the artist's monogram in pencil, inscribed '22' in another hand upper left and on the rev

James Abbott McNeill Whistler (1834-1903) Maunder's Fish Shop, Chelsea (Way 28, Levy 42, Spink 37), 1890 Lithograph on antique cream laid paper, signed in pencil with the butterfly, from the edition o

James Abbott McNeill Whistler (1834-1903) LIVERDUN; HURLINGHAM; CHELSEA (FULHAM) (KENNEDY 16, 181, 182; GLASGOW 13, 184, 181) Three etchings, 1858 and 1879 (2), respectively, the first Glasgow's third

James Abbott McNeill Whistler (1834-1903): Drury Lane Rags Lithograph in black on laid paper, 1888, variously inscribed in pencil in another hand on the reverse. 9 1/8 x 8 1/4 in. (sheet), 16 1/2 x 12

Watercolor on ledger paper, Chinese ceramic blue and white teapot, attributed* to James Abbott McNeill Whistler (1834-1903). Signed with the artist's butterfly monogram. Circa 1870. 12 5/8 x 7 1/2 inc

James Abbott McNeill Whistler (1834-1903)Reading by LamplightEtching and drypoint, circa 1860, an excellent impression of MacDonald's final state (of three), on cream wove paper without watermark, pla

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

James Abbott McNeill Whistler (American, 1834-1903) The Little Pool (a group of four states), 1861 etchings with drypoint on laid paper including, from left to right, states 2, 4, 3, and 9 of 9 states

James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe (Kennedy 66; Glasgow 70) Etching and drypoint, 1860, on cream laid, Glasgow's final sixth state, with narrow margins, 295 x 218mm (11 5/

James Abbott McNeill Whistler (American, 1834-1903) The Music Room, 1859 etching and drypoint 5 3/4 x 8 1/2 inches. Literature: Glasgow 39 Provenance: Arthur Ackermann & Son, Inc., Chicago, 1928

James Abbott Mcneill Whistler (American 1834-1903) Depicting sailboats in a harbor inscribed and dated l.r. "Whistler/1859." 14"h x 7"w

JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903). Reading by Lamplight, circa 1859, Etching and drypoint, printed in black ink on likely fine ivory oriental laid paper. Plate signed lower right in

James A.M. Whistler, Thames Set etching #9, 1859, James Abbott McNeill Whistler (American, 1834-1903), "The Lime Burner" (Kennedy 46), one of sixteen drypoint etchings from the Thames Set, on cream la

James Abbott McNeill Whistler (American, 1834-1903). Chelsea (Chelsea Church and Battersea Bridge). Antique etching on wove paper. Signed in the plate (Butterfly monogram, lower right). 1882. Conditio

James Abbott McNeill Whistler (American, 1834-1903), "The Little Cafe au Bois," 1894, lithograph, pencil signed lower right, plate signed with the butterfly lower center, with a collector stamp verso,

James A.M. Whistler, etching, 1858, James Abbott McNeill Whistler (American, 1834-1903), "The Unsafe Tenement" (Kennedy 17), on brown wove paper, fourth state with faint sky lines, signed in plate low