A collection of six watercolour and gouache botanical studies by Ronald Simpson,

A Raspberry Bramble, watercolor and gouache on laid paper, unsigned, rubber stamp and notations at bottom from Collection Rougier, Paris, inscription indicates an attribution to Jean Francois Bony (c.

CONTINENTAL SCHOOL (19TH CENTURY), WATERCOLOR AND GOUACHE, BOTANICAL STUDY, SIGNED AND DATED JUNE 26, 1893. SIGHT 17 X 12"; FRAMED AND GLAZED-27 X 21"

Albert R. Valentien (American, 1862-1925) Untitled Botanical Studies in Four Parts watercolor, gouache and pencil on paper 18 3/4" x 11 7/8" Exhibitions: Albert R. Valentien: California Years 1908-192

Albert R. Valentien Botanical Study #7 c. 1910watercolor, gouache and pencil on paper sight: 19 h x 12 w in (48 x 30 cm) Provenance: Estate of the artist | Cincinnati Art Gall

3 Original Finely Painted A. Simpson British (late 19th century) gouache / watercolor, framed, signed & dated: lower margins, 1880 and 1881 sight size: H12" W7 7/8" and H7 7/8" W12". All with mats. 17

(RENAISSANCE GROTESQUE.) J. Green. Large collection of intricate 19th-century sketches of early Italian fresco ornament. Approximately 150 graphite, gouache, and watercolor studies on 85 sheets of hea

Carl Brenders (Belgian/American, b. 1937) Gosling Study,1994 watercolor and gouache on paper signed C. Brenders and dated (lower left) 8 1/4 x 6 7/8 inches The Laumeister Collection from The Benningto

Lot 165 Scott Kelley (20th Century) Group, six (6) works on paper (1987) watercolor and gouache on paper each signed verso 13 5/8 x 17 1/4 inches Provenance: Private Collection

(19th century) six botanical and entomological subjects, including: Hibiscus; Chrysanthemum; and others, most titled lower left, all with Chinese character script lower left, watercolor and gouache on

Lot 170 Scott Kelley (20th Century) Six of the seven deadly sins (1987) gouache and watercolor on paper each signed verso largest: 16 x 20 1/2 inches Provenance: Private Collection

STUDY FOR CAMMILLE, watercolor on paper, signed lower right, sight 6 ½ x 9â€, framed with glass. From the collection of Yale Udoff.

STUDIES, a collection of twelve ink or watercolor or graphite drawings on paper, six figurative, five landscapes, one still life, one signed, one initialed, nine with artist’s stamp, one unsigne

RONALD DAVIS (American b. 1937) A PAINTING, "Two Polygons on Stripes," 1980, watercolor and ink on Arches paper, signed and dated in margin. 17 1/2" x 26" Provenance: Personal Collection of Nora Gross

Estate / Collection: The Manolovici Collection [BOTANICAL STUDIES] Twelve hand-colored engravings and mezzotints, from Phytanthoza Iconographia, 1745, framed. Plates approximately 13 3/4 x 8 1

Jane D. Carter (American, 1918-2005) an estate collection of six (6) original watercolor paintings on Arches style paper with deckled edges. Agricultural, farm, and city landscapes depicting botanical

British and Continental Schools (19th and 20th Century) Six Portrait Miniatures of Officers each watercolor and gouache including "Portrait of a British Army General with the Order of Bath, Probably G

[Horst] Antes, signed in graphite, watercolor & gouache, "Covered Head" (1967). [Makler Gallery, Philadelphia exhibition label verso with title & date] [Provenance: Collection of Evelyn Alloy, Philade

J.C. Leyendecker (American, 1874-1951), Study for Ladies' Home Journal Covergouache, watercolor, conté and ink on board, signed and inscribed to verso, circa 1903, matted and framed under glass. Bo

Rhona Haszard (1901-1931 New Zealand) 'Blesmes near Chateau Thierry' Watercolor on Paper, c. 1927. A watercolor study for 'The Marne Valley' oil painting produced in 1927 and now in the collection of

EDWARD MUEGGE "BUCK" SCHIWETZ (American/Texas 1898-1984) A PAINTING, "Cotton Fields," 1960, watercolor and gouache on paper, signed and dated L/R "EM Schiwetz 60;" 11 1/2" x 17 3/4", framed 20 1/2" x

JOHN P. COWAN (American 1920-2008) A PAINTING, "Sketch for 'Edge of the Clearing,'" 20TH CENTURY, watercolor and gouache on paper, signed L/L, "Cowan," with two paper labels on reverse, one from Mered

(first half 19th century) three botanical subjects, including: cinnamon tree; peaches; peonies, watercolor and gouache on paper, sheet, 16-1/8 x 21-3/8 in., silk mat with gilt liner, bamboo form woode

(19th century) Melon; Olives; Grapes; most unsigned, Melon with Chinese character script at lower right, watercolor and gouache on wove paper, (Melon) sheet 16 x 21 in.; carved and gilt wood bamboo st

(19th century) three botanical subjects, with Chinese character script lower right, watercolor and gouache on paper, sight, 15-3/8 x 20-7/8 in., silk mat with gilt liner, 21-1/2 x 27 in. Provenance: T