Sayers, Dorothy, L. (1893-1957) The Unpleasantness at the Bellona Club.

SAYERS, DOROTHY L. 1893-1957. The Unpleasantness at the Bellona Club. London: Ernest Benn Limited, 1928. 8vo. Publisher's black cloth stamped in orange, printed dust jacket. Spine ends bumped, spine c

NO RESERVE Sayers (Dorothy L.) The Unpleasantness at the Bellona Club, first edition, original cloth, slight shelf-lean, spine very slightly dulled, but a sharp and excellent example overall, 8vo, 192

CLOUDS OF WITNESS & THE UNPLEASANTNESS AT THE BELLONA CLUB BOOK BY DOROTHY L SAYERS

SAYERS, DOROTHY L. 1893-1957. Gaudy Night. London: Victor Gollancz Ltd, 1935. 8vo. Publisher's black cloth titled in gilt on spine, yellow dust jacket printed in red and black. Covers slightly rubbed,

SAYERS, DOROTHY L. 1893-1957. Unnatural Death. London: Ernest Benn Limited, 1927. 8vo. Publisher's yellow cloth printed in black, printed dust jacket. Spine ends bumped, soiling to cloth, scattered sp

(1893-1957 English; novelist, playwright, essayist, translator, copyrighter and poet) Typed letter dated August 20, 1951, signed "Dorothy L. Sayers", approximate frame size 8" x 11".

Property from the Estate of William H. Rasch Description: Sayers, Dorothy (1893-1957) Two Articles, comprising Dorothy Sayers menu signed on the verso in pencil from the annual 'Manchester Associa

After Joan Miro (Spanish, 1893-1983) Apres l'orage, 1957 color lithograph signed and numbered 115/300 in pencil 18 x 21 inches. Property from a Private Collection, Chicago, Illinois

Joan Miro, print, Joan Miro (Spanish, 1893-1983), "La Naissance du Jour", 1957, color lithograph, 1957, signed and numbered 153/300 in pencil on lower margin, framed under glass, 20"h x 25.25"l (sheet

*** START PRICE IS THE RESERVE *** STRANG, Ray C. (1893-1957). Attack on the Post, c. 1920. Oil on canvas. Signed lower right: "Ray C. Strang" 36" x 32" canvas, 39 1/2" x 44 1/2" framed.

25 1/2”Height x 37 1/2”Width. Oil pastel drawing on cardboard framed under glass, signed lower right. A sticker attached to the verso suggests the artist may have lived 1893-1957. Wear is

A Coupe Pilette race meeting advertising poster, L' Automobile Club de Spa, 1907, published by Gouweloos Frere & Soeur, Bruxelles, on paper, 33 x 47 inches, framed and Perspex glazed. Lot to be sold w

Oil on canvas, Les Rochers Rouges a Saint Palais. Partial signature l.l.Circa 1893. Stamped with artist's monogram on reverse; 19.5in. X 24.75in.(Please Note: The painting is being reoffered as the mo

Milton Avery, "Trees" monotype/gouache on paper, signed and dated 1957 L/R, 17" x 21 3/4", framed 24"' x 29". Provenance: Nardin Fine Arts label verso; Decaro Family; Avery Foundation A37521; Newburyp

CHINESE PAINTING AND CALLIGRAPHY HANGING SCROLL, OIL ON PAPER QI BAISHI 1864-1957 L. 135 cm. W. 19 cm.

“Mountainous Landscape”. Signed l/l. Dated 1893. Oil on Canvas. Measuring 21 1/2” by 35”. Framed. (Cond: scattered crazing, repair patch) (2000/3000)

Antonio Cirino (1888-1983) Readying for Sea oil on canvas mnt. on board, 10 x 12 in., signed l.r. (Salmagundi Club label on reverse)

CHINESE PAINTING AND CALLIGRAPHY - QI BAISHI (1864-1957) L. 99 cm. W. 53 cm.

Antique American modernist street scene by Dorothy Eaton (1893 - 1968). Oil on board. Signed. Framed. Image size, 24L x 18H.

Antonio Cirino (1888-1983) Street Scene oil on canvas board, 8 x 10 in., signed l.r. (Salmagundi Club label on reverse)

Frank Lloyd Wright Chair for the Charles L. and Dorothy Manson House, Wausau, Wisconsin, 1938 Cypress plywood, upholstery (H: 28 W: 18 1/2 D: 25 in.)Qty: (1) Provenance The Charles L. and D

Frank Lloyd Wright Chair for the Charles L. and Dorothy Manson House, Wausau, Wisconsin, 1938 Cypress plywood, upholstery (H: 27 W: 21 D: 26 in.)Qty: (1) Provenance The Charles L. and Dorothy Man

Joan Miro (Spanish, 1893-1983) Untitled, 1957 crayon on paper signed Miro (lower right); inscribed letter (verso) 10 ¾ x 8 ¼ inches. This work is accompanied by a certificate of authenticity from th

JOAN MIRÓ (Spanish, 1893–1983) "L'Aigrette Rouge" 1976. Framed carborundum etching and aquatint in colors, on Arches paper, signed and numbered 29/50. Publisher: Maeght Editeur, Paris; Literature: