Martin Lewis, Boss of the Block, 1939

Martin Lewis (Australian/American, 1881-1962) Boss of the Block, 1939 etching and aquatint signed Martin Lewis imp. in pencil lower right margin inscribed Final Trial Proof in pencil lower left margin

Martin Lewis (1881-1962) Boss of the Block 1939 The final trial proof etching with aquatint was printed in an edition of 212 prints to benefit the Art Students League of New York and is signed by the

Title: Martin Lewis Etching Artist: Martin Lewis Description: "Boss of the Block" Medium: etching Date/Period: 1881-1962 Dimensions: 15-1/4 x 11" Reserve: $400.00 Shipping: Domestic: Shipping rates ar

Etching by Martin Lewis (Australian/American 1881-1962), titled Boss of the Block to verso; depicting a woman's profile, with hands on her hips, standing amid a city street; signed in penc

This was made by Martin to match the Sewell Appearing Block on Rod made by his father Eric. Carl Williams added the wonderful Okito transfers. It was based on the Eric Lewis block vanish design as fea

VINTAGE MOVIE AD PLATES WHICH INCLUDE DEAN MARTIN & JERRY LEWIS MOVIES "LIVING IT UP", "THE CADDY", "THE FAMILY JEWELS" PLUS MANY MORE.

and Engraving. Inscribed lower left. A later impression by Edna Myers, Montreal after the original 1939 print. Old auction label affixed verso. Martin Lewis (American, 1881–1962). Dimensions: Plate

MARTIN LEWIS Relics (Speakeasy Corner). Drypoint, 1928. 302x252 mm; 11¾x9¾ inches, full margins. Edition of 111. Signed in pencil, lower right. A brilliant, luminous impression of this impor

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ

MARTIN LEWIS Subway Steps. Drypoint printed in dark brownish black, 1930. 345x205 mm; 13x8 inches, full margins. Second state (of 2), after the reduction of the plate. One of only 8 artist's proofs in

Title: Winter Morning, Connecticut. Martin Lewis (1880-1962) Medium: Watercolor, c.1932. Signed in watercolor lower right. Stamp on verso "Collection Patricia Lewis" and "ML 174." Image size 17 7/8

MARTIN LEWIS Veterans. Lithograph, 1935. 250x342 mm; 9¾x13½ inches, full margins. Edition of only 8. Signed in pencil, lower right. A very good impression of this extremely scarce, first-kno

MARTIN LEWIS Yorkville Night. Drypoint, 1947. 216x290 mm; 8½x11½ inches, full margins. Signed in pencil, lower right. A superb, richly-inked impression of this scarce print. Lewis (1881-1962

MARTIN LEWIS American Nocturne. Lithograph with scratchwork, 1937. 250x366 mm; 9x14 inches, full margins. Edition of approximately 17. Signed in pencil, lower right. A very good impression of this ext

MARTIN LEWIS The Passing Freight, Danbury. Drypoint and sand ground, 1934. 227x363 mm; 8¾x14¾ inches, full margins. Artist's proof, aside from the edition of 47. Signed and inscribed "Trial

MARTIN LEWIS Subway Steps. Drypoint printed in dark brownish black, 1930. 345x205 mm; 13⅝x8⅛ inches, full margins. Second state (of 2), after the reduction of the plate. Edition of approxi

Martin Lewis (New York, Connecticut, Maine / Australia, 1881 - 1962) "Stoops in the Snow" Drypoint and sandpaper ground on cream wove paper, 1930. Second state (of 2). Edition of 115. Signed in pencil

Martin Lewis etching Bedford Street Gang. Pencil signed and titled. Dry mounted, unframed; visible image 8 3/4" x14 1/4".

Stoops in Snow  1930 signed in pencil outside plate l.r., signed within plate l.l. hand watermark u.r.  framed 10 x 15 in. (plate), 18 x 22.25 in. (frame)  Included are two

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower

MARTIN LEWIS Chance Meeting. Drypoint, 1940-41. 265x187 mm; 10½x7½ inches, full margins. Edition of 105. Signed in pencil, lower right. Published by the Society of American Etchers, New York

MARTIN LEWIS Shadows, Garage at Night. Drypoint, 1928. 250x303 mm; 9¾x11¾ inches, full margins. Edition of approximately 49. Signed in pencil, lower right. A luminous, richly-inked impressio

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962

MARTIN LEWIS Charleston Practice—Lunch Hour. Etching and sand ground printed in dark brownish black, 1926. 200x250 mm; 7x9 inches, full margins. Edition of only 20. Signed in pencil, lower right