Paolo Caliari, called Paolo Veronese (Italian, 1528-1588) Study of Venus, Adonis, and Cupid (fra...

Follower of Paolo Veronese (Italian, 1528-1588), Study of Hercules and Antaeus, ink and wash on paper, unsigned, attribution inscribed verso, overall (in mat): 17"h x 12"w

manner of PAOLO VERONESE (Italian 1528-1588) AN OLD MASTER STYLE PAINTING, "Feast at the House of Levi," PROBABLY PARIS, 18TH/19TH CENTURY, oil on canvas, a study of the central portion of the origina

after PAOLO VERONESE (Italian 1528-1588) attributed to GIOVANNI "GIAN" DOMENICO FERRETTI (Italian 1692-1766) A PAINTING, "Abduction of Europa," 1720-1740, oil on canvas, signed indistinctly, "Pietro R

(possibly 16th/17th century) The Judgement of Solomon, unsigned, inscribed verso in ink crediting the work to Paolo Veronese (Italian, 1528-1588), red chalk on laid paper, 6-5/8 x 9-7/8 in.; modern fr

Paolo Veronese (studio) (Italian 1528-1588) Martyrdom of St Sebastian c. 1565 Drawing on laid paper; pen, ink and brown wash With an "IHS" watermark. The cross is above the "H"; 16th century watermark

Three art books and albums on Italian Renaissance and Baroque painting. Caravaggio by John T. Spike, published by Abbeville Press, New York, 2001. The Art of Paolo Veronese 1528 to 1588 by W.R. Rearic

After Paolo Vernese (Italian 1528-1588), Monumental Oil on Canvas Painting. The Marriage at Cana. The presentation of the virgin. 107" x 51"

Veronese, Paolo (Verona 1528–1588 Venedig) in der Art Anbetung der Könige. Öl auf Leinwand. 97,5x137 cm. - Doubliert.

CARLETTO CALIARI; Sohn, Schuler und Mitarbeiter des Paolo Veronese. "DIE FINDUNG MOSIS" Renaissance Painting "The Finding of Moses" Oil on Canvas -- Dimensions: Image Size: H: 24 inches: W: 37.25 inch

Paolo Soleri (Italian, American, 1919-2013) Material Study for Arcosanti Roof Cast aluminum 16 x 13 x 6.5 (in) Unsigned An assistant at Arcosanti verified the casting of this sculpture at the property

After Francesco Albani (Italian, 1578-1660) "Adonis Led by Cupids to Venus", 19th century oil on canvas unsigned, partial old inventory label en verso. Framed. 30-3/4" x 39-1/4", framed 35-3/4" x 45-1

18th Century Italian Venus & Cupid Oil/Canvas. Unsigned. In original Gilt Frame. Sight Size: 19 x 26.25 in.

olio su tela, W. 154 - H. 113 Cm, Expertise Dott. Dino Brandi, L'opera autografa realizzata dall'artista è attualmente conservata presso la Galleria degli Uffizi a Firenze

Studio of Pauwels Franck, called Paolo Fiammingo (Antwerp circa 1540-1596 Venice) Orpheus charming the animals oil on canvas 40.1 x 90.1cm (15 13/16 x 35 1/2in). Footnotes: A work of the same su

probabile frammento, olio su tela, W. 111 - H. 93 Cm

Italian School, "Venus and Adonis," late 19th c., carved marble group, possibly a Grand Tour souvenir, on an integral circular base, H.- 18 in., W.- 8 1/2 in., D.- 6 in.

After Titian (Tiziano Vecelli) (Italian, 1488-1576) "Venus and Cupid" 19th Century oil on canvas unsigned 20 1/4 x 30 1/4 inches (sight) 32 1/2 x 42 1/2 inches (frame)

After Jacopo da Palma called Palma Vecchio (Italian, ca. 1480-1528) "Portrait of a Young Woman, Called La Bella" oil on canvas unsigned, after the 1518/20 portrait now conserved at the Museum Thyssen

Bernardino Poccetti, called Il Poccetti (Italian,1542/48 - 1612) Study of heads of two men, in profile to the right. Red chalk hightened with white chalk. Provenance: Teodor de Wyzewa (L. 2471 Twice,

Attributed Jacopo Amigoni 1682-1752. Venus and Adonis. pen/ink/wash. 7.5x10. Museum quality drawing of Venus/Adonis and the hounds/love birds/cupid. The composition is beautifully balanced and his app

Paolo Venini (Italian, 1895-1959) ▴ Paolo Venini (Italian, 1895-1959), a 'Murrine a Damo' glass vase, c.1953, of ovoid form, decorated with turquoise and ruby murrine, with acid stamp 'Venini/Mu

Attributed to: Titian (Italian, Born Circa 1485-1576), oil on canvas, old reline, Venus & Cupid in a landscape, 15" x 22" in period 16th c. frame

Icaro, Paolo (Italian, b.1936), Against Man, c.1979, white plaster sculpture, unmarked, 13 x 10.5 inches, with original hole on back for hanging. Provenance: Jack Tilton Gallery, NYC, purchased by the

ITALIAN SCHOOL (18th/19th Century) A PAINTING, "Cupid, Venus, and Mars in Landscape with Dog," oil on canvas. 43" x 31 1/2"