James Abbott McNeill Whistler (1834-1903); Riva, No. 2, from the Second Venice Set;

James Abbott McNeill Whistler (1834-1903) Doorway and Vine, from Second Venice Set (Kennedy 196, Glasgow 191), c. 1879-80 Etching on laid paper with 'IV Countermark' watermark (Stratis 197), Glasgow's

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

After James McNeill Whistler (American, 1834-1903), etching depicting people at work in a workshop, noted verso "One of the 'Twenty-Six Etchings' (Second Venice Set)", 6 1/2" x 8 1/4" sight, 14 3/4" x

After James Abbott McNeill Whistler (1834-1903). Etching on paper titled "The Doorway," depicting a window of the Palazzo Gussoni in Venice. From Whistler's "First Venice Set," 1880. Dimensions: Sight

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

James Abbott McNeill Whistler (American, 1834-1903) The Fiddler (J. Becquet, Sculptor) Unsigned, #8 from the Thames Set, etching and drypoint on laid paper; framed. H: 10, W: 7 1/2 in. (H: 25.4, W: 19

James Abbott McNeill Whistler (1834 - 1903): Maunder's Fish Shop, Chelsea Lithograph in black on wove paper, 1890, with label from Associated American Artists, NY. 8 x 7 7/8 on. (sight), 15 1/2 x 14 1

James Abbott McNeill Whistler (1834-1903) LIVERDUN; HURLINGHAM; CHELSEA (FULHAM) (KENNEDY 16, 181, 182; GLASGOW 13, 184, 181) Three etchings, 1858 and 1879 (2), respectively, the first Glasgow's third

James Abbott McNeill Whistler (1834-1903): Drury Lane Rags Lithograph in black on laid paper, 1888, variously inscribed in pencil in another hand on the reverse. 9 1/8 x 8 1/4 in. (sheet), 16 1/2 x 12

Watercolor on ledger paper, Chinese ceramic blue and white teapot, attributed* to James Abbott McNeill Whistler (1834-1903). Signed with the artist's butterfly monogram. Circa 1870. 12 5/8 x 7 1/2 inc

Watercolor on ledger paper, Chinese ceramics (two vases), attributed* to James Abbott McNeill Whistler (1834-1903). Signed with the artist's butterfly monogram. Circa 1870. 12 5/8 x 7 1/2 inches. Very

Watercolor on ledger paper, Chinese ceramic square-form vase, attributed* to James Abbott McNeill Whistler (1834-1903). Signed with the artist's butterfly monogram. Circa 1870. 12 5/8 x 7 1/2 inches.

Title: Annie. [Seated.] James Abbott McNeill Whistler (1834-1903) Etching and drypoint, 1858. Edition: 58 known impressions. Unsinged. Only signed and titled in stone. Second state. Image size 5 1/

Watercolor on ledger paper, Chinese ceramic plate, attributed* to James Abbott McNeill Whistler (1834-1903). Signed with the artist's butterfly monogram. Circa 1870. 12 5/8 x 7 1/2 inches. Very good c

James Abbott McNeill Whistler (1834-1903). Black and white etching on laid paper titled La Vieille Aux Loques. 1858. Signed in plate and framed under glass. Mat opening: 8-1/2 in x 6-1/4 in.

James Abbott McNeill Whistler (1834-1903) La Retameuse, 1858, Etching on laid paper, final state. Sheet dimensions: h: 7 1/8 x w: 4 1/2 in. H: 4 1/3 W: 3 1/2 in. Kennedy 14.

James A.M. Whistler, Thames Set etching #9, 1859, James Abbott McNeill Whistler (American, 1834-1903), "The Lime Burner" (Kennedy 46), one of sixteen drypoint etchings from the Thames Set, on cream la

James A.M. Whistler, Thames Set etching #13, 1859, James Abbott McNeill Whistler (American, 1834-1903), "Thames Warehouse" (Kennedy 38), thirteenth of sixteen etchings from the Thames Set, on cream la

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

James Abbott McNeill Whistler (American, 1834-1903) The Little Pool (a group of four states), 1861 etchings with drypoint on laid paper including, from left to right, states 2, 4, 3, and 9 of 9 states

James Abbott McNeill Whistler (American, 1834-1903) The Music Room, 1859 etching and drypoint 5 3/4 x 8 1/2 inches. Literature: Glasgow 39 Provenance: Arthur Ackermann & Son, Inc., Chicago, 1928

James A.M. Whistler, etching, 1858, James Abbott McNeill Whistler (American, 1834-1903), "Liverdun" from Twelve Etchings from Nature (Kennedy 16), on laid paper, second of two states, with "Whistler"

James Abbott McNeill Whistler (American, 1834-1903), etching and drypoint, circa 1871, "Old Hungerford Bridge" (Kennedy 76), the sixth of sixteen etchings from the "Thames Set," signed in plate lower