The Arts of China To AD 900 by William Watson

The Arts of China To AD 900 by William Watson , published in 1995 by Yale University , good condition!

The Arts of China to AD 900 , by William Watson, include the outside box, hard cover and very good condition!

Chinese and Japanese Art - Jean Buhot Oriental Blue & White - Sir Harry Garner Pre-Tang Ceramics of China (Chinese Pottery from 4000 BC to 600 AD) - William Watson A Chinese Masterpiece - The Ten Bamb

Group of Non-Western Art History survey books, 4, including Alexander Papadopoulo's "Islam and Islamic Art" Abrams, New York: 1979, and William Watson's "Art of Dynastic China" Abrams, New York: 1979.

Collection of 12 Chinese Art Books, comprising: Watson, William "Art of Dynastic China", Lee, Sherman "The Colors of Ink", Thames & Hudson, "Two Thousand Years of Chinese Ceramics", Smith, Bradley (et

Published 1991 A.D. Webster, Leslie and Backhouse, Janet, The Making of England - Anglo-Saxon Art and Culture AD 600-900, British Museum; paperback; extensively illustrated. 1.3 kg, 27.7 x 22 cm (10 7

Origin: China. Circa: 600-900 A.D.. Style: Tang Dynasty. Medium: Terracotta. H: 12". Nicely modeled, tri-color terracotta with a couples and flowers.Tang San Cai, also called Tricolor Glazed Pottery a

Origin: China. Circa: 600-900 A.D. H: 12.5" by W: 11". Style: Tang Dynasty.A pair of two musicians sitting on an elephants. Tang San Cai, also called Tricolor Glazed Pottery and a gem of ancient Chine

CHINA. Tang Dynasty. 618-900 AD. Bronze perfume vase, expanded belly and lip, open at bottom, bar for loop at top, worn around neck, perfume dripped from bottom on wearer's chest, from Shaanxi. 35x20

Summer Landscape Oil on panel Size: 5.5 x 7 in. Stamped 'studio of William Brymner Guaranteed, Watson Art Galleries, Montreal' to panel verso; with Canadian Fine Arts, Toronto

Ca. AD 900 - 1200. A Byzantine bronze enclopion composed of two halves. The frontal side is decorated with engraved crucifix and an inscription: For similar see: Christie's, Live Auction 7659, Antiqui

Ca. AD 900-1100. A gold finger band comprising a flat-section hoop with decorative borders and a central register of small circles. Size: D:15.49mm / US: 4 3/4 / UK: J; Weight: 3g Provenance: Property

Ca. AD 900-1100. A gold finger ring characterised by a tapering hoop with symmetrically placed incisions on the external edge. The bezel features a small cell designed for insertion. Size: D:13.83mm /

Hare's Fur Glazed Jian Vase, Song Dynasty - China, AD 960-1279. A globular bowl or jar with a thick hare's fur glaze that varies from black to green. The glaze is thickly applied and reveals a purplis

Ca. AD 900.A pottery bowl with a ringed base and a flaring body. The exterior remains unadorned, while the interior of the bowl displays a decorative scheme of splashware design. Interwoven strands of

AN AFRICAN TERRACOTTA HEAD OF MAN ON STAND, KATSINA CULTURE, NIGERIA, APPROXIMATELY 200 BC-AD 900, terracotta head of man on stand. Height: 6" Diameter: 4" Provenance: Estate of Robert William Guynn;

VERA CRUZ, MEXICO PRE-COLUMBIAN SMILING REMOJADAS POTTERY FIGURE, C.600-900 AD. HEIGHT 13 3/4" WITH STAND

This is a limestone carved Amita Buddha of Northern Wei Period (386-534 AD). Northern Wei deeply came under the influence of the teachings of Laotsi and Zhongtsi, that prevailed in late Han dynasty. T

BLUE STONE CARVED BEAST, TANG DYNASTY, CHINA, 7TH AD H. 7.5 cm. W. 4.5 cm.Weight 174 gram.

Circa 700-900 AD. A long iron khazar sword with a long pointed bevelled blade, a rectangular hilt with convex sides formed in bronze with gilding, remnants of a silver handle which shows beautifully i

Ca. 700-900 AD A silver torc with a rope-like twisted design to the body, and two snake-head terminals. Reference for Viking Jewellery: Cf. Arbman, H. Birka I: Die Gräber, Uppsala, 1940.Siz

Ca. AD 500 - 900. A Byzantine silver cross shaped bread stamp. It has an inscription, dots and a round hoop on the back. For similar see: GREEK, ROMAN AND BYZANTINE OBJECTS FROM THE ARCHBISHOP IAKOVOS

Ca. 700-900 AD A heavy silver bracelet with incised decoration in the form of lozenges and raised dots, perhaps designed to imitate the scales of a serpent or dragon, and recurved coiled terminals. In

Ca. AD 600 - 900. A Byzantine 22 ct gold ring with a round, flat-sectioned hoop, and flat bezel depicting a stylised Dove. The bird is presented with elongated body and a long neck, facing right. For