James Abbott Mcneill Whistler Paintings

James Abbott McNeill Whistler etching with drypoint on First Image

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James Abbott McNeill Whistler etching with drypoint on First Image

James Abbott McNeill Whistler etching with drypoint on

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James Abbott McNeill Whistler, The Rialto (from Twenty-six Etchings (the Second Venice Set)) (1 of 4)

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James Abbott McNeill Whistler etching with drypoint on (1 of 3)

James Abbott McNeill Whistler etching with drypoint on James Abbott McNeill Whistler etching with drypoint on paper "Vauxhall Bridge", located in central London on the River Thames as it would have appeared before construction in 1904-1906, label on verso

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James Abbott McNeill Whistler etching and drypoint on (1 of 2)

James Abbott McNeill Whistler etching and drypoint on James Abbott McNeill Whistler (American, 1834-1903) "Whistler, Soupe a Trois Sous W27", etching and drypoint on cream-colored paper, executed circa 1859, signed and titled in pencil at lower left marg

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James Abbott McNeill Whistler, Annie, Etching (1 of 2)

James Abbott McNeill Whistler, Annie, Etching Title: Annie. [Seated.] James Abbott McNeill Whistler (1834-1903) Etching and drypoint, 1858. Edition: 58 known impressions. Unsinged. Only signed and titled in stone. Second state. Image size 5 1/

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Whistler "Old Hungerford Bridge" Etching on Paper (1 of 7)

Whistler "Old Hungerford Bridge" Etching on Paper James Abbott McNeill Whistler (American, 1834-1903), etching and drypoint, circa 1871, "Old Hungerford Bridge" (Kennedy 76), the sixth of sixteen etchings from the "Thames Set," signed in plate lower

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JAMES A. MCNEILL WHISTLER, ETCHING, DROUET (1 of 5)

JAMES A. MCNEILL WHISTLER, ETCHING, DROUET James Abbott McNeill Whistler (American, 1834-1903) etching and dry point three-quarter portrait of C. L. Drouet, Sculptor, 1859, singed and identified in plate, image size: 8 3/4 x 5 7/8 inches, matt

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James Abbott McNeill Whistler (1834-1903) Annie, Seated (1 of 2)

James Abbott McNeill Whistler (1834-1903) Annie, Seated James Abbott McNeill Whistler (1834-1903)Annie, SeatedEtching and drypoint, circa 1858-1859, a good impression of MacDonald's final state (of 3), printing with plate tone on thin Chinese laid paper, p

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James Abbott McNeill Whistler Etching of Venice (1 of 19)

James Abbott McNeill Whistler Etching of Venice James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

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James Abbott McNeill Whistler (1834-1903) Reading by Lamplight (1 of 2)

James Abbott McNeill Whistler (1834-1903) Reading by Lamplight James Abbott McNeill Whistler (1834-1903)Reading by LamplightEtching and drypoint, circa 1860, an excellent impression of MacDonald's final state (of three), on cream wove paper without watermark, pla

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James Abbott McNeill Whistler (American, 1834-1903), The Forge (1 of 7)

James Abbott McNeill Whistler (American, 1834-1903), The Forge James Abbott McNeill Whistler (American, 1834-1903), The Forgeetching and drypoint on laid paper, 1861, retains antique gallery label from the Old Print Shop, New York, matted and framed. Kennedy 68.

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James McNeill WHISTLER: Etching & Drypoint (1 of 6)

James McNeill WHISTLER: Etching & Drypoint James Abbott McNeill Whistler (American, 1834-1903) "La Vielle Aux Loques", from "Twelve Etchings From Nature". Signed in the plate lower right, noted within the plate "Imp. Delatre Rue St. Jacques 71

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James Abbott McNeill Whistler GREENWICH PARK (KENNEDY 35; GLASGOW 41) Etching and drypoint, framed (1 of 3)

James Abbott McNeill Whistler GREENWICH PARK (KENNEDY 35; GLASGOW 41) Etching and drypoint, framed James Abbott McNeill Whistler (1834-1903) GREENWICH PARK (KENNEDY 35; GLASGOW 41) Etching and drypoint, 1859, on thin laid paper, Glasgow's third state of three, with good margins, framed. Plate 5 1/8

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Print, After James Abbott McNeill Whistler (1 of 1)

Print, After James Abbott McNeill Whistler After James Abbott McNeill Whistler (American, 1834-1903), Annie Haden, drypoint etching, plate signed and dated lower left, overall (with frame): 19.5"h x 15.5"w

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James Abbott McNeill Whistler (1 of 6)

