Ikebana Flowers. Bone carving from the Meiji Japan period

Wood carving. Japan. Meiji period. (1868-1912). Two longevity tortoises. Finely carved. 14". Cracks and losses. Signed. All items in session one were collected by William H. Smith (1853-1923)

Wood carving. Japan. Meiji period. (1868-1912). Study of three mice with a dried chili pepper. Inlaid eyes. Signed. 3". All items in session one were collected by William H. Smith (1853-1923)

Shakudo bronze embossed gold tray with rose ornamentations and signature patinated accents.Features raised Butterflies and flowers, Japan Meiji Period (1868-1915) Measures 10 x 6 1/2 inches. Shakud&#3

A CLOISONNE VASE WITH A MAPLE TREE AND FLOWERS Japan, Meiji period (1868-1912)The baluster-shaped cloisonne vase with a narrow neck and flaring mouth, beautifully decorated with silver wire and colore

Pair of antique Japanese Meiji period bronze ikebana floral arrangements. Features cast bronze bases in a woven basket design. Each contains iris flowers captured in silvered bronze with gold gilt cen

A BRONZE FLOWER VASEJapan, Meiji period 21,5 x 13 x 14,5 cmProvenance: Italian private collection.

Large silk kimono embroidered with flowers and cranes. Japan, Meiji period.

Porcelain vase, signed Makuzu Kozan. Japan. Meiji period (1868-1912). Silhouetted iris flowers on an underglaze red ground. 6.5in high.

Tall Meiji Period Japanese Silver Basket for flower arranging. Signed on the bottom. The basket is 15 1/2" h and weighs 20 ozt Feet and base is repaired.

Two (2) Bronze Vases & Framed Asian Silk Fans, 3 items total. 1st item: Japanese Meiji period 2-piece bronze Usubata Ikebana flower arranging vase comprised of a bowl with wide rim and figural raised

Cloisonné plate. Japan. Meiji period. (1868-1912). Decoration of flowers on a turquoise ground. 12" diameter.

Cloisonne cup and saucer. Japan. Meiji period. (1868-1912). Signed Namikawa Yasuyuki on the handle. Fine gold and silver wire decoration of butterflies and flowers. 2-1/2" h. Saucer- 4' w. This item m

Satsuma vase Japan Meiji period, 1867-1911 Ivory stoneware vase for four flowers Blue and red gold set painting Peonies, plum blossoms and chrysanthemums Ornaments with chrysanthemums Height 15,5 cm A

Metal work box. Japan. Meiji period. (1868-1912). Iron inlaid with gold. Decoration of a dragon and flowers. Signed Komei. 1-3/4" x 1-1/4" x 1". For additional and high-resolution images, please copy

Four panel folding screen. Japan. Meiji period. (1868-1912). Carved painted and gilt wood engraved gilt copper mounts. Decoration of birds and flowers with floral scroll borders. 39" h. x 48" w.

Two panel screen. Japan. Meiji period. (1868-1912). Surface carved wood with peacocks and flowers Gilt engraved copper mounts. 57" x 66-1/2".

Lot of five lacquered tea caddies. Japan. Meiji period. (1868-1912). Decoration of butterflies, heraldic mons, bamboo and flowers in gold on a black ground. Tallest- 3". All items in session one were

Pottery vase. Japan. Meiji period (1868-1912). Hu form with dragon handles. Decoration of phoenixes, flowers, tokugawa mons. 7-1/2". Loss to enamels.

Pottery dish. Satsuma ware. Japan. Meiji period (1868-1912). Decoration of a basket of flowers and tea ceremony utensils. Signed Kinkozan. 4-1/4" d. All items in session one were collected by William

Enamel vase. Japan. Meiji period. (1868-1912). Plique-a-jour with a design of flowers and butterflies. Silver mounts. Signed. 3-1/2" high. 2-2/4" wide.

Bronze jardinière. Japan. Meiji period (1868-1912). Octagonal form with reserves of birds and flowers. 16" x 9-1/2". This item may have additional high-resolution photographs, available to view at

Pottery tea caddy. Japan. Meiji period. (1868-1912). Satsuma ware. Square form. Decoration of an imperial carriage and flowers. 3-3/4" x 3-3/4" x 5-3/4".

Textile Panel. Japan. Meiji period (1868-1912). Embroidered brocade decorated with pairs of Mandarin ducks and a pair of pine trees. Brocade borders, back stencilled with chrysanthemum flowers. Approx

Japan, Meiji Period, ca. late 19th century. Striking and unusual form in a rich burnt umber color. The piece is in a beautiful state of preservation, showing only slight wear on the base. A marvel of