James Abbott Whistler Nocturne In Blue Custom Framed Print

James Abbott McNeill Whistler (1834-1903), (3) framed prints. Info verso. Largest frame overall 15 1/2" x 19 1/2".

James Abbott McNeill Whistler (American/British, 1834-1903) "Nocturne in Blue and Gold - Old Battersea Bridge", ca. 1910-1920 color lithograph on paper board "Franz Hanfstaengl, Munchen, no. 100" blin

Hand written note framed with a print of Whistler 14 1/2" x 11 1/2" overall with frame

James Abbott McNeill Whistler (American, 1834-1903), The Forgeetching and drypoint on laid paper, 1861, retains antique gallery label from the Old Print Shop, New York, matted and framed. Kennedy 68.

“Nocturne in Blue and Green: Chelsea”. Signed and monogrammed in pencil l/l and monogrammed in the image. Photolithograph. Measuring 8" by 10". Framed under glass. (Cond: minor spitting) (150/300)

Alderney Street" Etching" - printed in margin: Gazette des Beaux-Arts, Imp Cadart; Plate: 7" high x 4.25" wide; Good with mat burn, framed behind glass, not examined out of frame. "Savoy Pigeons" Lith

This is an estate found signed print by American artist Clifford Isaac Addams (1876-1942). Addams was a protege of James McNeill Whistler. The framed print features the "Peerless" ferry coming to shor

James Abbott McNeill Whistler (1834-1903). Framed etching. Sight - 8" x 11" Overall - 17" x 21" In-house shipping available within continental U.S. for $60 plus insurance.

This is an original estate found etching print by American artist James Abbott McNeil Whistler (1834-1903). This print known as "Fulham AKA Chelsea" features a depiction of a bridge over water and is

James Abbott McNeill Whistler (American, 1834-1903), "The Little Cafe au Bois," 1894, lithograph, pencil signed lower right, plate signed with the butterfly lower center, with a collector stamp verso,

James Abbott McNeill Whistler (American, 1834-1903), "Gants de Suede," circa 1890, lithograph, butterfly monogram center right, sight: 10"h x 5.75"w, overall: 16.75"h x 13"w

James Abbott McNeil Whistler (American, 1834-1903), "La Vieille aux Loques," from "Twelve Etchings from Nature," 1858 etching, plate signed lower right, Vincent Price Collection label affixed verso, i

Prices are in Canadian dollars

Framed print (possible watercolor) James Whistler's portrait, mahogany 18" x 16 1/2" frame, early 20th c. Condition: small edge losses on frame, glass needs cleaning

Chinoiserie Style Custom Framed Art Print Blue/White/Rd. 17”square.

James Abbott McNeill Whistler, (American, 1834-1903), two prints on paper, comprising “Hurlingham," ca 1879, drypoint etching with a crown watermark, depicting docked sailboats, and "The Traghet

After James Abbott McNeill Whistler (American, 1834-1903), Thames Police (Wapping Wharf), 1859, etching, plate signed and dated lower right, image: 6"h x 8.75"w, overall (with frame): 15.75"h x 18.75"

After James Abbott McNeill Whistler (American, 1834-1903), Annie Haden, drypoint etching, plate signed and dated lower left, overall (with frame): 19.5"h x 15.5"w

After James Abbott McNeill Whistler (American, 1834-1903), "The Adam and Eve, Old Chelsea, 1879," print, overall (with frame): 14.5"h x 19.25"w

After James Abbott McNeill Whistler (American, 1834-1903), "Black Lion Wharf," rotogravure reproduction on paper, signed in plate, sheet (unframed): 8.75"h x 11.75"w

Prices are in Canadian dollars

James Abbott McNeil Whistler (1834-1903, MA/UK/FR) framed and matted etching titled "St. James Street, June 1878" with Newman's Gallery, Philadelphia label. 12" x 6.25" ss / 22.5" x 16" oa

Group of (4) custom-framed prints, views of London, Greenwich Hospital England, St James Palace, and Richmond in Surrey, 20" x 25". Provenance: Other estates.

James Abbott McNeill Whistler (American/British, 1834-1903) "Nocturn in Blue and Gold - Old Battersea Bridge", ca. 1910-1920 color lithograph on paperboard "Hanfstaengl" blind stamp and copyright mark