After James Pollard (British, 1792-1867) Aquatint Engraving Assortment

James Pollard (British, 1792-1867) etching with aquatint, Four in Hand. 15 3/4" x 22 1/2" (with frame: 24" x 30 1/2"). Not examined out of frame.

AFTER JAMES POLLARD (British, 1792 - 1867). The Birmingham Tally-Ho! Coaches, 1828, Aquatint printed by G. Bentley depicting the stage coach passing the Crown Tea Garden, marked lower left corner "Pri

After James Pollard (British, 1792-1867), "A Celebrated Fox Hunt, Breaking Cover," 1817, hand colored aquatint, engraved by R. Havell and Son, overall (with frame): 25.25"h x 28.25"w

After James Pollard (British, 1792-1867), "Returning Home by Moonlight," 1817, hand colored aquatint, engraved by R. Havell and Son, published in London 1817, overall (with frame): 25.25"h x 28.25"w

James Pollard, London scene colored lithograph, After James Pollard (British, 1792-1867), "The Royal Mails Starting from The General Post Office, London", printed by R.G. Reeves, 12.75"h x 17.75"w (si

James Pollard Antique English Oil Painting. Oil painting on canvas, framed, with plaque. Measures 13.5 x 17.5 inches. James Pollard (1792 - 1867) was active/lived in United Kingdom, England. Estate In

James Pollard Antique English Oil Painting. Oil painting on canvas, framed, with plaque. Measures 13.5 x 17.5 inches. James Pollard (1792 - 1867) was active/lived in United Kingdom, England. Estate In

Framed oil on canvas painting, The Stagecoach, signed lower right James Pollard (English, 1792-1867), relaid, sight: approx 15 5/8"h, 19.5"w, overall: approx 22"h, 25.75"w, 5.5lbs Start Price: $500.00

AFTER JAMES POLLARD (ENGLISH 1792-1867), LOT (2) LITHOGRAPHS INCLUDING THE NEW LONDON ROYAL MAIL, 1851, FRAMED AND GLAZED-24 X 30" AND THE BEDFORD TIMES, FRAMED AND GLAZED-22 X 25"

Hand-colored etching, after an original design by James Pollard, 1792 to 1867, an English artist who is known for his coach scenes. The artwork depicts the change of carriage horses. Titled underneath

4 Framed after James Pollard Sporting Colored Etchings. All in matching frames. Each 20 1/4"x9"x1". Weight on all 5 pds 9 oz. James Pollard was a British painter and aquatint engraver known for his co

"Quicksilver Royal Mail", aquatint engraving, after James Pollard's painting, engraved by Charles Hunt, London, Publ. November 1, 1835 by Ackermann & Co., 96 Strand, in a molded wooden frame with doub

Framed James Pollard Bottom Fishing engraving with aquatint. Inscribed Painted By J Pollard to lower left corner. Published by T Helme, 1831. Subject depicts male figures fishing in a river. Professio

James Pollard, "Newman’s Patent Stage Coach", two coloured engravings, 11.25 x 17 each.

Benjamin West. (1738 - 1820). Christ Rejected. Antique Steel Engraving on wove paper after the original oil on canvas by master engraver James Henry Watt (British, 1799-1867). 1834. Signed in the plat

James Clarke Hook. (1819-1907). Arming the Knight. Antique engraving on wove paper after the original by master engraver William Ridgway (British, 1855-1885). 1867. Signed in the plate. Excellent. Ima

Mail Coach, Engraved by Matthew Dubourg. London, 1824. The Grand Entrance to Hyde Park, after James Pollard, mid 19th Century engraving. Frames overall 21 1/2" x 23 1/2", the other 22" x 32 1/2".

Hand-colored aquatints. Engraved by G. Reeves. London. Early 19th century. Dimensions: (Frame) H 16.5" x W 20.5" Condition: Wear consistent with age including toning to paper with some waviness. (1) E

"Glossy Ibis" IBIS FALCINELLUS. Male Adult, Drawn from Nature by J. J Audubon, F.R.S.F.L.S, Engraved Printed and Coloured by R. Havell 1837. No. 78 Plate CCCLXXXVII. this original aquatint copper plat

Thomas Patten (active 1760 - 1762, British), hand coloured aquatint engraving entitled An East View of Montreal in Canada, engraved by Pierre Charles Canot (1710 - 1777, French), published London 1768

DESCRIPTION: John James Audubon (1785-1851). Hand-colored aquatint engraving. "Golden Eagle," from Audubon's Birds of America, Havell edition. Markings include No. 37 upper left and Plate CLXXXI upper

AUDUBON, John James (1785 - 1851). Greenshank, Plate 269. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38" x 25 1/4" sheet, 49 3/8" x 36 3/4" framed. Comparable: Guer

Lot 28A George Brookshaw British (1751-1823) Pineapple aquatint and stipple engraving, finished with hand coloring 30 x 20 inches Reply Pine Plate 41. From Pomona Britannica. London: T. Bensley, for

John James Audubon (American, 1785-1851), aquatint and engraving “Blue-Headed Pigeon, Columba Cyanocephala.” From “Birds of America” (1827-1838) first printing. Inscribed lower