Decorative Art Prints (2), Garden of Allah by Maxfield Parrish, 1918 C. A. Crane & similar period

MAXFIELD PARRISH GARDEN OF ALLAH FRMAED PRINT UNDER GLASS. MARKED LOWER RIGHT M.P. & 1918 C.A. CRANE. CLEVELAND. 31" x 17" IN FRAME.

Maxfield Frederick Parrish (1870-1966) Garden of Allah 1918 The color mechanical lithograph circa 1918 is found in excellent condition with outstanding color and displayed in an original period frame.

One titled The Garden of Allah, by Maxfield Parrish, plus a large garden scene signed R. Atkinson Fox, and a similar unsigned garden scene, all in good original period frames. Measure from 19 x 32.5 t

1918 Maxfield Parrish House of Art large print The Garden of Allah, 18" x 30"

Maxfield Parrish "Garden of Allah" Lithograph 1918: Lovely Parrish early lithograph. 1918 published C.A. Crane Co. in Cleveland. Matted and framed and measures 35.25 x 20.5.

Three Maxfield Parrish art prints, including House of Art 'Hilltop', Volchrome print 'Garden of Allah' and the small version of 'The Rubaiyat' by Crane. Frames measure 14"x 22", 22"x 13" and 18"x 7",

Parrish, Maxfield (American 1870 - 1966). Garden of Allah. c.1918. Offset print. Signed in the plate. Framed: 24" x 14 3/4". Condition: Tipped on. Some fading.

Two lithograph prints by Maxfield Parrish (American, 1870 - 1966). "Romance" from "The Knave of Hearts" (ca. 1924) and "The Garden of Allah" (ca. 1918 - 1922). "The Garden of Allah" is signed "M.P." i

Maxfield Frederick Parrish (1870-1966) Circa 1920 The three prints as shown in period frames, titles include Daybreak, Garden on Allah and Royal Gorge. Framed sizes range from 11.5 x 19 to 25.75 x 18

H : 20 1/2 in ( 50.07 cm ) W : 11 1/2 in ( 29.21 cm )

"The Rugaiyat", printed by Reinthal & Newmann, New York. C. 1917 C.A. Crane Cleveland. Mounted in period gilt wood frame. Sight H: 8, L: 30 inches, Framed H: 12, L: 33 inches.

JANET LIPPINCOTT (1918 - 2007) New Mexico Landscape , ca. 1969 oil on canvas signed lower right: Lippincott Dimensions: 48 x 48 inches Framed Dimensions: 49 3/8 x 49 3/8 x 2 inches Provenance: Private

Early Dynastic Period, Ca. 3100 - 2700 BC. An Egyptian greywacke bowl with shallow form, an inverted rim and central round depression. For similar see: Christie's Live Auction 1561, Antiquities, Lot.

Advertising Figure, Radio Store RCA Radiotron, mfgd by Cameo, designed by Maxfield Parrish c.1926, jointed & painted wood, an exceptional example in Exc cond w/some scattered edge rubs & paint craquel

ANTIQUE Chinese Pair of Wucai Covered Jars with Eight Immortals and another Lohan riding on crane, early Qing period (ca 1644-1661). 16" high

Clementine Hunter. Uncle Tom & Eliza In the Flower Garden. c. 1970s. Initialed. Oil on canvas panel. Excellent condition. Image is 24"w x 18"h. Frame is 29"w x 23"h. Est. $3,000-5,000. Ship: $65 Paint

Clementine Hunter. (1886/1887-1988, Louisiana) Uncle Tom Working In The Flower Garden. c. 1970s. Monogrammed lower right.Oil on canvas panel. Excellent condition. Image is 18"w x 24"h. Frame is 22.5"w

print ca. 1910, framed in nice antique oak frame - frame 26" x 31"

Art Deco Diamond, Platinum Bracelet Stones: Marquise-shaped diamonds weighing a total of approximately 2.35 carats; transitional, single, and baguette-cut diamonds

Art Deco Emerald, Diamond, Platinum Bracelet Stones: Square and rectangle-shaped emeralds weighing a total of approximately 2.40 carats; European, transitional&comm

Two Zuni Bolo Ties c. 1970 one inscribed Virgil and Shirley Benn, (illegible) the Indian Arts; the other, with purple ribbon from the Arizona State Fair, 1965 a

LOUIS SOGNOT (Attr.) (1892 - 1970) Vanity, France, 1920s Nickeled brass, glass, mirror Unmarked Overall: 51 1/2" x 46 1/2" x 18 1/2", to table top: 30 1/2" A similar vanity can be seen in L’Art Viva

Pair of antique, early 19th century, hand carved cathedral/chapel pricket candlesticks beautifully crafted in a gilded white gold leaf design. Featuring intricate detailing of acanthus leaves and laur

Ptolemaic Period, Ca. 332-30 BC. A brightly painted in polychromy cartonnage mummy mask made from layers of linen covered with plaster. The idealised portrait of a deceased features a voluminous tripa