1854 Sampler - Remember Me w/ Provenance on Backside

Dated 1854 "Catharine Asper Remember Me Louisa Asper" cross-stitched needlework on punched paper, back side with original paper note provenance gifted from the giver, probably original wooden frame 7

Alphabet at top. Bottom: Tune thy harp to praise. Remember me my savior. George W Creighton. God is Love. Native American. Date unknown. Overall with frame 12" high x 13-1/2" wide. LR Provenance: From

''San Jacinto Mountain From Desert'' Oil on canvas Signed lower right: C. A. Fries, titled and numbered verso: #417 20'' H x 30'' W Provenance: with, Blue Heron Gallery, April, 2008; Private Collectio

"Sunkissed", desert landscape Oil on canvas laid to canvas Signed lower right: C.A. Fries, titled on a gallery label affixed verso 7" H x 7" W Provenance: Private Collection, Fullerton, CA. Exhibition

1814 Sampler of Ann Harrison Aged 9. Replete with verse, Adam and Eve motif, and other floral devices. Size: Framed: 30.5" H x 29" W x 1.5" D; Sight: 25.5" H x 24" W Provenance: Production of “D

Sampler quilt signed ''Elmer'', ''Annie'', and ''Rollo'', early 20th century, pieced, cotton. Some staining to front. 90''h, 88''w. Provenance: Estate of Laura Fisher, New York, NY.

Organized Sampler Crazy quilt with burgundy ruffled edge. Some fraying to top, some yellowing and stain to backing. 68''h, 67''w. Provenance: Estate of Laura Fisher, New York, NY.

By Alice Bradburn, dated January 20th, 1818 Overall: 16-3/4"h x 18-1/2"w Provenance: Sotheby's, New York, Private Collection

American, 19th Century. 12.25"h 10"w. Provenance: From the collection of Mary Thornton, having sold at Garth's Auctions, Delaware, Ohio in 1976 (retaining tag).

Antique 19th C Needlepoint Sampler. Size: Framed: 18" H x 17.5" W x 1" D; Sight: 16" H x 15.5" W Provenance: Production of “Dickinson”

French needlepoint sampler, late 19th century, depicting doves foraging near a bowl of water, with a rectangular garland border, the whole framed, overall: 16"h x 22"w. Provenance: Property from the C

Federal style spindle back side chair, having turned supports terminating at the drop in seat, and rising on chamfered legs, 36"h x 19"w. Provenance: Property from the collection of Trotter's Antiques

Of birds, flowers, and Bible verses, no date. Losses and stains. Sight size: 16"h x 13-3/4"w Overall: 18"h x 16"w Provenance: Property from a Private Rumson, NJ Collection

I Remember It Was That Wednesday, 2009 Oil on canvas Signed and titled on a label affixed verso: Andrew Salgado; dated on an accompanying sales invoice 64.5" H x 85" W Provenance: Beers Contempor

Toyokuni III (1786-1864, Japan), set of three woodblock prints, dated 1859. 1854, to include certificates of authenticity 22"h x 18"w Provenance: A Waco, Texas collection We happily provid

John Fullwood (British, 1854-1931), "The Wood Gatherer's," oil on canvas, signed lower right, overall (with frame): 49.5"h x 59.25"w. Provenance: Previously sold at Bonhams California, 8/24/14 (lot 30

(English, 1854-1923) After Walter Dendy Sadler, black and white etching Overall: 23-1/2"h x 29-1/2"w Sight: 17-1/2"h x 23-1/2"w Provenance: Property from the Estate of John Strawbridge Lloyd, Philadel

Hugo Anton Fisher (American, 1854-1916), River Landscape, watercolor, signed lower right, overall (with frame): 26"h x 35"w. Provenance: Estate of Edan Milton Hughes (San Francisco, CA)

A fine Chinese sculpture of a Buddha head. As found in the estate. Retains it's original old patina. Remains of old sticker to backside, measures approx. 8'' T x 6.5''L x 3.5''W Provenance: From a pro

An 18th C. polychrome sampler by Mary Robbins, the linen body symmetrically embroidered with house trees, farm animals and poem, framed, h. 16" x w. 17". Provenance: Ex collection of A. W. Drake, N.Y.

19TH CENT NEEDLEWORK SAMPLER ON LINEN - WROUGHT BY LILLIE C TOMPKINS 12 YRS - ROWS OF ALPHA NUMERIC - FRAMED 9 3/4" X 8" - LABEL ON BACK W/ FAMILY PROVENANCE LITTLE COMPTON R.I. TOMPKIN FAMILY - SPOTT

Chinese Hongshan Style Caved Hardstone Dagger, W 4.25'' L 11.25'' | Carved hardstone dagger having an owl form pommel. Two drill holes on the backside. Provenance: From the estate of a Southeast Michi

Antique English girlhood sampler in eglomise frame, 19th c., initialed "H.C.", frame labeled verso "Wm. C. Price, The Art Gallery, Croydon", 5"h x 6"w (sight), 8.5"h x 10"w (frame) Provenance: From th

Attributed to Thomas Jefferson Scott (British, 1854-1927), portrait, 28 1/2" h x 23 1/2" w (view), 36" h x 31" w (frame). Provenance: from the estate of the late William Kester of Los Angeles and Palo