James Abbott McNeill Whistler (Massachusetts/England, 1834-1903)  The Barber's (K. 271), 1886-1888, signed in pencil on tab with butterfly cypher, etching and drypoint on laid paper, 6-1/2 x 9-3/8 in. (plate) 6-1/8 x 9-1/2 in

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JAMES ABBOTT MCNEILL WHISTLER (AMERICAN, 1834 (1 of 7)

JAMES ABBOTT MCNEILL WHISTLER (AMERICAN, 1834 -1903). Etching and drypoint on laid paper. "Bead-Stringers". 1879-1880. Signed in pencil with butterfly on tab. Charles Dowdeswell collector's monogram verso. Pace Prints label affixed to v

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James Abbott McNeill Whistler (American, 1834-1903) (1 of 1)

James Abbott McNeill Whistler (American, 1834-1903)James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe (Kennedy 66; Glasgow 70) Etching and drypoint, 1860, on cream laid, Glasgow's final sixth state, with narrow margins, 295 x 218mm (11 5/

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James Abbott McNeill Whistler (American, 1834-1903) The (1 of 3)

James Abbott McNeill Whistler (American, 1834-1903) The James Abbott McNeill Whistler (American, 1834-1903) The Music Room, 1859 etching and drypoint 5 3/4 x 8 1/2 inches. Literature: Glasgow 39 Provenance: Arthur Ackermann & Son, Inc., Chicago, 1928

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JAMES WHISTLER (1934-1903) DRYPOINT ETCHING (1 of 10)

JAMES WHISTLER (1934-1903) DRYPOINT ETCHING James Abbott McNeill Whistler (France, 1834-1903) La Vieille aux Loques 1871 Signed in the plate lower right, noted within the plate 'Imp. Delatre Rue St. Jacques 71.', from from Twelve Etchings from

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JAMES ABBOTT McNEILL WHISTLER (1834-1903) (1 of 9)

JAMES ABBOTT McNEILL WHISTLER (1834-1903)Soupe a Trois Sous (1859) Etching and drypoint h. 6 w. 9 in. (subject) With burr, printed in black on Japan paper, 1859 overall: 13 x 15-1/2 in., frame Provenance: Descended through an Armonk, NY fami

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James Abbott McNeill Whistler (1834-1903) Old Hungerford Bridge, 1861 (1 of 7)

James Abbott McNeill Whistler (1834-1903) Old Hungerford Bridge, 1861 Etching and drypoint from the Thames Series; image size 5 1/4" x 8 1/4"; impression is state three of four (the plate was cancelled after the fourth state); Kennedy catalog im

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James Abbott McNeill Whistler (1834-1903); The 'Adam and Eve', Old Chelsea; (1 of 1)

James Abbott McNeill Whistler (1834-1903); The 'Adam and Eve', Old Chelsea;James Abbott McNeill Whistler (1834-1903) The 'Adam and Eve', Old Chelsea (Kennedy 175, Glasgow 182), 1878 Etching and drypoint on laid paper, Glasgow's third (final) state, published by Messrs Hogart

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James Abbott McNeill Whistler (American 1834-1903) (1 of 7)

James Abbott McNeill Whistler (American 1834-1903)James Abbott McNeill Whistler (American 1834-1903) "La Vieille aux Loques", 1858 Depicting an Elderly Woman Sorting Rags in a Doorway Drypoint etching on watermarked laid paper with full margins from

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James Abbott McNeill Whistler (American 1834-1903) (1 of 6)

James Abbott McNeill Whistler (American 1834-1903)James Abbott McNeill Whistler (American 1834-1903) "The Unsafe Tenement", 1858 Depicting a dilapidated old farm house Drypoint etching on laid paper with full margins, from Douze Eaux-Fortes d'après

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James Abbott McNeill Whistler (American, 1834-1903), The Fiddler (J. Becquet, Sculptor) (1 of 4)

James Abbott McNeill Whistler (American, 1834-1903), The Fiddler (J. Becquet, Sculptor)James Abbott McNeill Whistler (American, 1834-1903) The Fiddler (J. Becquet, Sculptor) Unsigned, #8 from the Thames Set, etching and drypoint on laid paper; framed. H: 10, W: 7 1/2 in. (H: 25.4, W: 19

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James Abbott McNeill Whistler, American (1834-1903), (1 of 2)

James Abbott McNeill Whistler, American (1834-1903),James Abbott McNeill WhistlerAmerican, (1834-1903)Early Morning, Battersea (Battersea Dawn) (Cadogan Pier), 1861etching with drypointsigned in plate, framed.

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