John Baeder (1928 -) Screenprint, Yankee Clipper, Signed

Screenprint titled Yankee Clipper. Signed bottom right numbered 90/250. Sight size 22” x 30”

Screenprint titled Blue Beacon. Signed bottom right numbered 193/250. Sight size 22” x 30”

Screenprint titled House With Trailer . Signed bottom right numbered 54/200. Sight size 22” x 30”

"Yankee Clipper" is a limited edition silkscreen on somerset paper by John Baeder, numbered and hand signed by the artist. Includes Letter of Authenticity. Measures approx. 30" x 22" (border); 24" x 1

Yankee Clipper is a limited edition silkscreen on somerset paper by John Baeder, numbered and hand signed by the artist. Includes Letter of Authenticity. Measures approx. 30" x 22" (border); 24" x 17"

Artist: John Baeder Title: Yankee Clipper Year: 1980 Dimensions: 22 in. by 30 in. Edition: From the limited edition of 250 Medium: Screenprint Condit

Artist: John Baeder Title: Yankee Clipper Year: 1980 Dimensions: 22in. by 30in. Edition: From the rare limited edition Medium: Original serigraph on Somerset pa

Artist: John Baeder Title: Yankee Clipper Year: 1980 Dimensions: 22in. by 30in. Edition: From the rare limited edition Medium: Original serigraph on Somerset pa

Screenprint titled Chicken Chops. Signed lower right numbered 85/250. Sight size 22" x 30"

John Wesley (American, 1928-2002) Boyfriends, 2001 color screenprint signed, dated, and numbered 59/70 in pencil 27 3/4 x 34 7/8 inches. The Palm Beach Estate of Jane Simon Published by Parkett, Zuric

Artist: John Baeder, American (1938 - ) Title: O'Connor's Diner Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: 250 Image Size: Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

Artist: John Baeder, American (1938 - ) Title: Blue Beacon Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 250 Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

John Baeder (American / Georgia, b. 1938), "The Dixon," 1980, etching and color screen print, pencil signed lower right, edition noted lower left AP. Approx. h. 50", w. 37.375" (frame); h. 49.5", w. 2

John Baeder (American / Georgia, b. 1938), "The Bungalow," 1980, etching and color screen print, pencil signed lower right, edition noted lower left AP. Approx. h/ 50", w. 37.75" (frame); h. 49.5", w.

John Baeder (American / Georgia, b. 1938), "The Mail Order House," 1980, etching and color screen print, pencil signed lower right, edition noted lower left AP. Approx. h. 50", w. 37.375" (frame); 41"

John Baeder (American / Georgia, b.1938), "The Claremont," 1980, etching and color screen print, pencil signed lower right, edition noted lower left AP. Approx. h. 50", w. 37.75" (frame); h. 49.5", w.

John Wesley (American, b. 1928) Maiden from 11 Pop Artists, Volume I, 1965 screenprint signed, dated, and numbered 38/200 in pencil 23 1/2 x 19 3/4 inches. Property belonging to the JFM Foundation Col

From 11 Pop Artists I, on wove paper, pencil signed, dated '65 and numbered 109/200 (50 artists proofs). Published by Original Editions, NY. Overall measures 24.25" x 28.25".

John Baeder Lisi's Pittsfield Diner 1980screenprint in colors on Somerset sheet: 22 h × 30 w in (56 × 76 cm) image: 16.25 h × 25.5 w in (41 × 65 cm) Signed, dated an

John Baeder Chicken, Chops, Steaks 1980screenprint in colors on Somerset sheet: 22 h × 30 w in (56 × 76 cm) image: 16.25 h × 24.5 w in (41 × 62 cm) Signed, dated and

City-Scapes Portfolio of 10 silkscreen published by London Arts, Inc. Including 10 screenprints on Somerset paper, each signed and numbered in pencil. Artists include John Baeder, Charles Bell, Arne B

From 11 Pop Artists Portfolio Vol. III, published by Original Editions and was acquired in its original portfolio box. Screenprint in colors on smooth wove paper, signed in pencil and numbered 1/200 (

Screenprint in colors; "What's Going on in the Halls?", 1971 (framed); Signed, dated and noted A/P; 13" x 16 1/2" (sight); Provenance: Private Collection, New Jersey

Andy Warhol(1928-1987)"Lincoln Center Ticket," 1967Screenprint in colors on poster paperPresumably from the edition of 500 (there was also a signed and numbered edition of 200 on opaque acry