Whistler etching of Fulham (Chelsea) (The Met)

Whistler etching of Fulham (Chelsea) (The Met) Etching: 8" x 5" Frame: 18.5" 15.5"

This is an original estate found etching print by American artist James Abbott McNeil Whistler (1834-1903). This print known as "Fulham AKA Chelsea" features a depiction of a bridge over water and is

“Fulham (Chelsea)”. Signed in plate with butterfly monogram l/r. Etching on Heavy Machine Made Paper in Brown Ink. Measuring 5" by 8". Printed by G. Vertue Ltd, London. Framed under glass. (Cond:

James Abbott McNeill Whistler (1834-1903) LIVERDUN; HURLINGHAM; CHELSEA (FULHAM) (KENNEDY 16, 181, 182; GLASGOW 13, 184, 181) Three etchings, 1858 and 1879 (2), respectively, the first Glasgow's third

James Abbott McNeill Whistler (American, 1834-1903). Chelsea (Chelsea Church and Battersea Bridge). Antique etching on wove paper. Signed in the plate (Butterfly monogram, lower right). 1882. Conditio

After James Abbott McNeil Whistler (American, 1834 - 1903), early 20th c. etching of Chelsea, signed in the printers plate with Butterfly monogram, lower right. Etching depicts the Chelsea church and

"Whistler's House at Old Chelsea." Etching. 1863. Dimensions: (Frame) H 12" x W 17" Condition: Slight age toning. Light foxing.

James Abbott McNeil Whistler (Massachusetts/England/France, 1834-1903) etching on laid paper titled "Adam & Eve Tavern/Old Chelsea London" depicting the Old Feary Wharf. Frederick Keppel & Co., New Yo

"Fulham", matted and framed, some toning, visual 6 1/4" x 9", F-G

James Abbott McNeill Whistler (1834-1903) Massachusetts. Medium: Etching.Signed with butterfly monogram. "Fulham" 1879 etching and drypoint with notation "Whistler exhibition catalogue: 148". Overall

Old Chelsea" Etching and Drypoint on Chine Colle. Artist's butterfly signature in plate upper left. James Abbott McNeill Whistler (American, 1834-1903). From a Northport, NY home. - Dimensions: plate

"Adam and Eve," Old Chelsea etching on Japan paper 8 1/4" x 12 7/8" sheet size

James McNeill Whistler (American, 1834-1903) The Adam and Eve, Old Chelsea. Etching dated to 1879, printed on thin Japan paper, sheet measures 8.25" x 13.25", unframed. Ref: Kennedy 175 II/II 7" x 11.

Etching, titled "Old Chelsea, Out of Whistler's Window" 1863. Dimensions: (Frame) H 12.5" x W 15.5", (Sight) H 7" x W 9.75" Condition: Very lightly age toned. Not examined out of frame.

James Abbot McNeill Whistler (American, 1834-1903), "Chelsea Bridge," 1871, etching, state VI/VII, unsigned, image: 4"h x 6.5"w, overall (with frame): 12.75"'h x 15.25"w. Reference: Glasgow 102; Kenne

19th century Seymour Haden etchings comprising: 1.) "Whistler's House at Old Chelsea, 1863". [Sight: 7 1/4" x 13 1/2"; Frame: 14" x 20"]. 2.) "Sunset on the Thames". First state, signed. [Sight: 6 1/2

The “Adam and Eve,” Old Chelsea. Butterfly monogram within plate. Etching. Measuring 7" by 12". Framed under glass. (Cond: some foxing and creasing) (150/300)

James Abbott McNeill Whistler (1834-1903) The 'Adam and Eve', Old Chelsea (Kennedy 175, Glasgow 182), 1878 Etching and drypoint on laid paper, Glasgow's third (final) state, published by Messrs Hogart

James Whistler, American (1834-1903). Black and white etching of his mother sleeping titled 'Whistler's Mother' mounted in chrome frame and signed 'W 56' lower right corner. Measures 15 3/8"H x 17.75"

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

Fine early impression with artist butterfly mark upper left, titled "The Balcony Venice", image size 11.75" x 7.75", matted and framed under glass, remnants of original label on reverse. Condition app

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

"ANNIE" ORIGINAL WHISTLER ETCHING FROM THE VINCENT PRICE COLLECTION 5.5"X4.25" SIGHT 23X"X17.5 FRAMED

Etching and drypoint, 1859, Glasgow 37 (iii/III); Kennedy 32 (ii/II), Glasgow lists forty known impressions. Later state restrike. Signed in the plate, lower right. The sitter is Deborah Haden (1825-1