James Abbott McNeill Whistler, Original Engraving on Paper

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

James Abbott McNeill Whistler lithograph on paper, "Charing Cross Railroad Bridge", bears butterfly monogram, label on verso P & D Colnaghi & Co. Ltd. 14 Old Bond St. London, hand printed artist�

James Abbott McNeill Whistler etching with drypoint on paper "Vauxhall Bridge", located in central London on the River Thames as it would have appeared before construction in 1904-1906, label on verso

After James Abbott McNeill Whistler (1834-1903). Etching on paper titled "The Doorway," depicting a window of the Palazzo Gussoni in Venice. From Whistler's "First Venice Set," 1880. Dimensions: Sight

James Abbott McNeill Whistler (1834 - 1903) American. Pastel on Paper. Dated 1865. Measure 4"in H x 7"in W and 10 3/4"in H x 14"in W with frame. Known for: Figure, landscape, and portrait painting, et

James Abbott McNeill Whistler (1834 - 1903) American Watercolor on Paper Measure 5"in H x 9 1/4"in W and 13"in H x 17 1/4"in W with frame Known for: Figure, landscape, and portrait painting, etching B

James Abbott McNeill Whistler (1834 - 1903) American Pencil on Paper Measure 10 3/4"in H x 8"in W and 16 1/4"in H x 13"in W with frame Known for: Figure, landscape, and portrait painting, etching Biog

James Abbott McNeill Whistler (American, 1834-1903), etching on paper "Billingsgate", 1859, signed and dated in plate, 6" x 9" pl, 9-1/16" x 12-3/4" sheet, very good condition

Stunning rare 1901 edition with beautiful marble cover and red sheepskin binding on the spine. This book also features an engraving of James Abbott McNeill Whistler. Measurements are 7.5" x 5" and 1"

James Abbott McNeill Whistler, (American, 1834-1903), two prints on paper, comprising “Hurlingham," ca 1879, drypoint etching with a crown watermark, depicting docked sailboats, and "The Traghet

James Abbott McNeill Whistler (1834-1903) Pub scene. Etching on paper in gilt wood frame. Signed 'Whistler' center margin. Not dated. Circa 1900. [Image: 6 x 9 inches; Frame: 13 x 16 inches].

(Massachusetts/England, 1834-1903)  The Barber's (K. 271), 1886-1888, signed in pencil on tab with butterfly cypher, etching and drypoint on laid paper, 6-1/2 x 9-3/8 in. (plate) 6-1/8 x 9-1/2 in

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

-1903). Etching and drypoint on laid paper. "Bead-Stringers". 1879-1880. Signed in pencil with butterfly on tab. Charles Dowdeswell collector's monogram verso. Pace Prints label affixed to v

James Abbott McNeill Whistler (American, 1834-1903) The Little Pool (a group of four states), 1861 etchings with drypoint on laid paper including, from left to right, states 2, 4, 3, and 9 of 9 states

James Abbott McNeill Whistler (1834-1903) Doorway and Vine, from Second Venice Set (Kennedy 196, Glasgow 191), c. 1879-80 Etching on laid paper with 'IV Countermark' watermark (Stratis 197), Glasgow's

James Abbott McNeill WHISTLER (1834-1903): "The Little Hat". Etching with touches of drypoint printed in brownish ink on laid paper, 1887. Refs: Kennedy 335; Glasgow 366. Eight or nine impressions are

"The Unsafe Tenement", 1858, etching on japan paper, signed in the plate lower right, with graphite butterfly mark lower left. In plate lower left "imp DELATRE, Rue St. Jacques". References: Kennedy 1

James Abbott McNeill Whistler (1834-1903): The Winged Hat Lithograph in black on laid paper, 1890, signed with the artist's monogram in pencil, inscribed '22' in another hand upper left and on the rev

James Abbott McNeill Whistler is one of the most famous artists in history. His original 'Whistler's Mother' is a historic piece of art - one that has been parodied many times (the sign of a true Mast

etching, 1859, on laid paper, with margins, 143 x 215mm (5 5/8 x 8 1/2 in)

(Massachusetts/England, 1834-1903) Whistler with the White Lock (K.172), state I/I, 1876-1879, unsigned, one of an edition issued in 1889 by H. Wunderlich, etching on thin Japan paper, 4-5/8 x 3-1/8 i