Redhead Decoy attributed to John Graham (1822-1912) Charlestown, MD

Confidence Swan Decoy made by Horace Graham of Charlestown, Md. - 1950's - 37 1/2" Long x 12" Deep x 25" Tall

Canvasback drake, John Graham, Charlestown, Maryland, 3rd quarter 19th century. 14.25" long. Literature: "Decoys of the Midatlantic Region," Henry Fleckenstein, Jr. Notes: Decoy

EARLY CANVASBACK DRAKE by Horace D. Graham, Charlestown, MD, circa 1960. Rare sleeping model in very good original paint and unused condition. Some minor age stains. This decoy has never been rigged.

Vintage carved and painted Redhead Drake working decoy attributed to R. Madison Mitchell (1901 - 1993), Havre de Grace, MD. Retains its likely original paint and original staple, ring and weight, circ

Vintage Redhead Drake working decoy attributed to Paul Gibson (1902 - 1985), Havre de Grace, MD. In a working repaint with its original weight, staple and ring. A few rubs but structurally sound.Appro

1 canvasback drake attributed to John Beverly, original paint & 1 redhead drake attributed to Ralph Johnston, both have glass eyes, solid bodies, the Pete Konwinski Collection, 16"L, est. 150 - 300

1 redhead drake attributed Meldrum, glass eyes, hollow body, working paint, gunning wear & 1 canvasback drake, glass eyes, hollow body, branded UNGER on bottom, working paint, gunning wear, John Treut

VERY EARLY REDHEAD DRAKE attributed to Ben Dye, Perryville, MD, circa 1880's. Good working paint and structural condition. Head appears original to body. Retains tack eyes. Typical mid-neck check. Ret

Toronto, ONT, glass eyes, hollow body, original paint with subtle combing on back & sides, excellent form, light gunning wear with some shot marks, light paint wear to edge of tail & bill, 15"L, est.

JOHN MOYR SMITH (1839-1912) (ATTRIBUTED DESIGNER) FOR COX & SON, LONDON GOTHIC REVIVAL SIDE CHAIR, CIRCA 1880 ebonised oak with incised and polychrome decoration, original velvet upholstered seat and

Vintage Redhead Hen working decoy attributted to R. Madison Mitchell (1901 - 1993), Havre de Grace, MD. Retains its likely original paint and its original staple, ring and weight. A few minor rubs and

Flying Canvasback Pair John Glenn (1876-1954) Rock Hall, MD, c. 1910 14 1/2 in. long, 15 in. tall on stand Glenn was among the early Upper Bay decoy makers who made birds in the regional style. Settin

Benjamin Holmes (1843-1912) Stratford, CT, c. 1880 16 1/2 in. long A hollow Connecticut gunning warrior with good form. As found. Provenance: John Dillon Collection

Five Canvasbacks Upper Bay, MD, c. 1900 15 1/4 in. long *****Description updated, this lot does NOT have a canvasback attributed to Howlett and illustrated in Mackey's "American Bird Decoys"

Four Decoys 16 1/2 in. long Three canvasback drakes, one by Taylor Boyd, one by Charles Birch, and one by John Glenn, along with a redhead by Doug Jester with a "Holland Wrightson" rig stencil on the

Attributed to John James Audubon, American (1785-1851). Watercolor on paper. 'The Stanley Hawk'. M. Knoedler & Co, New York label on verso. Paper is laid on board. Paper measures 20 7/8" H x 14 1/4" W

Attributed John Singer Sargent (American, 1856–1925): Porta della Carta, Venice, c.1913. Oil on stretched linen canvas, unsigned, framed. 14.5 x 21.5 inches sight, 19.75 x 26.5 inches framed. T

Attributed John Sloan (American, 1871-1951) "Smokestacks, New York" oil on canvas board. signed 'John Sloan' (lower right) 20 1/4 x 25 1/8 in.

John Graham (American, 1886-1961) Untitled (City View), 1926 gouache and watercolor on paper laid to board signed Graham and dated (lower right); signed (lower left) 9 1/4 x 12 inches. Property belong

John Graham (Amer., 20th-21st C), view of a river bend, 1987, oil on canvas sight: 16 x 20 in., frame: 25.5 x 29.5 in. Shipping available for this lot th

Prolific Sculptor (1822-1912), 19th Century Gilt Bronze Of A Lady And Seamstress, Signed, Mathu (Mathurin) Moreau, SCPE Moreau; Circa Late 19th Century. 38 High. NOTE LARGE SIZE. Signed on the plinth,

Mathurin Moreau (French, 1822-1912) Sappho late 19th century. Parcel gilt bronze sculpture on a roux marble base. Signed 'Moreau Math Sept' (on base). Max 25 x 26 x 11 in.

An important French antique bronze sculpture "Libellule" by Mathurin Moreau (1822-1912), estate of Marguerite Piazza, 33"H

Stephen Lewin (British, circa 1822 - 1912) oil on canvas depicting figures in upper-class period attire in lavish interior preparing for a meeting, bearing signature "S. Lewin" and date "88" lower rig