A Venetian linstock, 1st half of the 17th century

A Venetian schiavona with waved blade, 1st half of the 17th centuryGeflammte, zweischneidige Klinge, beidseitig dreifach gekehlt, in der mittleren unleserlich bezeichnet, am Ort verrundet. Typisches,

Furniture, Charles II Carved Oak Bible Chest, English & likely Welsh, 1st half 17th century, bead-carved edge top hinged w/wrought iron heart terminal hinges & rosehead nails above front panel, well c

FLEMISH SCHOOL 1ST HALF 17TH CENTURY PORTRAIT OF SAINT PETRUS Oil on oak panel. 36 x 25,5 cm (F. 45 x 35 cm). Inscribed above: 'SC PETRUS'. Part. min. old rest., old retouching. Frame. Provenance: Sou

Venetian, 1st half 20th century Height 62 1/2" Width 34 3/4" Provenance: Mr. William C. Robinson Jr was master of foxhounds at the Sewickley Hunt Club and also was owner of the horse farms: "Far Away

An engraved German brass tablespoon, 1st half of the 17th centuryLöffel aus Messing mit tropfenförmiger, fein floral gravierter Laffe. Leicht abgeflachter Stiel mit Bandgliederung, mehrfach abge

Capodimonte porcelain high relief plaque after Peter Paul Rubens, 1st Half 20th Century. After 17th Century Flemish Baroque painter, Peter Paul Rubens' Diana and Her Nymphs Surprised by Satyrs. Unmark

Venetian stone plinth, dragon with coat of arms in half relief technique; on the sides old niches from mounting, sculpted Istrian stone; 16th/17th Century?; 49x41cm

Full title: A Flemish walnut refectory table, 2nd half 17th C. Description: H 80,5 x L 234 x D 72,5 cm

Full title: A Westerwald stoneware jug with lion maskes and bees or 'Sternkrug', Germany, second half 17th C. Description: H 28,5 cm Condition reports and high resolution pictures are available on our

Oil on copper Interesting work, with a curious iconography, in which the scene in the foreground of Saint Anthony stands out on a tribune before a large group of characters, who are represented in a i

FLEMISH MASTER Active 2nd half 17th century LANDSCAPE WITH HUNTING PARTY Oil on oak wood panel. 59 x 77,5 cm (F. 69 x 88 cm). Verso: On the panel the antwerp hand and tower as well as an old label 'Fr

NEAPOLITAN SCHOOL, SECOND HALF 17th CENTURY The Healing of the Leper - Christ and the Adulteress. Couple of paintings Oil on canvas, cm. 37,5x48

A DERUTA MAIOLICA DISH First half 17th century Decorated with a putto surrounded by grotteschi strapwork borders. width 16in (40.6cm); depth 11 3/8in (28.9cm)

Full title: A partly gilt Mechelen alabaster relief depicting the raising of Lazarus, studio Nicolaes Daems, first half 17th C. Description: The outer frame : H 17,5 x L 15 cm The carving: H 12 x L 10

Louis XIII frame : 2nd half 17th c. Decorated by flowers and tendrils. Oak wood, carved, colored and gilded. Light size 59.5 x 40 cm; outer size 77 x 57 cm. - The frame exists only in fragments. // Lo

English, last half 17th C., with loose fitted cushion 39-1/4"h x 22"w x 18-1/2"d

Second half 17th century, 175 x 127 cm, West Anatolia, Manisa Province This red-ground double niche carpet of the Transylvanian group presents a floral blue-ground central medallion and a cartouche bo

Early Transylvanian Rug Anatolia c. second half 17th century, Romania is home to one of the most impressive collections of surviving antique Oriental rugs from the Ottoman Empire. This vibrant antique

second half 17th century, 167 x 123 cm, West Anatolia, Manisa Woven in workshops in the West Anatolian province of Manisa, these carpets were highly popular in 17th century Europe and frequently depic

First half 17th century, 44 x 101 cm, North East China, Beijing This rectangular horizontal fragment with two peonies on a golden, originally deep red ground constitutes part of the lateral field sect

British, second half 17th century, oak throughout with old mellow dark color, central balustrade door flanked by stylized flowers in carved relief, shelved interior, iron butterfly hinges, 30 x 35-1/2

A Flemish Baroque tapestrysecond half 17th centuryapproximately 8ft 11in x 6ft (270 x 164cm)

A FINE TRIPTYCH SHOWING THE PRESENTATION OF CHRIST TO THE TEMPLE, THE ASCENSION OF CHRIST AND THE TRANSFIGURATION Russian, 2nd half 17th century Tempera on wood panels. Finely executed in great detail

A MONUMENTAL ICON OF ST. GEORGE KILLING THE DRAGON North Russian, 2nd half 17th century Tempera on wood panel with double kovcheg. At the side of a mount the Saint upon a rearing white horse plunging