Hans von Faber du Faur (1863 - 1940?) - Ulanenoff

(1828 Ludwigsburg - 1901 München) Araber reiten durch eine Furt Impressionistisches Orientbild des auf Reiter und Schlachten spezialisierten Malers. Faur lernte bei Studienaufenthalten in P

von Bartels, Hans (German 1856 - 1913), Fisherman in Rough Surf with Wagon, watercolor, gouache, and oils on paperboard, 35.5 x 55 inches, signed Hans Bartels Munchen lower left, farmed in a period sc

Ponte model desk, Skipper production, 1975. Walnut, leather, steel.. Cm 250.00 x 76.00 x 100.00. Literature (for table series): Domus n. 542, January 1975, p. 39

GRAF VON FABER CASTELL fountain pen, Pen of the year 2004 'Amber', corpus made of amber- and platin rings alternate, masterful, creation of Boris Igdalov, head of the restorer of the amber room, uniqu

ETTORE SOTTSASS (1917-2007) & HANS VON KLIER (1934-2000) Four armchairs and an executive armchair on wheels for Design Center Poltronova, Florence. 1970. Cast aluminium, leatherette and fibreglass.. .

Hans von Aachen (manner of), painting, Manner of Hans von Aachen (c. 18th/19th c.), The Three Graces, oil on copper, no signature observed, unframed, 15"h x 12.5"w (panel) Provenance: Property removed

VON KLIER HANS (1934 - 2000) Sideboard for Skipper, Italy. Mahogany wood, metal, plastic and glass.. Cm 250,00 x 81,00 x 50,00. 1970s.Marked "Original comput per Skipper" on the handles.

2004 Pen of the Year - Silver toned pen with orange enameled details. Complete with original packaging and papers.

Heading: Author: Faber-Castell Title: Graf von Faber-Castell Pen of the Year 2016 (Schoenbrunn Palace) Limited Edition Rollerball Pen Place Published: Publisher: Date Published: Desc

ANDREW ALLAN (SCOTTISH 1863-1940) THISTLEDOWN AND GOLDFINCHES Signed, oil on canvas(41cm x 61cm (16in x 24in))

Graf Von Faber-Castell 2004 Pen Of The Year Amber without box and papers. This limited edition pen had 2500 (1246/2500) produced. Boris Igdalov, head of manufacturing, had the amber on these pens done

Fine Antique American Rail Fence Log Cabin Quilt Comforter, in excellent condition. Made by Belle Wright Rosenfeld (New York State, 1863-1940) Ex. Collection of George and Eunice Schermerhorn; Ilene W

DESCRIPTION: Two matching Royal Worcester porcelain chargers, each featuring applied floral and gilt foliage decor by British artists James Callowhill (1838-1917) and Edward Raby (1863-1940). Each pie

Dufaur Paris. Circa 1910. Including: 16" Clock, gilded bronze and enamel cloisonne. Set with (2) enamel and bronze urns, 8" high.

Hans Eduard von Berlepsch-Valendas, attributedhandled jardinereGermanypierced and repouseed copperunsigned13"h x 23"w

Germany; 19th century. Signed Von Hans Heele, an optic scientific instrument with pivoting mirror on top, opening to a key wind mechanism. Brass plaques indicate the item was made in Berlin, and impor

Sir Hans Heysen (Australian, 1877-1968) Mount Patawerta, Flinders Ranges Signed and dated "HANS HEYSEN/19..." l.r., titled, signed, and dated "No. 85 Mount Patawerta./Flinders Ranges/1940/Hans He

FRANZ VON STUCK Die Sinnlichkeit. Etching, 1889. 215x172 mm; 8½x6 inches, full margins. Signed in pencil, lower right. A very good, dark impression. Von Stuck (1863–1928) was educated in Mu

Hans Eduard von Berlepsch-Valendas jardiniere, Munich Germany circa 1904. A huge hammered copper jardiniere with bronze handles. Sensational hammering and an unreal original patina in amazing conditio

Franz von Stuck (1863-1928, Munich), album "30 Photogravures", with dedication of the artist Ed. by Franz Hanfstängel, Munich. On the first page handwritten dedication by Franz von Stuck to Ludwi

HEUER Herrenarmbanduhr Chronograph von ca. 1930-1940 in Gelbgold 14K.Uhrwerk Handaufzug mit anthrazitfarbenem Zifferblatt, arabischen Zahlen im Breguetstil sowie braunem Lederband mit vergoldeter Dorn

A bronze sculpture anatomical study of a man leaning against column, taking regard to his exposed hand, a model by Franz Von Stuck (German, 1863-1928), incised on column base, numbered 6/20; 27"H

Designed by Franz Von Stuck (German, 1863-1928); manufactured by Wurttembergische Metallwarenfabrik (WMF). The c. 1900 figural centerpiece is modeled as a winged Mercury standing on a tortoise, holdin

Hans Veit Schnorr von Carolsfeld (1764 Schneeberg (Saxony) - 1841 Leipzig) after Richard Westall (1765 Hertford - 1836 London): The Right Honorable Lord Byron, 1833, Brush drawing Technique: White hei