REMBRANDT HARMENSZ VAN RIJN (1606-1669) Étudiant à une table aux chandelles, circa 164...

Rembrandt Harmensz van Rijn (1606-1669) The Little Jewish Bride (Saskia as Saint Catherine) (Bartsch, Hollstein 342, Hind 154, New Hollstein 169), 1638 Etching with drypoint on laid paper, New Hollste

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

Rembrandt Harmensz. Van Rijn (1606-1669): The Rat Catcher Etching in black on laid paper. 5 3/4 x 4 /8 in. (sheet), 8 1/2 x 8 1/4 in. (frame). Property Formerly in the Collection of Doris Gottlieb Bri

Rembrandt Harmensz van Rijn (1606-1669) etching, sheet of studies; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably a 19th century impression. Not examined out of the frame.

Rembrandt Harmensz van Rijn (1606-1669) etching,"The Rest on the Flight to Egypt," B. 57 III; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 190. Probably a 19th century impres

Rembrandt Harmensz van Rijn (1606-1669) etching,"Abraham's Sacrifice," 1655; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably an 18th or 19th century impression. No

Rembrandt Harmensz van Rijn (1606-1669) etching, Dutch landscape. Illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably a 19th century impression. Not examined out of the frame. A

Rembrandt Harmensz van Rijn (1606-1669) etching,"The Three Trees," B. 212; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably a 19th century impression. Not examined

Rembrandt Harmensz van Rijn (1606-1669) etching,"Jan Cornelis Sylvius, Preacher," B. 46-E, 1646; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably an 18th or 19th century impr

Rembrandt Harmensz Van Rijn (Holland, 1606-1669)Christ before Pilateetching with drypoint and engraving on laid paperLarge Plate (B., Holl. 77; H. 143) Etching with drypoint and engraving, 1635-36, wa

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Descent from the Cross: Second Plate, 1633, fifth (final) state (B., Holl. 81; H. 103; BB. 33-C) etc

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Jews in the Synagogue (B. 126; H. 234; New Holl. 242), 1648 etching and drypoint on laid paper a H.L. Basan impression with no watermarks, New Hollsteins

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) 'The Death of the Virgin', 1639 etching, trimmed to plate image 39.2 x 31.2cm Provenance: With Lilla Buk

Rembrandt etching of Beggar Seated Warming His Hands At A Chafing Dish about 1630, Rembrandt Harmensz. van Rijn (Dutch, 1606–1669), Bartsch 173 ii; Hind 8 ii, DIMENSIONS - Sheet: 8.2 x 5.1 cm (3 1/4

REMBRANDT HARMENSZ. VAN RIJN (CIRCLE) Leiden 1606 - 1669 Amsterdam MAN CUTTING A FEATHER Oil on panel. 26 cm by 23 cm. Frame. Expertise: enclosed is a statement of the Kaiser-Wilhelm-Museum in Krefeld

Rembrandt Harmensz.van Rijn (Dutch, 1606-1669), "Self-Portrait with Saskia"-1636, etching, signed in plate, Biörklund's third state (of 3) (36-A). Figural print, considered by some to be a marriage p

After Rembrandt Harmenszoon Van Rijn. (1606-1669). Portrait D'une Vieille Dame (Portrait of an Old Lady). Antique Hand Pulled Copper Plate Etching on Laid Paper after the Original 1600's Oil Painting

Follower of Rembrandt van Rijn (Dutch, 1606–1669), Portrait of Rembrandt, circa 1840, oil on board, dated, titled and inscribed verso, board (oval): 8.5"h x 6.5"w, overall (with frame): 11.5"h x 9.5

REMBRANDT HARMENSZ. VAN RIJN (19TH-CT. FOLLOWER) Leiden 1606 - 1669 Amsterdam PORTRAIT OF SASKIA VAN UYLENBURGH Oil on canvas. 100.5 cm by 75.5 cm. Min. part. rest. Frame.

van Rijn, Rembrandt Harmensz (1606-1669). "Three Oriental Figures" (Jacob and Laban?) 1641. Etching with drypoint. New Hollstein's second (final) state. Harris 118. Plate: 5 3/4" x 4 1/2" Visible Imag

CIRCLE OF HARMENSZ VAN RIJN REMBRANDT 1606 Leiden - 1669 Amsterdam STUDY OF A BEARDED OLD MAN WITH A HAT Oil on oak panel. 15,5 x 11,5 cm (f. 22,5 x 18,5 cm). Part. min. old rest. Frame. Provenance: R

REMBRANDT HARMENSZ VAN RIJN (NACHFOLGER DES 18. JH.) 1606 Leiden - 1669 Amsterdam PORTRÄT EINES BÄRTIGEN ORIENTALEN Öl auf Eichenholztafel. 37,5 cm x 28,5 cm. Verso: Altes Etikett des Kunstauktions

19th century etching print, after Rembrandt Harmenszoon Van Rijn (1606 - 1669), "The Triumph of Mordecai," circa 1641. Matted and housed in an old wooden frame. Provenance: Doyle auction house. Please

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, but a later impression of New Hollstein's final state (of 5), on cream laid paper without watermark, platemark 105 x 130 mm