[CIVIL RIGHTS]. The Crisis. 30 issues (incomplete run). New York: The Crisis Publishing Co., Inc.,

Ogden M. Pleissner (1905-1983) Angler and Guide: Kill Devil Run signed "Pleissner" lower right oil on board, 7 1/2 by 11 1/2 in. titled on back Hirschl & Adler Galleries, Inc., New York label on back

oil on canvas signed lower right Provenance: Hirschl & Adler Galleries Inc. New York 26 x 30 inches

Rolph Scarlett Untitled c. 1950oil on Masonite 11.5 h × 30.5 w in (29 × 77 cm) Signed to lower right 'Scarlett'. Provenance: Portico New York, Inc., New Yor

Harvey Thomas Dunn Green Half-Moon 1915oil on canvas 30.125 h x 24.125 w in (77 x 61 cm) Signed and dated to right edge 'HD 15'. Provenance: Illustration House, Inc., N

History of Idaho: A Narrative Account of Its Historical Progress, Its People and Its Principle Interests. Hiram T. French, M.S. Chicago & New York: Lewis Publishing Co., 1914. First Edition. Vols. I-I

ANDY WARHOL (1928-1987) Campbell's soup II 1969 serigrafia su carta cm 88,9x58,4 esemplare 121/250 firmato e numerato sul retro stampatore Salvatore Silkscreen Co., Inc., New York editore Factory Addi

Drawing 1946. Signed and dated lower right. M. Knoedler & Co, New York label, Perls Galleries label, and Laguna Gloria Art Museum, Austin Texas "Drawings for Outdoor Sculpture" Exhibition label affixe

Marwan (Syrian/German, 1934-2016) Still Life, No. 101, 1974 watercolor on paper signed Marwan and dated (upper right) 30 x 22 inches. Provenance: Gruenebaum Gallery, New York

254. A LARGE STERLING SILVER AND GOLD MEZUZAH BY ILYA SCHOR. New York, 1960. One border is cut out with a Bar Mitzvah boy with tefillin. The other border is a young man with an open book. The main dec

[CIVIL RIGHTS]. KING, Dr. Martin Luther, Jr. (1929–1968). Where Do We Go From Here: Chaos or Community? New York: Harper & Row, 1967. 8vo. Original publisher’s black and yellow cloth, gilt

[CIVIL RIGHTS]. KING, Dr. Martin Luther, Jr. (1929–1968). Strength to Love. New York: Harper & Row, 1963. 8vo. Original publisher’s black cloth, gilt-lettered spine. Provenance: Claude Wya

‘Untitled’, chalk pastel on paper, vivid blue and red abstract imagery, pencil-signed lower right. Provenance: Andre Emmerich Gallery Inc, New York (see label on reverse). Condition: this

Salvador Dali (Spanish, 1904-1989), "Drawers of Memory," 1965, lithograph, pencil signed lower right, printed by Hollander's Workshop, Inc., New York, published by Sydney Lucas, New York, aside from t

GOODWIN, Archie (1937-1998), ed. Eerie. No.1. New York: Warren Publishing, 1965. 8vo. Original pictorial wraps (very light toning along edges). Provenance: Forrest J. Ackerman (1916-2008), American ed

A late 19th century French Egyptian Revival mantel clock made for Tiffany & Co. New York. French 8-day time and strike movement with circular Brass plates and Black marble dial with Bronze foliate cen

R.J. Horner & Co.(New York, 1886-1915)Figural Partner's Deskcirca 1890carved mahoganynumbered "1098"30 1/2 x 56 x 33 1/2 inchesThe desk carved with winged griffins, filigree, birds, mythical faces

Joseph Lee (American, 1827-1880) Kentfield, California, circa 1865 oil on canvas signed Joseph Lee (lower right) 20 x 36 inches Provenance: Hirschl & Adler Galleries, Inc., New York, New York Private

Carl Rungius (1869-1959), Young Bull, etching, 12 x 9 1/2, signed lower right: C. Rungius, Provenance: Arthur H. Harlow & Co., New York, NY (label verso) From the Collection of James Anderson

Carl Rungius (1869-1959), Lord of the Canyon, etching and drypoint, 6 1/8 x 8 3/8 (plate), signed lower right: C. Rungius, Provenance: Arthur H. Harlow & Co, New York, NY (label verso) From a Private

VERY RARE Samuel Hart Transformation Playing Cards. New York and Philadelphia: Samuel Hart & Co., ca. 1860. 52. This deck is copied from one published by Braun & Schneider (Munich) ten years earlier,

Thomas Hart Benton(1889-1975)"After the Blow", 1946Lithograph on paperFrom the edition of 250Signed in pencil in the lower margin, at right: Benton; Associated American Artists, New York, pub.Image: 9

Frederick Hammersley And so on 1984oil on masonite in artist's frame 15 h × 12 w in (38 × 30 cm) Signed to right edge 'Hammersley 84'. Provenance: Miles McE

DESCRIPTION: Mixed media on panel artwork by Carlito Dalceggio (Canadian) entitled "Protector". Signed and dated at upper right. At reverse: "PROTECTOR Dalceggio inc. [copyright] 2018 New York". Prove

John Falter (New York, Pennsylvania, Nebraska 1910-1982), fishing illustration, oil on canvas laid on panel. Signed and dated LRC "John Falter '42". 24" x 30 1/2".